Posts Tagged ‘reflections’

In truth, I should have posted this update last night. That’s when I finished the latest chapter of the novel. But it was nearly eleven at night, and I had to go into the office this morning, so I put it off till now. Would have been written earlier in the day, but I had to de-stress from work and relieve my election related anxiety.

So, as many of you know, I’ve been working on-and-off on a new novel, a mummy novel tentatively called Crawler. The story was inspired by that god-awful movie with Tom Cruise that came out in 2017. Or maybe I should say it’s my attempt to show the world (and maybe Universal) how to write a decent mummy story. We’ll hopefully see someday whether or not I’m successful in that department.

Anyway, I’ve been writing four chapters at a time, then working on other, shorter projects that I can submit to other publishers. And if you’ve guessed that I’m going to post an update every four chapters, you’re completely right. In fact, the chapter I finished last night was Chapter 8. And if I’m being honest, these past four chapters have been among my favorites to work on so far.

Yeah, I know. How can I have favorites this early in the process? The novel is barely a quarter written! And you’d be right. But these chapters have some (what I think is) great content. Chapters 5 and 8 have some nice, slow character development and bonding that I really enjoyed writing. I really got to showcase the forming and established bonds between these characters, which is something I feel like I haven’t done enough of in my previous novels.

And Chapters 6 and 7 did plenty to establish the mystery and terror of the story. Chapter 7 in particular, I feel, was quite creepy and is a nice little opener for the horror that the readers will eventually get to experience. I’m trying to approach the idea of the mummy as a threat in a way that hasn’t been done before, so seeing the initial results with these initial chapters is encouraging to me and makes me think I’m onto something here.

And when I get back to this novel, I’ll be diving right back into the horror and seeing if my idea goes anywhere (no spoiler, but Chapter 9 is going to be something else). At the moment, the novel is currently 133 pages (regular MS Word pages, double-spaced, 12-point Times New Roman font) and 37,575 words. It’s going to be one hell of a Stephen King doorstopper when it’s done. And hopefully just as terrifying. Or if not terrifying, hopefully just as interesting.

In the meantime, however, I’ll be working on a couple of (hopefully) shorter works, and finally editing that story where I put some neo-Nazis through the hell they deserve. All these stories have a common theme to them, so I think they might work well together if I wanted to create a new collection or something. Of course, we’ll have to wait and see what I end up writing, if it’s any good and if I think a collection is the best way to go with these stories.

But first, I’ll need to write and edit them, of course! And I look forward to every moment of it.

Well, that’s all for now, my Followers of Fear. I need to head to bed. So, until next time, good night, pleasant nightmares, and may God have mercy on all our souls! Trust me, there’s a good chance we’re going to need it.

Surprise! I got a new article out!

So, if you haven’t heard of Ginger Nuts of Horror, it’s a huge website dedicated to horror and the horror community. Reviews, interviews, scholarly articles, you name it, they have it. Previously they’ve published a few articles of mine, and I’m happy to have another article on their site. This one is called “From Slender Man to the Backrooms,” and explores how horror folklore such as Slender Man and the more recent Backrooms goes viral.*

If you have a few minutes available, you can go and read the article online now. No paywalls, so you can read it without any issue. And if you like what you read, or disagree with my ideas, I hope you’ll let me know what you thought. I’d be happy to continue the discussion with you all.

Just be respectful if you disagree with my opinion or if you have a thing against Slender Man or anything. I know it’s all the rage to rage at people who disagree with you, but this blog is a place to show respect.

Anyway, link’s below. I look forward to hearing what you think of the article. In the meantime, I’ll be writing during the commercial breaks. Are you watching American Horror Story tonight? God, this season is really good! I hope they can keep it up for the rest of the season.

This post is going all over the place, isn’t it? Oh well, it’s my blog, so a little randomness is to be expected. Until next time, good night and pleasant nightmares!

GINGER NUTS OF HORROR — FROM SLENDER MAN TO THE BACKROOMS

*If you’re not familiar with the Backrooms, go look it up after reading the article. It’s such a trip!

I wanted to post something before Halloween, but there wasn’t any one particular topic I was passionate enough to write an entire blog post about. So instead, I thought I’d do an update post, because there’s a lot going on right now and you should know about it. How much is going on? Well, let’s take a look and find out.

Crawler and Toyland

So, for my mummy novel with the tentative name of Crawler, I’m making steady progress in it. I’m currently writing Chapter Seven and think I could get to Chapter Eight by the end of the week. Hell, I might finish it by the end of the week, if life is kind! (It’s usually not, but one can hope, right?). After that, I’ll take another break to work on shorter works (more on that below), and then get straight to Chapters 9-12. It may take longer than usual, but I will get this novel done eventually.

As for Toyland, I hope to do another draft of it before sending it out to publishers. I feel that this Gothic novel of a boarding school under attack by a ghost obsessed with a children’s novel has a lot of potential and I want people to read it. However, I want to get Hannah and Other Stories out of the way before I tackle that novel again (there’s a good reason why Hannah needs to be done first, but I can’t tell you that just yet). So hope Hannah gets released soon.

