Posts Tagged ‘authors’

Review: “Blood Communion” by Anne Rice

Posted: October 23, 2018 in Novel, Review, Scary Stuff
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As it gets colder and the nights grow longer, you can count on two things: my dark powers get stronger, and Anne Rice releases a new novel. This year it’s Blood Communion, the latest chapter in the new additions to her Vampire Chronicles that started with Prince Lestat in 2014. I was first at my library to get a copy, and I couldn’t wait to dive in. And despite a busy October (three words: work is insane!), I’ve been steadily making my way through the book. And this evening, I managed to finish the story. As is my self-imposed duty, I will review it. Even if it does mean staying up later than I meant to.

What can I say? I’m a bear for work. At least the kind I do for fun.

Blood Communion follows Lestat as his Court is finally beginning to look like an actual royal court. However, at times he finds his own desires and morals standing opposed to what those in his council desire or believe. As the Brat Prince tries to reconcile what he believes with what he must do as Prince of the Vampires, new threats to the Court arise. Old and new enemies resurface, threatening all he loves. And if he wants any of it to survive, Lestat will have to make some very hard decisions. What he decides to do will determine not just what will happen to the Court, but to vampires everywhere.

I feel like this novel, more than many of the others in the Chronicles, would make a great arc for a future season of the upcoming Vampire Chronicles TV series.* The story feels oddly suited to an arc for a show based off these books and characters.

But as a novel, I liked it. Written with Rice’s usual focus on beauty, sensuality, spirituality, and emotion and with that detail to language that makes her style so unique, it’s not hard to get drawn in. And as the central conflict of the story becomes apparent, you really get caught up in Lestat’s battle not only for his friends and family, but for the very soul of the vampire community. At the same time, seeing Lestat trying to figure out what is the right path for him and his new Kingdom of the Night is compelling. It’s a conflict we haven’t seen this famous vampire have to go through yet (and he’s met the Devil), and I’m glad that Rice decided to explore this new facet of Lestat and the issues that arise from what he’s trying to do.

My one criticism is that I wish that some of the new characters introduced could’ve been given bigger roles and perhaps allowed to surprise us more. I know that there was only so much room and there had to be focus on the main conflict, but I felt that these new characters could’ve been a lot more interesting if they’d maybe shown up with different purposes and goals in mind.

All in all though, this was a satisfying addition to the Vampire Chronicles and I’m sure that if the show gets far enough, it’ll make for a great season of television. On a scale of 1 to 5, I’m giving Blood Communion by Anne Rice a solid 4. Pick it up, and drink in the majesty of the beginning of a new era of the Children of the Blood. I’m looking forward to seeing the next book in the series has Lestat and the Court doing.

Though if the next book Ms. Rice produces involves werewolves, angels, or mummies, I’ll also be excited to read that. What can I say? I’m flexible.

*Yeah, in case you missed it, Hulu’s developing a TV series based off Anne Rice’s books and starting with a pilot penned by her son and fellow writer Christopher Rice. As you can imagine, I can’t wait to see it. And is it too much to hope that Tom Mison or Christopher Eccleston can get roles on the show?

Self-Pub Authors: Writing a Sex Scene

Posted: October 21, 2018 in Journalism, Writing
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I just published my latest post on Self-Published Authors Helping Other Authors. And I’m sure I’m going to be stepping on a few toes by posting this one: Writing a Sex Scene. Yeah, I went and wrote this article. I can already feel gray hairs sprouting on the heads of people I know who either still think of me as a funny, if somewhat wild child, or who just didn’t think I could find a way to give them cause to worry.

But I felt it was necessary to write this post. As much as we try to ignore or laugh (or even disparage) at any mention of sex in our media, it’s become quite common to depict sex in our work. And that includes our literature. Surprisingly though, not a lot of time is devoted to actually showing people how to write those scenes. Not as much as could be, anyway. I’ve written a couple of scenes involving sex, so I thought it would be good to write an article with some tips on how to write those scenes. And surprisingly, this article is cleaner than you would expect.

