Posts Tagged ‘publishing’

As I mentioned in a previous post, BSC Publishing Group’s editors and I had several Zoom and email discussions regarding the content in my upcoming collection, Hannah and Other Stories. During the discussion, I realized a lot of things about my stories and my writing in general that needed improvement. And this led to some discussions with one of the editors about my writing, writing horror in general, and what directions I could go with my writing.

I won’t go into details, because some of it is for stories that you have yet to read, and I really want things to be a surprise. But the biggest conclusion I came to was that there’s still so much I need to learn as a horror writer.

I mean, I kind of already knew that, but I think part of me thought I’d become some sort of authority on horror writing, and the content meeting, as well as all the discussions that followed, really made me see the light. All of a sudden, I’m understanding why some of my stories haven’t been accepted, what fatal flaws I’ve allowed to slip into my storytelling, and what needs to be fixed so I can write not just effective horror stories, but publishable horror stories.

Honestly, it’s been rough to realize how much I still have to learn and how many ways I’ve actually been sabotaging my own stories. It’s been enough to make me doubt my own abilities as a writer…for a second. Then I remembered this is why we have editors and beta readers and why authors are their own worst judges and how we also need this feedback so we can grow and become better writers. If we never learn from others or discount what our editors and beta readers say, we end up writing really bad stories that never get published.

So, this whole experience, while slightly disheartening, has been a good eye-opener for me. Hopefully I can learn from this past week and write some stories that magazines and publishers will want to release and readers will want to read. I’m already thinking of ways to improve the stories I still need to edit, including “They Sleep Within the Rock” and “It Changes You,” and stories I might want to tackle next. I’ve also thought of ways to change Toyland and Crawler, and, of course, I’ve had plenty of thoughts of how to improve the stories in Hannah. With any luck, I can put these thoughts into practice and edit these stories so that they’re worthy of the promise at the top of this blog and on my business cards: “Scared yet? My job here is done.”

I look forward to updating you all on my progress.


One last thing, my Followers of Fear: I know I got into all the events I’ll be attending yesterday (you can see that post here), but I got confirmation on one more today, so I’ll add it to the end of this post. So this summer, I’ll be a guest at Gem City Comic Con on July 22nd and 23rd, 2023 in Dayton, Ohio! I’m really looking forward to this convention, so if you can stop by, please do so. I don’t know if they’ll let me do Tarot readings yet, but I’ll be happy to sign your book.

Until next time, good night and pleasant nightmares!

In Tarot, the Two of Cups represents reconciliation and balance in a relationship. It’s a card I thought often of during these past few days while figuring things out with BSC.

The relationship between an author and a publisher is a collaboration. The author creates a work, and the publisher helps them get the work cleaned up enough to be published. Together, they release the book into the world and put in the work to make sure the book gets to as many readers as possible. That’s all known.

But, as I said above, the relationship between the author and their publisher is also a relationship. And a relationship is often about give and take, compromise, and balance.

I was reminded of this fact recently during a two-hour Zoom meeting with my editor at BSC Publishing Group. BSC, as you probably know by now, is releasing my new collection, Hannah and Other Stories, later this year. Part of the reason why I wanted to release this collection with a publisher is that I knew these stories would need help reaching their full potential, so I wanted a publisher with experience that could help me reach that potential. Plus, the people working for BSC know the industry well and are enthusiastic about helping their authors reach as wide an audience as possible.

This particular meeting was a content meeting. Simply put, we were looking over the individual stories and seeing what in the story’s content could be fixed in the next draft. This way, we could continue to improve the stories by identifying any story issues and maybe cutting out anything that would be too controversial or souldn’t help the stories. And my editor had plenty of suggestions for the stories, some of which I’d already hit upon. Most I didn’t have an issue with. They either made sense from the get-go or they made sense after a bit of explaining.

A few things that came up, I was glad to receive. I mean, if you haven’t already noticed, I’m a white male. And, try as I do, I don’t always see things from outside that perspective. It’s good that my editor and others at BSC are women and can see outside that perspective. They pointed out more than a few things I didn’t realize might come off as problematic. And now that I know, I can change and learn from these examples so (hopefully) I don’t make that mistake in the future.

Other suggestions, however…I had more than a bit of hesitation.

Look, I’m normally an amenable guy. I like getting along with people and I’m usually good with going along with someone else’s suggestion if it’s not a big deal. But without getting into details (spoilers, you know), some of the suggestions my editors made just didn’t sit right with me. And I pushed back, which resulted in a lot of emailing back and forth.