Hannah and Other Stories

Speaking of Hannah, BSC Publishing and I are looking to get that out sometime in 2023. Currently, the publisher is starting its winter vacation a month early in November rather than December, so I’m getting a little break from Hannah to work on more of my other projects. However, once we hit January, it’ll be a furious pace to wrap up the edits on the book and get it ready for publication. I can’t wait to share with you this terrifying collection of short stories featuring ghosts, budding serial killers, and meat-eating horses, among other things, so keep an eye out for news after the new year.

Other Shorter Works

As many of you know, I have one more short story, “The Dedication of the High Priestess,” scheduled to come out before the end of the year. Literally: Tales to Terrify, the podcast that will be reading the story aloud on their show, said it will come out before the end of the year. And with 61 days left, there’s only so much year left, so I should be getting news on that any day now. When I get that news, I will let you know.

I will also, of course, let you know the moment I hear of any other stories of mine getting published.

In the meantime, I plan to do some writing and editing on some other stories over November and December, once I finish Chapter Eight of Crawler. For one thing, I plan to finally edit They Sleep Within the Rock, the novella I wrote last winter where I terrorize neo-Nazis. I have no idea why I put it off for so long, but I have and I want to give it some edits so I can maybe find it a home. I also want to write some more novelettes and novellas that I’ve been feeling passionate about working on for some time. A lot of these stories center around common themes, so I think I would not only enjoy writing them, but maybe putting them into a collection.

I may also write a short story involving bugs, but I’m not sure if I want to. Yeah, there’s an anthology I could submit it to, but I prefer to write stories that I feel I would enjoy writing rather than what I think would get accepted or make some money for me. We’ll see how I feel after I finish those chapters of Crawler.

Anything Else?

Quite a bit, actually. Let’s talk about it.

  • Events: This coming Saturday, I’ll be operating a booth at the Columbus Witches’ Ball. This is an awesome event featuring plenty of paranormal enthusiasts, psychics and mediums, authors, and so much more. Plus, plenty of dancing and ritual (or so I’m told). I’ll be selling books and doing Tarot readings there, so I hope you can stop by. The event is November 5th, 2022 from 6 PM – 11 PM at the Greater Columbus Convention Center. I’m not sure you can get tickets at the door, but I know you can buy them from Eventbrite by following this link.
    In addition, I’m already signed up for events in 2023! I’ll be making reappearances at Hidden Marietta Paranormal Expo (which will be in May this year and in a bigger venue) and at ParaPsyCon. I’ve also put down a deposit for another booth at Mystics & Marvels and am waiting for confirmation on a few other events, so I’ll keep you posted as those come up.
    And, of course, I’ll be at StokerCon in Pennsylvania in June, so if any of you are planning to be there, I really hope I get to see you and give you a great big hug (if you feel comfortable with it).
  • I saw Dracula the ballet yesterday. As you probably know by now, I’m a huge ballet fan, and I’ve long held that ballet can be a great venue to tell horror stories. I got to see that in action yesterday when my local company BalletMet performed Dracula, which was as amazing and as horrifying as I could have hoped. It was scary, really delved into the themes of Victorian terror regarding sexuality and anything considered aberrant through its choreography, and even managed to surprise me at times, especially with the conclusion. If I ever get a chance to see it again, I will.
    And, of course, if there are any other horror ballets, I would love to see those too. Hell, I have a few ideas for ballets that are both horror and otherwise, so if any companies would like to collaborate, email me. Let’s work together! I’m easy to get along with, and I don’t cost an arm and a leg, so why not?
  • New YouTube video. I’m going to try to post a new video to YouTube tomorrow before my Halloween festivities really get underway (having a friend over for pizza, drinks and scary movies. I can’t wait!). If I can’t, I’ll get it out as soon as possible. In the meantime, please check out and consider subscribing to my YouTube channel while you wait. You can also check out my other social media by clicking on the widgets on the right.
So looking forward to putting this bad boy out on the stoop tomorrow.

That’s all for now, my Followers of Fear. As usual with these sorts of posts, I’ll post links to my published works down below in case you want to support me that way or if you’re just looking for something spooky to read. Until next time, good night, pleasant nightmares, and one day till Halloween! Get ready to hop around a bonfire in costume with terrifying creatures from the other side!

The Pure World Comes: Amazon, Barnes & Noble, Apple Books, Kobo, Goodreads, Audible, Chirp, BingeBooks, LIbro.Fm, Storytel

Rose: Amazon US, Amazon UK, Amazon Canada, Audible, B&N

Snake: Amazon US, Amazon UK, Amazon Canada, Barnes & Noble, iBooksSmashwords, and Kobo

The Quiet Game: Amazon, Barnes & Noble, iBooksSmashwords, and Kobo.