If you’re at all curious, please take a moment to check out the article. And while you’re there, check out the other articles on the site. Self-Published Authors Helping Other Authors is a great site devoted to helping authors of all genres, backgrounds and experiences to write, edit, publish and market their work effectively and without spending a fortune on it either. I’m not just a contributor, I’m also someone who has been helped immensely by the site, so definitely check it out if you have the chance.

That’s all for now, my Followers of Fear. I’ve got plenty to do today, so I’ll check in another time. Until then, pleasant nightmares!

I Think I Wrote a Novel Without Intending To

Posted: October 18, 2018 in Living and Life, Novel, Progress Report, Reflections, Scary Stuff, Writing
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You ever find yourself doing something casually, thinking it’d be a fun hobby or just a way to pass a couple of hours, and then it ends up becoming something much bigger than you could ever have imagined? That’s happened to me a number of times. Reading Harry Potter as a child and then reading Stephen King’s It as a tween led me to become a writer and a horror writer, respectively, when I’d only been looking for something new and fun to read. Likewise, reading books about the Holocaust while traveling through Israel during the summer before senior year of high school led me to want to study the Holocaust along with creative writing in college.

And just recently, a story I started writing in-between drafts of Rose back in spring has quite possibly become my next novel. And I have no fucking clue how that happened.

Let me explain. Back in late winter/early spring, right after I’d finished another draft of Rose, I started a story I’d been wanting to work on for a while, both to pass the time and to experiment with writing by the seat of my pants. I didn’t think it would be a very long story, maybe twenty-thousand or thirty-thousand at most (so a novelette or novella), so I thought it would be a good side project. I named this story River of Wrath, as it deals with a certain aspect of Dante’s Inferno, and I went at it.

The writing by the seat of my pants didn’t work out so well, and I only got about nine-thousand words or so in before I had to do another draft of Rose (still impressive, but I felt like I could do better). I got that draft of Rose done, and then sent it to the imprint that would become my publisher. I worked on other stories while I tried to figure out how best to edit River of Wrath. After I sent the latest draft of Rose back to Castrum and did a few other stories, I decided to write an outline for River, and then go off that.

Whoo-boy, did that work! Writing the story went a lot faster, especially after I went through the initial thirty pages or so and tried to clean them up a bit. I was enjoying the story, and I found it challenging in a fun way, which is usually a good sign.

And then I got past ten thousand words.

And then fifteen thousand.

And then twenty thousand.

Thirty thousand arrived before I knew it.

I reached thirty-five thousand around Sunday.

And last night, I reached forty-six thousand. Yeah, I wrote around eleven thousand words over three days. I’m not sure how I did that either. On the bright side, I think I can do it again and write stories a lot faster now.

But back to point. Defining novels by word count varies from person to person. Mine is usually around sixty thousand (for clarity, the first Harry Potter is seventy-seven thousand words, give or take a few), but many people and quite a few publishers consider forty-thousand words or higher a novel. As I said, this novel’s upwards of forty-six thousand, so some would definitely consider it a novel. And I have a feeling River’s going to be at least fifty-thousand or higher by the time I’m done.

Like I said, I did not intend for this story to get so long. I thought it would top out at twenty-thousand. At the outside, it might reach thirty-thousand, too long for a magazine but perhaps good for a future short story collection. I never thought it would get this long! But parts of the story I thought would be short as heck became entire pages, complete with dialogue and inner thoughts and a couple of crazy scenes for people have to fight for their lives! And I felt that if I was going to do this story justice, I’d just have to go with the flow and write till I finished it.

So yeah, I’ve got another novel in the works, one called River of Wrath, and one I didn’t even know I was writing until it got as long as it did. And if I’m lucky, I’ll finish it by Halloween (which, coincidentally, is also when this story takes place). And afterwards? I plan to hand it off to some beta readers and do some edits, of course. And hey, if Rose sells well and Castrum wants to continue working with me afterwards, maybe they’ll take on River of Wrath and publish that as well.