And that’s something you have to keep in mind when you work with publishers. While they do want to help you get your book out there and even further your career, they do have their own ideas, goals and needs. And sometimes, all that with conflict with your vision in some way or another. That’s not a bad thing, it’s just the way things are. And ultimately, the best you can hope for is either coming to an understanding, or a compromise.

Otherwise, the relationship between author and publisher could dissolve and the book go unpublished, or the relationship between author and publisher is extremely unbalanced and the two parties, as well as the resulting book, suffers.

Ultimately, BSC and I were able to talk it out, come to a few agreements, and reach a compromise. And now we have a direction for the next draft of this book. Soon, I’ll get the notes on the second draft from them, and we’ll go from there. What happens next…well, we’ll see. At the very least, we’re still able to get along and still committed to getting this book out. And that’s what’s important.

Earlier this week, my publisher got in touch with me and asked me to pick some excerpts from each of the stories in Hannah. Specifically, they were looking for excerpts that reflect the theme of the collection. And that really made me think, because up till then, I hadn’t thought there was a theme to Hannah. It was just a bunch of stories I’d been working on at the same time that I thought might make a good collection if included together.

So, I had to ask myself: is there a theme to Hannah and Other Stories?

Now, if for some reason you’re unfamiliar, Hannah and Other Stories is a collection of short stories that I’ll be releasing later this year in the fall (exact date to be determined). It’s a collection of seven strange and unique stories, ranging from ghost hunters investigating a haunted school, to budding serial killers, to even carnivorous horses. And BSC Publishing Group, the company that will be releasing Hannah, and I have been working hard so as many people as possible are interested to read this book when it releases.

Which brings me back to the point of this post: BSC wanted me to pull excerpts from the stories inside that really speak to the theme of the collection. So, I had to sit back and really think about if there was a theme to the collection. And if so, what was it? There certainly wasn’t when I wrote and released The Quiet Game. That was just me writing stories that interested me and which I thought people would enjoy. I thought with those five stories, I’d be making a good foray into the world of publishing, self-publishing, and horror fiction.

And as mentioned above, I was working on some stories I liked and thought would make a great collection when I put Hannah together. So, was there a unifying theme below it all? Maybe something I only noticed subconsciously when I was choosing which stories to put together? Because there were definitely a few I rejected for one reason or another.

Well, after some rumination, I did realize something: in all the stories, there’s a senselessness to the world. The violence and horrors that occur don’t seem to occur because of some greater plan, or a good versus evil struggle like you see in horror. Shit is happening, and even when you go back through events and see how they start and how inevitable the endings are, you don’t feel like there’s anything guiding the world. It’s just a cruel, indifferent world with cruel or indifferent people and cruel or indifferent circumstances leading to horrific results.

And for many, that’s scary in and of itself. Even those of us who aren’t necessarily religious like to think there’s a higher power or guiding force or principle in the universe. The idea that the universe has none (except maybe a writer with a penchant for dark, sinister and macabre storytelling) is sure to chill more than a few readers.

So, I chose excerpts I felt reflected that. Sure, some of those excerpts featured people being awful (and those scenes are incredibly violent), but in the end, that senselessness and lack of guidance or purpose is at the center of the excerpts.

Hopefully, the excerpts chosen help with the marketing campaign we’re going to do in the months leading up to Hannah‘s release. As I said, I have high hopes for this collection, and I think many readers, whether new to my work or fans for years, will find plenty to enjoy.

And maybe, if I put out more collections in the future, I’ll think harder about themes before I put it together and try to shop it around.


That’s all for now, my Followers of Fear. I actually woke up sick today, so my weekend plans kind of fell by the wayside. Hopefully I can do some of the stuff I wanted to do this weekend. At least I was able to get a blog post out. That was something I wanted to do at some point this weekend.

Anyway, I’m off to heat up dinner. I hope this post got you excited or more interested in Hannah and Other Stories. And while you wait for its release, if you’re looking for something spooky to read, if you want to support my career, or if you want to help me feel better, maybe consider checking out my Published Books page and finding your next read there. Trust me, there’s plenty there to enjoy.

Until next time, good night, pleasant nightmares, Shabbat Shalom, and only 200 days till Halloween! Yes, I’m keeping track, that should surprise none of you.