What are some of the first things you think of when it comes to Stephen King’s IT? Is it Georgie being dragged down the drain by Pennywise the clown? The fortune cookies filled with eyeballs and mutated bugs? The final battle with Pennywise in his lair? That one scene that dare not be spoken?

I’m sure all these and more occur to you, because they’re significant plot points and they carry a whole lot of scares.* What you might not think about are the quieter moments in the story: the building of the dam in the Barrens, or Ben, Beverly and Richie going to see a movie together, or Bill going for a ride on his old bike Silver after not having seen it for over a quarter of a century. They’re the quieter moments of the story, the moments that allow you to get to know the characters better and see them about their daily lives. And they’re just as important as the scarier parts of the story.

I’ve been thinking of these moments more and more lately, because I just wrote an entire chapter for Crawler, my mummy novel-in-progress, that was a quiet moment. In it, two of the characters, one of whom is in mourning over a sudden loss, bond with each other over the course of a lazy afternoon. Nothing scary happens, no mentions of the horrors driving the plot take place, and there’s no ground laying or foreshadowing for future scares. It’s just a sweet, quiet scene where two characters form a relationship.

Honestly, I’m not used to writing those sorts of scenes. In shorter works, every word has to be necessary so the story can fit within a word count. There’s no room for quiet scenes showing the creation or deepening of bonds, getting to know a character better, or seeing them grow. You need that room to create a short story that packs a punch, especially for horror stories. And with my novels, every chapter and scene was necessary to the plot in some way, furthering the story, foreshadowing future plot points, or scaring the shit out of the reader in some way. Writing a scene over the course of two or three days that was just exploring the budding relationship between two characters, was new for me. And I feel like I learned a lot while doing it.

Which is good, because other writers, not just King, include those quieter moments throughout the books. Ever wonder why Harry Potter includes Quidditch matches in the books? Because they’re fun, normal things a wizard would learn in school and serve as breaks from the intrigue of whatever was happening any year at Hogwarts.

Now, having these scenes aren’t always necessary for every story. But it can be a good idea to include them if you need an organic way to flesh out your characters, deepen their relationships, or show them growing. Especially you can’t think of any way to insert such moments into the more essential scenes, like Georgie getting dragged into the sewers or whatever.

In any case, I’ll probably write a few more of these scenes in Crawler, as it’s a very character-focused story, so I’ll get plenty of opportunities to practice. Perhaps afterwards, I’ll be able to write a post about writing quiet scenes and writing them well. And maybe when I do, I’ll write it with a quiet satisfaction.

*Except that one scene, I know, but we’re not going to talk about it, are we?


One more thing, my Followers of Fear: this Wednesday at 4-6 PM EST, I’ll be joining fellow horror writers Heather Miller and Daemon Manx on the podcast “What’s Write For Me” with Dellani Oakes. We’ll be recording live, so you’re encouraged to join us live by following this link, and we’ll be discussing and even reading from our scariest works, so I hope you’ll join us. See you there!

That’s all for now, my Followers of Fear. It’ll be a busy week leading up to Halloween, but I hope it’ll be a fun and memorable one. Until next time, good night, pleasant nightmares, and eight days till Halloween! Have you carved a Jack-o-Lantern yet? I have, and for the first one in my own home, I don’t think it turned out half-bad. What say you?

So, for those of you not following my social media, particularly Instagram and Twitter, I got a home winemaking kit for my birthday last year. So far, I’ve made two batches of wine with it. The first is plum wine, while the second is pumpkin wine. Yes, you can make wine from pumpkins. You can make wine from all sorts of fruits, vegetables, and other materials you normally wouldn’t think of for winemaking. Anyway, I haven’t tried any of the wine yet. And winemaking, as it turns out, is a lot like writing fiction. I’ll explain both in a moment.

First, let me give you a quick rundown of the winemaking process. You basically take all the ingredients, including the crushed/chopped/quartered/otherwise cut up main ingredient (ex. grapes, plums, pumpkins, etc.), put them all into a big container with fermentation yeast and oxygen, and let it simmer for a week or so. During this time, the yeast breaks down sugars and releasing flavor from the main ingredient. This is primary fermentation. Then you put it in a smaller container with as little oxygen as possible, where it undergoes secondary fermentation. This can last anywhere from a few weeks to a few months, changing containers every couple of weeks until the wine is clear. At that point, you bottle it and let it age for a year before drinking.

This is the pumpkin wine I finished making earlier this week. Looks good, right?

That’s why I haven’t had any of the wine yet. The plum wine won’t be ready until January, and I just bottled the pumpkin wine earlier this week, so it won’t be ready till next Halloween. I hope it tastes good when I finally taste it. Otherwise, I’m going to feel very bad for anyone who drinks the wine with me.

Now, here’s a pop quiz: using multiple ingredients to create a single thing? Going through multiple processes to further refine it? Taking at least a year to work on before it’s ready for consumption? This does describe winemaking, but what else can it describe?