But I’ll cross those bridges when I get to them. First thing’s first, I’m going to finish River. And when I do, I’ll celebrate with a drink and let you all know about it (whether or not you want to know or not).

That’s all for now, my Followers of Fear. I’m going to get ready for bed and think of more scary stories to write. Expect a review of the new Halloween movie at some point this weekend. Until then, pleasant nightmares!

Worldbuilding in Horror

Posted: October 4, 2018 in Reflections, Scary Stuff, Writing
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One of the YouTube channels I follow is Tale Foundry, a channel that breaks down how different genres and mechanics of storytelling work and then uses the lessons gleaned to write original short stories. They present themselves as robots in a foundry that works with fiction rather than metal (hence the name Tale Foundry). Their latest series of videos has been around worldbuilding in fiction, and their latest video, which I’ve embedded below, really got me thinking.

Now, if you didn’t watch the video for whatever reason, let me just quickly talk about one of the methods of worldbuilding they discussed: found design, which to put very simply is when you modify an aspect of the world in order to accommodate or address an issue (or “emergent concern,” as they call it in the video) that’s come up in the course of telling the story. An example would be if while writing your novel about a war between werewolves and humans who hunt them, your beta reader says that the conflict has been done before and that something needs to be added to make the story more interesting (other than a forbidden romance). The something required to spice up the story is the issue or emergent concern, and the integration of whatever you decide to add to the story (a threat to both armies, an original twist to lycanthropy, etc) is the act of found design worldbuilding.

Yeah, it’s a lot to absorb, but whoever said fiction writing was simple?

Anyway, this last method got me thinking, because that’s the method a lot of horror writers use while writing their own stories. As we all know, horror stories are more often than not set in our world, but with modifications to allow for the fantastical things that show up in it. Modifications to allow for something new to be added to the story and its world…sound familiar?

I call this the “build upon” worldbuilding method (if there’s an official name in academic circles, someone please let me know). You take an already-established world, one that many people would already be very familiar with, and add your own twists or details to it so you can tell the story you wish to tell. This is a method used by fanfic writers, anyone dealing with Arthurian lore, and of course, horror writers.

A good example of how this method works is with my own short story, “Car Chasers” (being released in late 2018/early 2019 in The Binge-Watching Cure II anthology from Claren Books). This story is set in a world similar to ours, except ghosts are capable of participating in illegal street races in this story. When I wanted to write that story, I had to not just modify the world so that it was capable of having ghosts (though if you ask me, our world has always had ghosts in it), but I had to add rules to these ghosts, how they interacted with the races/racers and under what conditions they participated in these races. Will all this be evident when the story is finally released? You’ll have to read it to find out, but whether or not it is evident, all that work in designing this world was necessary for it to be written, let alone accepted anywhere for publication.

So as you can see, it’s a handy method to build a world for your story. And if you’re into creating a shared universe across your stories, like Stephen King, HP Lovecraft, or I do, it’s pretty helpful in making that possible. All you need to do is make a slight tweak and you can find ways to connect your various stories together into a fantastic and varied world.

Of course, this isn’t the only method for building a world in horror. But this is the one that I use the most in my stories, and which I’m sure plenty of other horror authors use when they make their stories and their worlds. And it’s not hard to see why: it’s a wonderfully flexible tool for any storyteller, and helps in the act of storytelling every day.

Thanks to Tale Foundry for giving me the idea to write this post, and as always, I’m looking forward to your next video. And I encourage you folks to check out their stuff. From Lovecraft and Junji Ito to Celtic mythology and satire, you’ll find plenty of videos exploring the various aspects of storytelling and how they can be applied.

That’s all for now. I’m off to work a little bit on that novella again. In the meantime, what are your thoughts on worldbuilding in your genre? Any methods that you find helpful? Let’s discuss.

Until next time, pleasant nightmares!

The Long Process of Publishing a Book

Posted: October 1, 2018 in Living and Life, Novel, Progress Report, Reflections, Writing
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IT’S OCTOBER!!!!! The best month of the year, when things start getting cooler, the nights grow long and you get a little more leeway in how spooky you can be! Or in my case, reveal a bit more of my non-human side. And on this month, my powers of darkness grow by a hundredfold! You can bet I will be raining terror upon certain heads this month. Just you wait and see!