So, I’m reading Every Woman Knows This: A Horror Collection by Laurel Hightower, a collection of horror short stories I won in a Twitter giveaway. Not very fast, because I get through print books so much more slowly these days than I used to, but I’m making my way through it. And I am in awe that some of these short stories appear to be shorter than five thousand words. Hell, some of the earlier stories in the collection appear less than four thousand.

And I’m sitting there, reading the stories, and I’m like, “How does she do that and make them still so damn good?”

I actually posted that question on my personal Facebook and my Twitter feed. Laurel responded to the Facebook post (we’re friends there), thanking me for posting about the book and being glad that I’m enjoying it. Did not share her secrets with me, though.

I wish she had, because I would love to be able to write stories that short and still be effective. After all, I grew up on Harry Potter and the Bartimaeus Trilogy, followed by books like Interview with the Vampire and IT. The shortest of those books is seventy-seven thousand words. By the time I started regularly reading and writing short stories, my brain was already primed for sprawling plots with deep twists, multiple layers of themes and secrets, and complex character relationships that are explored through multiple pages, chapters and books.

Taking all that out and trying to tell an entire story in less than seventy-five hundred words (what the Horror Writer Association says is the maximum word count for a short story) was a huge switch for me. And honestly, I’ve had varying success. Occasionally, I manage to get a story less than seventy-five hundred words, and sometimes those stories get published, but more often short for me is a novelette between 7,500 and 17,500 words. Not as long as a novel, not by far, but allows me more room to work with those plot elements I like.

Still, I do try to come up with and write those shorter stories, what Stephen King calls “a quick kiss in the dark from a stranger.”* Yeah, it’s difficult to do, but most publications are looking for stories of that range, and I want to get my work into them. And, I like the challenge. It’s another hill for me to climb on my journey as an author. And, occasionally, something I write in this vein is really good.

That being said, if it looks like a short story is destined to be a novelette, or even a novella or novel, I will let it be the length it’s going to be. No sense trying to maim a good story so it can fit somewhere, right?

But I still try. And I’ve gleaned some things in my attempts, like instead of big plots or huge happenings, you focus on small instances or events that may happen to one or two people. Rather than the big moments, like the destruction of It in the sewers of Derry or the fallout of four writers visiting a haunted house on Kansas during Halloween for a publicity stunt (Kill Creek by Scott Thomas, if you don’t know), I should focus on maybe a ghost at the Ohio State Reformatory trying to get information on what happened after he died, or a young man dealing with something evil that’s appeared intermittently in his life. Those might manage to become the kisses given in the dark by a stranger.

Actually, one of those was a kiss in the dark, and some of you may remember it. It’s “Is Anyone There,” which was published last year in That Which Cannot Be Undone, and got mentioned in several reviews as a highlight of the anthology. So maybe I might be closer to my goals than I think.

Just don’t kiss me in the dark. I’m more likely to punch you for that than enjoy it or put it into a story.

What are your tips for writing short stories, Followers of Fear? Do you struggle with keeping them under 7,000 or 5,000 words? Let’s discuss.

Also, be sure to check out Every Woman Knows This by Laurel Hightower. So far, it’s a great collection, and I hope I’ve learned some things by the time I’m done.

*Which, by the way, is a weird idea, isn’t it? You walk down an alley or into a room and it’s really dark and suddenly someone plants one on your mouth before disappearing? Actually, the scenario with the room is the plot of an Anton Chekhov short story, and the character who gets the kiss does have an impression left on him. So, I guess it’s a good metaphor.

Well, I’m feeling pretty good. Tired, but good.

As many of you know, I’ve been caught up in editing a bunch of stories, both for my upcoming collection Hannah and Other Stories, and others I hope to submit to various publications and magazines. For all the obvious reasons, I’ve been calling this the Great Editing, and it’s been a lot! I think I’ve edited about six stories by now, and that was just in the first two months of 2023.

Needing a break, I decided to write some new stories. Sure, they’d become part of the Great Editing at some point, but it just feels good to work on new stuff sometimes. Anyway, I wrote “The Hunting Party,” a Christmas horror story (you can read all about that here), and I just finished “Mother of Spiders,” a novelette set in the 1950s and about a town whose history comes back to bite them in the worst way: with eight legs and some scary fangs!

Yeah, it’s a spider-based horror story. I did say in previous posts that this story would tap into a common phobia, after all. And I think the overall concept of the story is good.

That being said, I really struggled with this story at times. Not because I didn’t know where it was going, because I’m an obsessive plotter. I always know where my stories are going. I think it was just finding the right words for the story and figuring out how to convey it. That was a struggle, and it wasn’t until the final scene of the story that I really felt like the story was flowing out of me. I have a feeling that when I edit this one, it’s going to take several drafts before I can start submitting it for publication. And most of it will just be figuring out how to better tell this story.