If you guessed fiction writing, congrats. You win a glass of wine from your own stores. But yeah, it does sound a lot like fiction writing. The ingredients for the wine are like the plot, the research, and the words; the primary fermentation is the rough draft; the secondary fermentation is the subsequent drafts where you clean up the story; and the year after it’s bottled is the time until publication, during which you may do further refining for the story until it’s out.

Plum wine, just before it begins primary fermentation, when it’s just a bunch of disparate elements in a bucket.

And, like writing, winemaking takes time and trial and error to get good at. Like I said, I haven’t tried the wine yet. I tried both the plum wine and the pumpkin wine before secondary fermentation, but at that stage the wine is tart and full of yeast and other matter floating around. It was alcoholic, yes, but was it good alcohol? No. Just like a first draft is technically a completed story, but it’s not something you want to immediately release into the world! I mean, all those errors and plot holes you might miss before giving out the story!

But getting back to the wine, I have no idea how either batch will taste once I open them up. They may be completed, but will they be any good? It might take years of trying and failing before I make a good batch of wine. And that’s kind of like writing, too. You can write a story and go over it many times, but you have to keep writing until you’re any good at it.

But maybe that’s why I enjoy making wine. I mean, yeah, I love wine, especially sweet wine, but I also like the process of it. I like taking my hands and using them to create something that people can enjoy with me. I like that it takes hard work, precision, trial and error, and your love of something to create it and bring it together. And I like the many possibilities it presents.

It’s like writing to me. Only I don’t intend to sell this stuff: that requires a license, and I’m not going to jump through hoops for that!

Also, I’m going to need a wine rack and more empty bottles before I make any more wine. Otherwise, I’m going to run out of space for it all in my condo!

Anyway, I just wanted to share my thoughts on wine-making and writing with you guys. I’m going to do a little late night writing and then hit the hay. Good night, pleasant nightmares, and fifteen days and thirty-four minutes to Halloween. Anyone else vomiting spiders in excitement?

The post that got me thinking about this subject.

So, if you weren’t aware, Rosh Hashanah, or the Jewish New Year, starts tonight. This is the beginning of the High Holidays, or the most important holidays in the Jewish calendar, and there’s a couple of traditions around this time of year that religious Jews practice. A lot of those traditions have to do with forgiveness. Specifically, we go out of our way to forgive those who might have upset us in the past, ask for forgiveness ourselves, and maybe even gain God’s forgiveness for our weaknesses. Forgiving ourselves is also on the menu, but that’s something that’s up to us and can require more work than just what can be accomplished around a holiday.

I do these traditions myself, and about a week ago, I posted on my social media, asking for forgiveness and forgiving everyone else as well. However, I added as a sort of postscript that I might still add someone who’s seriously crossed a line with me to one of my stories, which would mean their portrayals would not be flattering, and that their deaths would probably be horrifying. As I said in the post, “Hey, every action has an equal and opposite reaction. That’s life. Get used to it.”

This and other events got me thinking, and I realized that horror is not a genre where forgiveness is front and center a lot. In fact, it’s a genre where anger and vengeance is often a major factor! Think about it: most of the killers in slasher movies are motivated by rage and revenge. In a lot of ghost stories, the spirits are stuck on this mortal plane because they have some sort of baggage keeping them trapped here and they’re lashing out because of that baggage (this is especially true in Japanese horror movies like Ringu and Ju-On: The Grudge). Carrie White in Carrie gets revenge on all her tormentors by setting the prom, the high school, and most of the town on fire, followed by killing her biggest bully and her mother, and Leland Gaunt in Needful Things takes advantage of people’s fears, grudges and relationships to cause all sorts of chaos.

In all of these stories and many others, forgiving anyone is almost nowhere to be seen. In fact, in many cases, even after the reason for the anger is gone, the anger and need for vengeance continues on. Perhaps Needful Things has some moments of self-forgiveness, where characters like Alan Pangborn, Polly Chalmers, and Norris Ridgewick realize they’ve been duped and/or done horrible things and are able to start on the path to forgiveness and redemption, but it’s not a large part of the story. In fact, those moments are overshadowed by the rest of the events of the story and the need to stop Gaunt.

Snake is not a novel I would associate with forgiveness.

The lack of forgiveness extends to my own work as well. And quite often, too. Snake is a novel about a serial killer motivated by both love and revenge against an organized crime family. “Disillusionment and Trauma Sometimes Go Hand-in-Hand,” AKA the dragon bat story (releasing next month in the 14th volume of the Ink Stains horror anthology series, if you didn’t know), is driven by several characters’ needs for revenge and being unable to let go of the past (whether they are right or wrong in doing so, I’ll let you decide). And one or two stories I’m working on now may be motivated by characters’ need to release their anger on others, whether deserved or not.