In the meantime, I thought I’d talk to you about something that happened to me yesterday. I was at my mother’s house for a party, and as often happens when family and family friends get together, everybody wants to know what the latest news is with Rose and the anthologies I have stories being published in. Rose, for those of you who don’t know, is a novel I wrote in college as my thesis, and which is being published by Castrum Press, a publishing company based out of Belfast, North Ireland. The story follows a young woman who finds herself being turned into a plant creature (and that’s just the start of her problems!).

I told them that I’d heard from Castrum on Saturday, and that they were hopefully going to get back to me on the latest draft of Rose some time this month. I expressed hope that when I heard back from them, they’d say I just needed to do some touch-ups here and there, and then we can set a publication date. My mom, who had been one of the most ecstatic and amazed people when I’d told her about Rose back in March (I still remember how she said “Oh my God” two or three times as clear as a whistle), remarked, “Wow, I had no idea the publishing process could take so long.”

And that’s the thing: the publishing process can take a long time. For any book. Not many people realize that, even among writers (including me at one point), but it’s the truth. Nowadays, technology and the Internet have helped speed some things along, but it’s always taken a long time for books to get out. Heck, even Stephen King had to wait a while for his books to come out early in his career. Yeah, now he can put one or two out every year, but that’s after nearly forty years of proven success. When he was still basically an unknown, Carrie took over a year before it got on bookshelves. And while I hope it doesn’t take that long with me, it may be a while longer before anyone gets to read Rose.

I’m not saying this to trash any publishing houses or complain about the publishing process. I’m just stating a fact. And if you think about it, this pace makes sense. After all, most publishing houses involve a few people handling projects from multiple authors. Any one project takes a lot of time out of the day, and while it would be nice if there was a single editor for each and every author contracted to a publishing house, I don’t even think even big publishing houses have a staff like that. So obviously each publisher has to juggle their projects, devoting time here and there to each one, deciding the order based on all sorts of factors. It’s an involved process.

But it’s also a process I’m grateful for, because it’s not just the number of books being published, but what’s being done to get them ready for being published. Each one is being polished and cleaned up, formatted and given the best cover art, strategized over and discussed ad nauseum. All to make sure that when the book finally does come out, it’s not just a great story, but one that’s free of typos and with words not falling off the page or some other unforgivable goof. I’m glad the process is slow, because I’d hate it if the process went by super-fast and when Rose did come out, it was full of errors and had terrible art. And I’m sure you would too.

So while it may take some more time before Rose comes out, I know the book is in good hands and I’m looking forward to the state it’ll be when it’s ready to be released. And I know that you’ll love it too.

In the meantime, I’ve got plenty of stuff to write and blog about (I might even have a new blog post tomorrow, depending on a couple of factors). And I can’t wait to share them with you. So until then, you all have a goodnight and pleasant nightmares, my Followers of Fear. I’m off to celebrate the month. After all, it is October. Plenty of material to review, plenty of stories to write, plenty of people to terrify senseless. I can’t wait.

Every Story can be a Teacher. Even in Ways You Don’t Expect

Posted: September 27, 2018 in Reflections, Writing
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There’s a reason why one of the first lessons in the art/business of fiction writing is to read, read, read. Long or short, in or out of your preferred genre, good or terrible. Reading the works of others, even if the story is not to your taste, can give you new ideas, show you what to avoid in your own stories (*cough* the orgy scene in It *cough*), and sometimes how to write something you didn’t know how to write before.

Let me tell you a story right now: as many of you know, I’ve become a big ballet fan since last year. Consequently, a lot of ballerinas and dancers have been showing up in my story ideas lately. It wouldn’t be too crazy if I had to write a dance scene or dancing someday in the future. I figured it would be a good idea to find other stories where dance features prominently, in the hope that from reading about dance there, I might pick something up. I asked one of my writers groups on Facebook if they had any suggestions, and one woman recommended a book to me that sounded good, so I downloaded the audio book onto my phone and started listening this week.