But hey, it’s a good sign when you recognize your own story’s shortcomings and are already thinking of ways to improve the story. Hopefully that means when I get around to the second draft, I’ll be prepared to turn this story into something worth reading.

For now though, I think I’m ready to get back to the Great Editing. Let’s face it, the number of stories requiring my attention have only grown since I started my break, and I want to get at least one or two out of the way before the next draft of Hannah lands in my inbox. I’ll start with “The Hunting Party,” because there are a couple of Christmas anthologies already looking for stories and I want to submit this one before they fill up. Then I’m going to get into the third draft of “They Sleep Within the Rock,” AKA the novella where I put neo-Nazis through some well-deserved hell. After that, if it isn’t time to work on Hannah again, I have a few stories to choose from.

For now though, I’m going to chill the rest of the weekend. I have some scary movies from the library, so I think I’ll have a double feature before bed. So, until next time, my Followers of Fear, good night and pleasant nightmares. And if I don’t catch you before Passover starts this Wednesday, may the matzo monster get you and ruin your digestive system with more cracker-like bread than you could ever want to eat.

Cheers!

It’s time! It’s here! After working with BSC Publishing Group’s graphic designer and waiting for days, it’s here! The cover for my new collection of short stories, Hannah and Other Stories, has been released! And you can look at it below.

What do you think? The cover depicts a moment from one of the stories in the collection, a rather macabre moment that made even me shiver (imagine what it will do to readers). I gave BSC the idea of the cover, as well as other covers I love, and they ran with it. From there, we worked together on fonts, added and subtracted elements, and eventually got to the beauty above. At which point, I emailed BSC and was like, “We’ve got it! By George, I think we’ve got it!”

But that was only the beginning. Not only did they create a cover with my input, but they went and created a book trailer too! A freaking book trailer! I’ve tried my hand at creating book trailers before and was thinking of trying to make a new one with Hannah, but they did something even better than anything I have in mind. Check it out below.

How about that? Having a publisher create this book trailer and work so hard to make it as creepy and enticing as can be shows how much they believe in this book and want it to succeed.

So, what happens next? Well, as the trailer states, Hannah will release in Fall 2023, so at least five months and a few days away. In the meantime, BSC and I will work together to make sure the final manuscript is as polished and clear of mistakes as possible. We’ll also work together to build as much buzz for the book before it releases. That way, when it releases, as many people as possible are reading it.

And I may do a little voodoo on my end. What can I say, I like the idea of friendly supernatural entities helping me out with my dreams. And I have reason to believe it’s worked before. Why can’t it work with this book?

Anyway, I’m just so excited for you to read the stories within. They’re all original stories I’ve been crafting over the years and I’m so excited for you to finally read them. There’s Queen Alice, about an internet legend that takes on a life of its own; Fuselli’s Horses, about a horse ranch with some unique stallions among its residents; and What Errour Awoke, about how a simple English literature class leads to a dangerous situation during the early days of the COVID-19 pandemic. And that’s just three out of seven! But trust me, the other four are just as creepy and as fun.

But in the meantime, if you’re interested in supporting me, or if you’re just looking for something spooky to read, you can check out my Books page and then check out any of my already published work. And if you like what you read, consider leaving a review online somewhere. Not only do I appreciate your feedback, but it helps me grow as an author and helps other readers find my work.

That’s all for now, my Followers of Fear. I’m off to celebrate the reveal. Until next time, good night, pleasant nightmares, and are you scared yet? Because if you are, then my job here is done.

Two posts in one day. My Followers of Fear, you either did something very good in your past life or very bad. Either way, I finished Grady Hendrix’s latest novel on audio book today, so I’m going to review it here.

How to Sell a Haunted House follows Louise Joyner, a mother of a five-year-old who has a complicated relationship with her family. When her parents die unexpectedly, she flies from San Francisco to Charleston to take care of their estate and put them to rest. However, things are complicated by her younger brother Mark, whose lifestyle and choices puts him in conflict with Louise from day one. As the two argue like children and try to get the estate settled, they soon find that something malevolent is alive within their childhood home. And unless they get their shit together, it may claim not just the both of them, but Louise’s little girl.