Given all that, you might be wondering if any horror stories might include forgiveness, or if all of them are unforgiving. Actually, quite a few stories with religious themes include forgiveness. Swan Song by Robert MacCammon and Imaginary Friend by Stephen Chbosky, both of which deal with Christian Apocalypse scenarios and the Devil, feature scenes where the protagonists forgive others, including the Devil himself, who usually can’t take being forgiven for their evil by a mere human and run off to hide in their own misery. And in the 2010 movie Devil, forgiveness plays a huge part in the resolution of the story and in one of the leads being able to avoid being dragged down to Hell.

This is a movie where forgiveness and sin are major themes for the horror.

All of these stories feature the Devil, but there are likely other stories with religious themes where forgiveness features but the Devil doesn’t. And perhaps there are stories where forgiveness is a big part of the story without religious themes as well. In fact, Cujo by Stephen King ends with the Trentons patching up their marriage and forgiving each other after the death of their son. But, at least in my experience, forgiveness tends to stay in horror stories with strong religious themes. The rest of the time, it seems to be “let out your wrath upon all those who have wronged you!”

But is that necessarily a bad thing? Even for the religiously inclined among us (including Jews around the High Holidays)?

I don’t think so. Whether we are misfits because we like horror, or we are already misfits and find a home in horror, both we and our genre of choice have often been maligned by the majority of society. Obviously, this can build some anger in us misfits, as we do nothing wrong but be ourselves. Where better to channel that anger than into our genre, where people often get what’s coming to them? It’s honestly rather therapeutic.

That’s why, even if I forgive someone, I’ll often find some way to write them into a story. It’s a healthy way to get rid of any lingering resentments and build something creative and meaningful while I’m at it. In fact, one could say I’m symbolically or metaphorically purging myself of hate and finding forgiveness for those who’ve wronged me, which I’m sure any rabbi would approve of, especially around the High Holidays.

As to whether I’ll ever write a story where forgiveness is a main topic…I’ll never say never. But it might be a while before we see me write something like that. Forgive me if you were hoping for one!


That’s all for now, my Followers of Fear. Sometimes I like getting my thoughts out like this, even if it leads to an essay-length blog post. In any case, I want to wish you all a Shana Tovah, or a Happy New Year. May we all be inscribed in the Book of Life and blessed with a sweet year.

Until next time, good night, pleasant nightmares, and 36 days till Halloween! Ask your doctor if sacrifices to the old gods is right for you!

That Which Cannot Be Undone. Cover by Greg Chapman. Hopefully to be in bookstores everywhere.

Run for the hills! Hide in your basements! Sound the trumpets of doom! That Which Cannot Be Undone is now set to preorder!

So, if you’re not aware, some of my Ohio horror writer friends and I started a press last year with the goal of releasing a horror anthology highlighting both Ohio horror and Ohio horror writers. “That Which Cannot Be Undone” is the result of that goal, as well as countless hours of meetings, hard work, rallying, writing, and, of course, the pledges of many supporters on Kickstarter.

And, as of this morning, the ebook is available for preorder on Amazon, with a release date of October 11th.

Here’s the blurb from the back cover:

Beneath Ohio’s congenial midwestern facade lies a dark underbelly of urban legends, cursed sites, and unseen terrors. From a woman drawn to an underwater town haunted by its last resident to a killer desperately seeking to experience new life through the teeth of his victims, these eighteen stories all take place in the Buckeye State, some drawn from already-known accounts of strangeness and infamous settings, others completely the author’s invention.

Edited by Bram Stoker Award-winner Jess Landry, That Which Cannot Be Undone features works from new and established voices in horror, including Bram Stoker Award-winners Gary A. Braunbeck, Tim Waggoner, Lucy A. Snyder, Gwendolyn Kiste, and Kealan Patrick Burke, and New York Times and USA Today bestselling author, Megan Hart.

it also includes a story by this guy named…Rami Ungar. Hmmm, I don’t know him. Do you? And is he any good?

Jokes aside, I can’t tell you how excited we are for everyone to read this anthology. It was one thing just to imagine this book coming out, especially as we were looking for ways to make the pandemic go by faster. But then talk turned into research, research turned into decisions, decisions turned into, plans turned into starting a business, the business made more plans, those plans led to the cooperation of several writers, an editor, and a Kickstarter campaign! The Kickstarter campaign surpassed its goal, authors starting submitting their stories, we hired an amazing cover artist who produced a terrifying cover, our editor Jess Landry helped us polish up our stories, and now we have the book ready to release! And very soon, many of you will be reading it.

Down below is the link to preorder the ebook (sadly, Amazon makes it so we can’t offer a preorder for the paperback just yet). I hope you’ll preorder a copy or purchase it when it’s out. And for those of you whose pledges include a copy or two of the book, don’t worry; we’re working hard to ensure you get your copies as soon as possible.

Either way, we hope you’ll read the anthology, enjoy it, and leave a review to let us know what you thought. Reviews are huge boosts for these books and help them find new readers, so we appreciate every review left for us.