The book, Girl Through Glass by Sari Wilson, follows a young ballerina’s trip into the world of professional dance, while at the same time she encounters a particular aspect of that world’s dark side that changes things for her forever. It’s not horror, but it’s decent so far. And I have gleaned a bit about describing dance steps in prose, while at the same time learning a bit more about ballet culture (I had no idea ballerinas were called “bunheads.” Seems obvious now, but I didn’t know it until this week). And while I expected those, one thing I didn’t expect to find is a lesson in a type of character:

The story’s protagonist, Mira, seems on the outside to have it all. Her family doesn’t abuse her, she’s talented at ballet and has an upward-moving career. She even has a sort of mentor/sponsor in the form of Maurice, an older balletomane. She also seems to be mentally and emotionally all there. However, ballet and Maurice are really an escape for her. Her parents divorced rather suddenly; her airhead mother is a mess who can’t pay bills and takes in a creepy boarder; her dad is in a relationship with another woman who’s also in a divorce, and it’s moving a little too fast; and all this occurs after seeing her parents’ marriage erode for who knows how long. All that can really mess a kid up.

I’m sure even more will mess her up as the story goes on.

Mira’s a type of character I don’t see very often: one whom no one, not even themselves, would see as troubled, but is deeply troubled nonetheless. She’s a perfect example of this character type, the “seemingly untroubled troubled person.” I don’t know if there’s a proper name for this type of character like there is for others, but that’s the one I’m going to go with. And she’s teaching me quite a bit about writing this sort of character.

So like I said, reading a diverse amount of work can teach you all sorts of things that you can apply to your own writing. Sometimes you even learn things you weren’t expecting to learn, like how to write a certain type of character, or writing about a complex war in another world, or even just some random facts about Spanish history, religion, evolution, art, and technology (looking at you, Dan Brown). Sure, you might find some stories you’ll hate or that will teach you absolutely nothing, but then there’s a lesson to derive from those stories as well: what not to do when you’re writing your own work. I’m certainly learning a lot from Girl Through Glass and the other stories I’ve been reading lately. And I can’t wait to learn more.

Have you ever gotten an unexpected lesson from a story you read/are reading? What was it?

Trying to Carry a Theme

Posted: September 20, 2018 in Reflections, Writing
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It’s been a rough day. Let’s talk the intricacies and difficulties of writing fiction!

I often like to talk like a know-it-all on this blog, but let’s face it, there’s still things I could be better at. Or that I think I could be better at. One of those things is themes. Most stories have them: Harry Potter has destiny vs. fate, prejudice, and our relationship with death; The Shawshank Redemption is about finding hope in a hopeless place, learning to survive and even find ways to thrive in harsh conditions, and, of course, redemption; and The Very Hungry Caterpillar is about how the inevitability of change crafted by thousands of years of evolution and the incessant need to feed to support the process.

Okay, that last one is a huge stretch, but you get the idea. Plenty of stories have deeper meanings and commentaries wrapped into them, like several candle wicks wrapped together to form a new and beautiful candle. Some of these stories are written with the theme in mind, while others arise during the writing of the story. And depending on the kind of story, it can seem odd if a story does or doesn’t have a theme (I wouldn’t expect one from any variation of The Three Little Pigs, but I would expect plenty of thematic elements in an Anne Rice novel).

But how well you carry the theme can vary sometimes. It’s like carrying a tune: sometimes you’re able to do it well, sometimes it varies depending on the tune, and some people, like me, can’t carry a tune that well at all (though that never stops me when there’s a karaoke party going on). With some of the stories I’ve been working on lately, I’ve been trying to figure out how well I carry the themes written into them. And after a lot of thought, I’ve come to the realization that authors are probably not the best people to judge their own work.

Which is probably why we have beta readers and editors, now that I think about it.