The amazing thing about Grady Hendrix is that he can take a concept that sounds ridiculous on paper and write a whole novel out of it that’s both darkly comic and quite terrifying. From an IKEA knockoff built on the grounds of a former prison, to a teenage girl becoming possessed in 1980s-saturated Charleston, he just makes it work. And it’s no different here. Honestly, I found myself laughing quite a bit listening to Mark and Louise act like me and my sisters at our worst times ten. And as you get further in and see just how dysfunctional this family is, you find yourself glad you’re not part of the same family.*

And when you figure out who/what is going to be the main antagonist of the story, you find yourself laughing…only to see how terrifying said antagonist is. And as you see episodes from Louise and Mark’s childhoods and adulthoods that formed them as people, you see elements as these moments come back to literally haunt them in their parents’ homes. It’s freaky, and there were actually times I found myself wincing or shuddering as I listened to these moments.

And underneath all the darkness and comedy, you get some great themes about the effects of generational trauma on family and family dynamics, about learning to deal with death (and explain it to children), and what family actually is. It’s heavy stuff.

I do have some problems with the book, however. I did see a certain twist regarding the antagonist very early on, and I’m sure I’m not the only one. I also thought the resolution of the climax could have been a bit darker and might have ended too sweetly. And I would have liked to see Mark and Louise explore and resolve their issues a bit more. I feel like during the last third of the book, a lot of stuff was skipped over so the novel could reach its end.

But all in all, How to Sell a Haunted House is another awesome release from Grady Hendrix, whom I’m sure will only continue to grow in stature as a storyteller. On a scale of 1 to 5, I award his latest outing a 4.2 out of 5. It’s funny, creepy, and an all-around thrilling story. Grab a copy, settle down, and get ready to either feel grateful for your own family or feel like you’re reading about your relatives (it’s either one or the other, for better or for worse).

That’s all for now, my Followers of Fear. Until next time (which will be sometime before the week is done), good night and pleasant nightmares.

*I actually texted my own sisters to let them know how much I loved them and was glad we got along despite our childhood rivalries and disagreements. They were touched, as well as concerned about me because I was sending that text. Anyway, that’s how I reacted to this family’s malfunction.

I knew there was a reason why I was feeling so good about the near future.

As many of you know, I have a new collection of short stories, Hannah and Other Stories, to be released sometime this year by BSC Publishing Group. This is a terrifying collection filled with stories about ghosts, budding serial killers, and carnivorous horses, among other things. And I’ve been updating you all as developments occur.

Well, I have a new development: the cover will be revealed next week! What day, exactly? I can’t tell you. What does it feature? I won’t tell you. All I can say is that after I sent BSC’s graphic artist some ideas, they ran with them and created some great mock ups. From there, we worked together to make the cover everything I hoped it would be, and I think the final result is, to use my best French, fucking fantastic.

Anyway, I look forward to showing you the cover next week, and I hope you’re looking forward to seeing it. Once that cover is out there, the process to getting the book ready for publication and selecting a release date should speed up a bit. Just you wait and see, it’s going to be awesome.

And in the meantime, if you want to support me, or if you’re just looking for a creepy read, you can find all my work on the Books page of this blog. From plant/human hybrids and ancient gods to mafia-hunting serial killers and mad scientists, I got a bit of everything, so why not check it out and see what tickles your fancy?

That’s all for now, my Followers of Fear. I’m off to fill my belly before getting into a groove of creativity and terror. Until next time, good night, pleasant nightmares, and look forward to whatever’s coming next week.

I’ve been asked this before numerous times in one way or another. “What advice do you have for new writers?” Well, there’s one thing that always comes to mind. And the past couple of years, the thing I’ve come back to, time and time again, is this: “You need to carve out the time to right.”

Yeah, that’s the advice. A lot of people want to write, but they say they don’t have the time to write, or that they can’t find the time, or there’s just not enough time in the day. I often reply, “Well, you’re going to have to carve out the time. If you’re serious about writing that story. There’s no time fairy who’s just going to grant you time to write.”

Sounds kind of caustic, and it is. But it’s also true. For one thing, I’ve never seen a single fairy, let alone one that grants time to would-be writers. For another, the time to write just doesn’t find you. It doesn’t drop out of the sky and into your lap. And yeah, there is only 24 hours in a day, with hopefully only 8 of them devoted to a day job and the other 16 sleeping and personal stuff.

Fact of the matter is, if you don’t make time, even just half an hour, to write, you won’t ever get the time to write.

I mean, if you want to cut out sleeping, you’ll find that time, but from a health standpoint you’ll really suffer.