Anyway, that’s all for now, my Followers of Fear. I can tell you, October is going to be an exciting month, and not just for all the usual reasons. I look forward to celebrating all the events that are to come.

Until next time, good night, pleasant nightmares, and 42 days till Halloween!

That Which Cannot Be Undone: Amazon

Well, I have to start this post off with some bad news: I will not be at the Ohio Author Spotlight Event being held by the Pickerington Public Library in Pickerington, Ohio. I’ll get into why in a bit. Stick around, because you’ll want to read on, even if you don’t live anywhere near Ohio.

The good news is, the Bexley Public Library will be hosting another Night of Horror with me and my fellow members of the Ohio chapter of the Horror Writers Association, or HWA Ohio. We’ll be doing readings and selling books at the Bexley Public Library in Bexley, Ohio on Monday, October 3rd from 7-8 PM. The featured authors’ list is still being finalized, but I’ll be there, you can count on that.

And on October 15th, I’ll be at the Licking County Public Library for their Local Author Festival. The fair will be from 10:30 AM to 2 PM at the Licking County Public Library in Newark, Ohio. This year, the library is doing quite a bit to draw in bigger crowds than last year, so hopefully plenty of people show up.

If any of you are in Ohio during those dates, please stop by to say hello. I would be happy to see you, provided you’re not a murderous stalker or just any form of stalker, and I would gladly sign a book for you. And if any other events pop up, I will let you know.

And while this is not an event, you all know that I’m competing in the Face of Horror contest. The first round of the contest ends Friday, September 15th, at which point the Top 20 of each group will move onto the next round. I don’t expect to win, though I would love to meet Kane Hodder and have a walk-on role in an indie horror movie, among other things. But I would like to make it to the next round, and I need your help to do that. Every day, you get one free vote, so please cast your votes using the link below. Or you can buy extra votes (portion of proceeds goes to charity).

Whatever you choose, thank you for your support these past several days. Because you keep coming back and casting your votes, I’ve been able to stay in the rankings in my group and might just make it to the next round. I hope you’ll continue to support me as I work hard and try to make the most of this opportunity for my writing career. Who knows? I may even win.

Face of Horror — Rami Ungar

Finally, why am I not going to the Pickerington Public Library this weekend? Well, that’s because Mystics and Marvels this past weekend was a huge success! I sold all but two copies of The Pure World Comes, which is more than I’ve ever sold at any other event, and earned more than at any other convention I’ve been to. My fellow authors at the HWA Ohio table also sold plenty of books, which definitely made all the work this past weekend worth it. We’ve already put a deposit down on a booth for next year, and we’re planning on bringing more authors with us next year so we all can reach even more readers.

This and other recent events make me think that, even though I’m so busy lately that I often don’t have time to write, that I’m on the path I’m meant to be on right now. It’s like the universe or God or whatever is moving me towards some new chapter of my writing career, and I can’t wait to see what unfolds in that chapter. Maybe more writing time? One can only hope.

Anyway, that’s all for now, my Followers of Fear. I’ll end this by posting photos from Mystics and Marvels. I’ll probably be back soon, so keep an eye out. And in the meantime, good night, pleasant nightmares, and 47 days till Halloween!

From left to right: Matt Betts, me, Sarah Hans, and Anton Cancre
This is my new author photo.
Definitely one of the most elaborate costumes I saw at the fair, if not the most elaborate: the Skull Bear!
No joke, that is a genuine wolf! Not a dark furred German Shepherd, a real wolf!
A medium made this portrait for me using pastels. Apparently he’s one of my spirit guides, and an English soldier from the Battle of Agincourt who might be my ancestor.
Another great costume, but it was difficult to communicate with this person due to the mask.
You would not believe what it took to get that photo taken.

Hello, Followers of Fear. There are sixty days till Halloween. What have you done to prepare?

Artwork produced by artificial intelligence, or AI art, has become kind of a thing as the technology has advanced. In fact, some months back, there was an app that became a fad for horror writers to generate images and even book covers. And earlier this week, John Oliver featured it on his TV show, Last Week Tonight with John Oliver. Here’s the video, if you’re interested. It’s hysterical.

John Oliver’s wife and children must have such a blast telling people who don’t know who he is what he does for a living. “Oh, my husband/dad? He sexually harasses Adam Driver and marries cabbages on TV once a week.”

Anyway, it got me interested enough to want to play around with AI art, so I made an account with one of the recommended companies, Midjourney, and went to work. The results were not only fascinating, but gave me some thoughts on the nascent AI art industry.

First, here are some of my successes. As it turns out, Midjourney’s AI program does very well with Lovecraftian/cosmic horror entities. For example, here’s Cthulhu destroying Las Vegas because I’m not a big Vegas fan (though under the right circumstances I’d visit again).

Then, in order, we have Yog-Sothoth, Shub-niggurath, Nyarlathotep, Azathoth, two pictures of the Deep Ones, the Color from Outer Space, and the King in Yellow.