With Rose, there’s a big theme of toxic masculinity, especially in the latest draft, that becomes more and more apparent as the story goes on. That theme kind of arose on its own while I wrote and edited and re-edited the story, and I like to think I carry it very well in the book,* though at times I wonder if I’m being a little too obvious with it. Meanwhile, in this novella I’m working on now, there’s a pretty obvious theme about the perils of racism. I’m not too sure how I’m carrying it, if maybe the angle I’m going for or just the way I carry it is the problem.

Then again, some really good stories do go about exploring racism without being subtle at all. Heck, sometimes that’s the point. A Raisin in the Sun makes no attempt to hide what it’s about. And the novel The Help by Kathryn Stockett has been criticized about how it portrays and explores race relations (as well as who’s writing it), but it still gets its point across very well. Maybe I’m doing something right after all.

Despite my own uncertainties about how well I carry themes, I still write and try to carry them as best I can. What else am I supposed to do? I’m not going to give up writing anytime soon just because I’m unsure of how well an idea or a deeper meaning in one of my stories is presented. Hell, I should keep writing, because that’s how I’m going to get better at carrying them. And if I make a few mistakes along the way, I’ll just pick myself up and try again, either by editing the story or trying to write a new one. It beats beating myself up over it, right?

Besides, I may be my own worst judge. What I see as clumsy carrying, others might see as pretty damn good. And that’s reason enough for me to continue writing in the first place.

*Which I hope to have more news on soon. Thank you, as always, for your continued patience as my publisher Castrum Press and I make sure that Rose is up to snuff before publishing.

Review: Castle Rock Season One

Posted: September 12, 2018 in Review, Scary Stuff
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If it’s not obvious by now, I’m a big Stephen King fan (cue everyone who knows me saying in a torrent of sarcasm, “Gee, really? We had no effing idea!”). So when I heard some time last year that Hulu, JJ Abrams and His Royal Scariness Himself were collaborating to create a TV series set in his famous fictional town Castle Rock, you know I was interested. Fast forward to July 25th, and the first three episodes of Castle Rock premiered on Hulu. I didn’t write a review for them (I think that I was busy with a hundred other things that week), but I thought that the series had a strong start, and I was looking forward to seeing where the story went.

At the time I’m writing this, I’ve just finished Season One. How did it hold up?

First, the story. Taking place in the Stephen King multiverse, particularly in one of his frequent settings, Castle Rock, Maine, Castle Rock‘s first season follows Henry Deaver (Andre Holland), a lawyer who returns to his childhood town after receiving a call from nearby Shawshank Penitentiary after a prisoner (Bill Skarsgaard of IT fame) was found in its deepest depths, in a cage, with no name or other identity, only asking for him. Deaver, who left town after disappearing and then being found, only to be accused of murdering his adoptive father, tries to help this mysterious young man. But as he delves into this man’s case, as well as his own disappearance, he finds some strange connections between the two. And as violence starts building in the town, the race to figure out both mysteries takes on a whole new importance.

Okay first off, the cast is the best thing about this show! Every character utterly inhabits their character and make them feel like real people, some of whom you can imagine hanging out with (others, stay the hell away from). I especially liked Melanie Lynskey’s Molly Strand, a realtor with psychic powers and a history with Henry Deaver, and Sissy Spacek (yes, the original Carrie came back for another Stephen King story) as Ruth Deaver, Henry Deaver’s dementia-addled but still feisty and witty adoptive mother. And Scott Glenn as Alan Pangborn (maybe the only character who actually comes from a King story in this show) is a very sympathetic character, though he does come off at first as almost unlikable. Still, Holland as Deaver is the one who carries the story. We see things mainly through his eyes, and see how he struggles with all the baggage he carries as he tries to sift through all the confusion between events past and present.

I also liked the plot and how the story was told. It’s clearly geared towards people who are familiar with King’s works but still makes it accessible to those who haven’t seen the series. The writers also took the approach of a slow burn, taking their time to set up these characters and draw us in with the mystery while every now and then pumping things up to keep it interesting. And the writers weren’t afraid to take risks: two episodes are told entirely from the POV of a single character, and one of these episodes, through the eyes of Sissy Spacek’s character, is probably the best episode of the season.