But I understand why people say they don’t have the time. Finding that time can be hellishly difficult. Besides day jobs and sleep, people need to do chores around the home, take care of family obligations, and finding time to relax after a long day.

Still, you can find time. Plenty of others have done it before. Even when he was raising three kids under the sage of six and was living out of a trailer, Stephen King found time to write 2500 words a day. That’s how he wrote Carrie, which later launched him into the stratosphere. And my friend/colleague Angela Misri wrote every day on the bus to and from work in moleskine notebooks. That’s how she wrote her Portia Adams books, and they’ve been pretty successful.

As for me, I write in the evenings between dinner and bed (though on weekends or days off I try to write during that free time as well). I’ve been doing that for years, and it’s how I’ve written some of my best work. Yeah, it helps that I’m only responsible for myself, don’t have kids, and writing helps me destress. But I still carve out that time most nights to get work done, because I want to get those stories done and out there. I want to write for the rest of my life. So I carve out that time.

And if you really want to tell those stories and get them out into the world, you’ll find the time. It may take some changes to your schedules, or maybe some changes in your life, but if you’re serious, you’ll be able to find the time. Like I said, plenty of people have before and plenty of people in the future. That includes me, and that includes you.

How do you find time to write? Did you make changes to your life or schedule to do it? Has it helped? Let’s discuss in the comments below.

That’s all for now, my Followers of Fear. Just wanted to get something out to you sooner rather than later, and this seemed like a good subject to post about.

Until next time, good night, pleasant nightmares, and–oh look, a fairy! Oh, you want to join my Army of Nightmares and help me accomplish my goals? Okay, let’s go! To the dragon bats!

The cover of Entomophobia.

Some of you may remember my interview with Sarah Hans last year about her debut novel, Entomophobia (click here if you’d like to read it). I was interested enough that I bought my own copy (Sarah gladly signed it for me) and I began reading it recently. And while I don’t have a lot of time to read these days, I was able to get through it quite quickly. So, what did I think? Let’s find out.

Entomophobia follows Meri, a woman who has just left her abusive husband and is trying to get her life back together. However, it seems life is conspiring against her at every turn: her aloof mother is unsupportive; the judge ruled that her soon-to-be ex-husband will have primary custody of her daughter, Magda; and, after having to steal supplies for an art show she’s part of, she gets cursed by a tiny man with insectile features. The curse is changing her, forcing her to face her darkest fears. And if she doesn’t do something quick, she’s going to lose what little she has.

One of the biggest strengths of this novel is Meri. She’s a fully realized character, sympathetic yet flawed. Within a few chapters, I felt like I really knew her, and that made it easy to empathize with her pain and fear and the woes of her life. There’s also a strong supporting cast, especially in the character of her mother, whom I wanted to strangle at times.

Another of the book’s strengths is the human-based horror. We see a lot of characters being cruel, uncaring, or just plain awful. This is obvious in Meri’s ex-husband Adam, who is a huge piece of shit, but also in her mother, in random teens in a bad neighborhood, and even in her ex-boyfriend Dan, though he does mean well at times. Whether they realize how their actions effect others or not, it’s horrifying to see just how much they don’t give a shit at times about the damage they cause.

The body and supernatural horror isn’t anything to sneeze at, either. A lot of scenes in this book will make your skin crawl as you read them, and the description of some of the characters, especially the less-human ones, really bring them to mind and make it easy to imagine what they might look like.

I do have some gripes, however. I did feel like the book could have been longer. As I said at the beginning of the review, it’s a short book, and I feel like it could have been a bit longer. Perhaps some scenes could have been drawn out more or added in, especially ones involving the curse or Meri’s phobia. I would have been good with some expansion.

On a scale of 1 to 5, I’m giving Entomophobia a straight 4. It’s a quick, creepy read with a great cast and an engaging story that I recommend.

On a sad note, you might have trouble finding copies. As mentioned in my interview, Entomophobia’s publisher closed and was only printing new copies through the end of 2022. So right now, I have a kinda-rare first edition.

The good news is, Sarah tells me Dragon’s Roost Press will be re-releasing the book sometime this year, possibly this summer. So if you’re interested in getting Entomophobia when it’s available again, check out Sarah’s Twitter and you’ll find out with the rest of us when the book is available again.

That’s all for now, my Followers of Fear. I’m off to read some more before heading to bed (I’d rather do some more writing, but I know if I start now, I’ll never get to bed at a decent time). Until next time, good night and pleasant nightmares!