And portraits of famous people tended to go well with the program. Here are Stephen King, Anne Rice, and HP Lovecraft, three of my biggest influences as a writer, as well as one of Lizzie Borden with an axe. Because why not?

And because I love ballet and try to put dancers in my stories when I can, I made a series of ballet posts, with their titles in the captions.

Dancer and Wolf on the lake
The Little Ballerina Ghost
Dancer in the Egyptian Temple
Dancers on a Moonlit Beach
Little Dancers Running from Lava
Little Dancer and Anubis

Pretty cool, right? Most of them look really good. However, those were success stories, like I said. Here’s what happened when I tried to create Jason Voorhees from the Friday the 13th films.

Yeah, I know. None of those come close to looking like Jason! He’s arguably more famous than Cthulhu, but these were the results. And then there was my attempt at Freddy Kreuger from A Nightmare on Elm Street. Oy freaking vey!

Yeah, who is that? Not Freddy Kreuger, who is definitely more famous than Cthulhu! Honestly, it looks more like my conception of Leland Gaunt, the antagonist from Needful Things by Stephen King. How could the AI get our favorite subconscious serial killer so wrong?

And those are just a few examples. I went through several failures trying to get anywhere close to a specific idea or image, only to give up when I realized the program just couldn’t create it. I couldn’t even create a decent Sailor Moon or an accurate tiger image, and both those prompts have enough references out there that they should have been easy to create something accurate.

Even some of the successes took a lot of work and experimentation, such as The King in Yellow or Little Dancer and Anubis. I won’t even go into detail about how hard it was to get a good Alice in Wonderland pic that wasn’t too trippy. I mean, I know the source material is plenty weird, but not all art based on it has to be super-surreal!

And while I call some of them successes, they aren’t perfect. You can especially see it in the ballerina series, where features like the head and limbs look odd or bent in ways you wouldn’t see on a normal dancer or a Degas painting. Only the tutus and bodices come out well. The rest of their bodies can be a mixed bag.

It kind of reminds me of that scene in 1986’s The Fly, where Jeff Goldblum puts steak through the teleporter and it comes out tasting weird. He figures out that the computer hasn’t learned how to move organic materials, and is instead creating an interpretation or bad imitation of what it thinks steak is. That’s what we have here: the AI has learned how to mimic and create, but it’s still leagues away from making certain things.

And honestly, I’m glad. Art is art because there’s someone behind it with a vision or a passion. You can program a computer to recreate famous art pieces or original pieces, including Batman comics and scripts or horror screenplays. And the computer might even do a good job at times. But there won’t be any passion or soul behind it. Art is art because we’re putting our love and soul into our creations.

And getting to work with a creator? That’s even more special. Believe me, I’ve done it before, and it’s amazing to see your vision come to life with their help. Especially when working on art pieces like book covers. That truly is something special.

That being said, I can see AI-generated art being used for cheap book covers as the technology improves, and the services of artists becoming more expensive. This could especially apply for small presses or independent publishers who need to lower costs while maximizing profits. The only time publishers may use a real artist is if the author is big enough to warrant it.

Hopefully that doesn’t happen, because it would mean we wouldn’t get to see some really amazing collaborations. So, for the meantime, I’ll stop with the AI art (I’ve scratched that itch and I don’t want to pay a subscription for Midjourney, anyway), and continue supporting the artists who create amazing art. Especially horror art.

And now, here are some more pieces I created. Except for a few I’m waiting to reveal till the time is right, here are my other successes. You can ask what was going through my mind when I created these in the comments below. Enjoy, and until next time, my Followers of Fear, pleasant nightmares!

Vampire Mothers and Child
Jump Rope with a Ghost
Jack the Ripper in an Alley
Flaming Giraffe #1
Flaming Giraffe #2
The Necronomicon
Bunny Girl and Hammer
Spooky Alice in Wonderland
My favorite films surrounding my remote control.

You know, this may not be the biggest issue in my life. And it may not be the meaningful thing I could write about on this blog. But you know, it’s something I find myself pondering from time to time. What do my Top 6 Favorite Horror Movies say about me and my interests?

(It used to be 7, but I realized while making my list that while I enjoyed the film, it wasn’t something I would gladly watch again and again and again, just say the word go. Also, my tastes change over time, so this list could look very different in ten or even five years, as well as grow or shrink.)

But what does it say about me that I enjoy these particular films? What about them draws me to them? I tried to figure it out by listing them and then listing what I liked about them. Here are the films in question:

Perfect Blue (1997)
Based on the novel by Yoshikazu Takeuchi and directed by Satoshi Kon, Mima Kirigoe is a J-Pop idol who is forced by her agency to transition into acting. This and a violent stalker sends Mima into a violent psychological down-spiral, one which may very well claim her life.