Love Sissy Spacek in this show.

And finally, this does feel like a Stephen King story made for a television format. It’s not based on any particular story he’s written, but incorporates all of his stories, especially the ones set in Castle Rock, to give us a drama and a place that’s both familiar and new. Plus, you’ve got all the tropes you love (or in some cases, hate) from King: psychics, small towns full of secrets, religious fanatics gone crazy, sheriffs (or in this case, retired sheriffs), and of course, a whole bunch of weirdness that makes you go, “Say what? That works, but still, what the hell?”

Was there anything I didn’t like about Castle Rock? Well, a few things: one is that there’s a little too much weird. King’s been known to include a lot of odd concepts and sci-fi ideas into his work to varying degrees, and Castle Rock has a lot of that. The problem with that is, too much weird can lead to a lot of exposition and slow sequences where not much happens. Consequently, it also bites into moments where we could be totally terrified. And in my opinion, there weren’t enough of those moments, which is sad. Stephen King or Stephen-King inspired, his work is truly at its best when it features a shape-shifting clown hungry for children, or a Nazi war criminal burning cats alive in his oven,* things that make it hard for us to sleep. And that was lacking here.

On top of that, I didn’t like the season finale as much as I thought I would. It had its moments and explained a lot, but the climax could’ve been more epic, and I have mixed feelings on the final scene, both in what it featured and how it was told.

Still, all in all, it’s a great start to a series, and I’m looking forward to whatever they cook up for the upcoming season two (maybe something involving my man Leland Gaunt?). On a scale of 1 to 5, I’ll give Castle Rock a 4.3. Take a visit to the Rock, and hope that while you’re there, you come out with all your fingers attached.

That’s all for tonight, my Followers of Fear. Expect a review tomorrow for the season premiere of American Horror Story: Apocalypse (I’d review it tonight, but it ends after I should be in bed!). Until then, pleasant nightmares.

*I’m reading Apt Pupil right now, and that part had me frozen in my seat!

The Ten Day Book Challenge: Day Ten

Posted: September 10, 2018 in Living and Life, Reflections, Review, short story
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Oh my God, it’s finally Day 10! We’re at the end! Whoop whoop!

So if you’re tired of me posting every day (sometimes twice daily), don’t worry, I’m planning on going back to my one-or-twice-a-week schedule after this. It’s too much of a hassle to keep posting day after day after day like this. It was still fun to share my favorite books with you, but still. a lot of work.

Anyway, here’s the rules for the Ten Day Book Challenge, brought to you by my cousin Matthew (who is probably glad this thing he started is coming to an end):

  • Thank whoever nominated you with big, bold print. If they have a blog, link to the post where you got tagged there.
  • Explain the rules.
  • Post the cover of a book that was influential on you or that you love dearly.
  • Explain why (because I don’t see the point of just posting a picture of a book cover without an explanation. That goes for Facebook as well as blogs).
  • Tag someone else to do the challenge, and let them know they’ve been tagged.

So for the last day of the Ten Day Book Challenge, I picked a book I read quite recently. Actually, I finished reading it on Day Four, on the ride back from the chiropractor’s. The book is the Future Days Anthology from my publisher Castrum Press:

There are several reasons why I wanted to highlight the Future Days Anthology. Obviously, it’s from my publisher, so I wanted to highlight it and support them, even if I’m not in this anthology (maybe I’ll be in a later one). Besides, supporting small presses and their authors allows for decent competition in the publishing industry and allows the authors to feel their hard work has paid off, which is never a bad thing.

Another reason why I wanted to highlight Future Days is because it’s fairly recent: it was only published August 15th this year, so it’s barely been out a month. The first couple of months a book is out is very important, so I’m happy to spread the word.

But the most important reason is because, let’s face it, this is some damn good sci-fi!

As I mentioned in my most recent interview with Matthew Williams (who is also in this anthology) I’ve always been of the opinion that good science-fiction should show us a reflection of humanity’s current state, as well as what humanity could do in the future. The Future Days anthology does this quite well, in my opinion. First, it takes a lot of issues that we’re currently dealing with as a species today–overpopulation, the disparity between the wealthy and the poor, and corporate power over common people’s lives–and explores how those issues might shape our lives in the generations to come.

As for where we’re going as a species,* that’s given a lot of exploration too. Space exploration to be exact: many stories deal with the challenges humans might encounter once interplanetary travel and off-world colonization becomes possible. Who will pilot and care for the ships during the long travels between worlds? What will be the physical and psychological effects of such travel? Are there ways to get between planets faster?

The value of human life also gets plenty of examination: what happens when, in an increasingly technological age, we’re no longer able to hold jobs now occupied by machines? How much sway do the powerful have over the lives of the weak?

I could go on, but then why spoil the fun? If you’re looking for some decent hard science fiction, look no further than the Future Days Anthology. With several great stories from a variety of excellent sci-fi authors, you’ll be transported when you read it. Don’t believe me? Go to Amazon now and check out some of the reviews (including the one I left). And if you’re still not convinced, just read the book. Believe me, it’s worth it.

And before I forget, I have to nominate someone. Adan Ramie, you’re tagged! I look forward to seeing what you put out.

That’s all for now, my Followers of Fear. With September here, Halloween is approaching, as is just about everything else awesome about this season. And I’m going to revel in every aspect of it.

Until next time, pleasant nightmares!

*Or where you’re going as a species. I still maintain I’m only half-human on the best of days, and there’s plenty of proof that’s not just me messing around.

The Ten Day Book Challenge: Day Nine

Posted: September 9, 2018 in Living and Life, Reflections, Review
Tags: , , , , , , , , , , , , , , ,
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Agh! I’m late! I have to get to my flight! I’m flying a dragon back to Ohio. And while dragons are rather flexible with what time they take off (they’re awesome that way), I’d rather not keep this one waiting. Anyway, welcome back to Day Nine of the Ten Day Book Challenge. I’m almost through with this challenge, so I’m making sure to keep putting up interesting books so neither you nor I get bored with it.

Thanks again to my cousin Matthew for nominating me for this on Facebook. I hope you don’t mind I made this into a blog thing. And if you do…well, it’s too late to do anything about it, isn’t it?

Now for the rules:

  • Thank whoever nominated you with big, bold print. If they have a blog, link to the post where you got tagged there.
  • Explain the rules.
  • Post the cover of a book that was influential on you or that you love dearly.
  • Explain why (because I don’t see the point of just posting a picture of a book cover without an explanation. That goes for Facebook as well as blogs).
  • Tag someone else to do the challenge, and let them know they’ve been tagged.

Today’s book is the other reason why I decided to take up a History major in college and studying the Holocaust. That book is Schindler’s List by Thomas Keneally (yeah, not all of these are fiction novels. Some are about actual events).

I’d seen the movie earlier in the year I read this book, so I was curious about the book it was based on. I ended up reading it during a five-week trip to Israel alongside The Plot Against America. And Schindler’s List affected me way more than Plot. Reading all those stories from people who had known Oskar Schindler, a complicated man who grew to care deeply about the Jews under him and decided to risk everything to protect them, in a time where that could lead to execution, spoke to me on a level that few books do. I decided then to study the Holocaust when I got to college alongside English and creative writing.

I also came back from Israel with a ring on my finger that says in Hebrew, “He who saves a life, it is as if he’s saved the world entire.” This is similar to the ring Oskar Schindler was given at the end of the book and the movie, and I had it custom made so I could remind myself of that every day. I still have that ring, and I wear it every day. It shows how much one person can do if they put their minds to it, and the good that come from it.

Perhaps someday I can have the same effect or inspiration on someone else someday. We can hope.

Today I’m tagging my friend Tricia Drammeh. Hope you have fun, Tricia. I know I have.

That’s all for now, my Followers of Fear. I’m headed back to Columbus. I look forward to sharing the last book in the challenge with you tomorrow. Until then, pleasant nightmares!

Don’t fly off without me, dragon! I need to get home!

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