  • One of the few good examples of anime horror I’ve come across in my life. The art style is also excellent, where characters and scenes are animated with a sense of realism rather than the usual anime exaggerations. This gives the horror a certain sense of realism that you wouldn’t normally find in anime.
  • The movie works to make you question, along with Mima, every moment of reality. What is real, what isn’t, what’s a dream, what’s part of Mima’s TV drama and what’s her actual life. It’s all up for debate throughout the movie, with the use of color, quiet scenes vs acting and dancing scenes, and repetition of events making you feel the disorientation Mima feels. All leading up to a final third with a horrific twist.

Color Out of Space (2020)
Starring Nicholas Cage and based on the novella by HP Lovecraft (one of my favorites by him, BTW), a meteor falls in a small West Virginia farm, giving off an odd color that can’t really be categorized. Soon after, strange events start happening on the farm, changing the plant life, the family, and reality itself. All leading to a devastating conclusion.

  • Ask most film critics, it’s one of the best HP Lovecraft/Lovecraftian horror adaptations ever made.
  • The film’s very misleading, at first playing up Cage’s penchant for odd acting and adding in plenty of comedy. Later on, however, Cage’s performance goes from funny to sinister, and the humor vanishes as the number of scary events occur and build, filling with you with dread.
  • The mix of practical effects and CGI is well done, with the latter only being employed as absolutely needed and the former being used enough to make fans of The Thing proud. This allows for the final scenes to be really horrifying, even when chock-full of CGI.
  • Just watch the cutting board and alpacas in the barn scenes. You’ll be scarred for life.

Overlord (2018)
During the D-Day invasion, a small troop of American soldiers sneak into a French town to take out the Nazi’s radio tower, preventing the Nazis from calling for help. What follows is a harrowing ride through hell as the team confronts not just Nazis and the horrors of war, but deadly experiments that may end up changing the tide of the war.

  • Despite being a “Nazi zombie” film, which is usually silly or played for laughs, this film plays it much more seriously. The zombies are almost a secondary feature of the film. The real emphasis is on how war scars and changes you, how horrible the drive to win can make a person, and how war brings out the depravity in all of us. When the zombies are on screen, they’re used sparingly, only to heighten the horror and the stakes.
  • During the scenes where the protagonist explores the laboratory, the emphasis on mood and atmosphere creates a powerful dread of what’s around every corner, under every sheet. If you’ve ever seen or played the game Outlast, it often feels like you’re in the middle of that game, and that is a terrifying thought to have.

Sleepaway Camp (1983)
As a young girl, Angela sees her father and brother killed in an accident on a lake adjacent to Camp Arawak. Years later as a teen, Angela and her cousin Ricky go as campers, only for a strange series of deaths to ruin the summer fun. And in the center of it all, Angela seems to be a fixture.

Who else had their mind blown by this moment in the film?
  • This is a rather unique 80’s slasher. For one thing, the campers are all played by actual teens and tweens, rather than adults pretending to be teens. Coupled with the teens language and behavior, it often reminds me of my own camping days, except less Jewish and more murder-y.
  • There are also prolonged periods between (admittedly inventive) kills, which allows you to really get to know the characters and remind you that these are just kids. This makes each instance of death even more shocking and brutal than it would be if they were in your face one after the other.
  • The twist in this movie is rather famous and forces the viewer to recontextualize everything in a new light. I won’t say what happens, but ooh boy, it’s not the sort of thing you could do today. I’d be interested to see how a remake handles this twist and reworks it for a modern audience. Also, I wish there was a novelization for this movie, because it would be great.

The Taking of Deborah Logan (2014)
A medical student is filming a documentary about an older woman’s battle with dementia. While out at her country home, however, it becomes increasingly clear that this woman is dealing with something else besides dementia: a dark presence has come for Deborah Logan, and it’ll use her to accomplish its sinister goals.

  • Both a found footage and a possession movie, the take on the latter is very unique, both in the victim of possession and who/what is doing the possessing. However, since this is a film about a woman with dementia, it misleads you at first so that you don’t know if what you’re experiencing is really supernatural at first. And when it becomes clear that something supernatural is happening, it becomes both terrifying and tragic.
  • Did I mention this film is terrifying? Not just for anyone whose relatives have experienced dementia (and I’ve heard from people that that’s a form of terror in and of itself), but just as a horror movie it is terrifying. From dark and claustrophobic scenes in an abandoned mine to strange happenings in the house and one bloody scene that freaked me the hell out, this is not a film you want to watch with the lights out.

Prince of Darkness (1987)
A Catholic priest discovers an ancient artifact in the basement of an abandoned church that points to the fulfillment of an obscure end-of-world prophecy. Needing to prove it to the world, the priest enlists the help of several prominent professors from a local university and their grad/PhD students to help quantify this strange, evil miracle. As you can guess, shit really hits the fan.

  • One of John Carpenter’s lesser known masterpieces (which I think is a damn shame), the film has a unique take on God and Satan that feels more at home in a UFO cult, but works really well here. It also has some interesting ideas and themes to explore, such as the nature of evil, the relationship between religion and science, and even an allegory for the AIDS epidemic, which was at a peak when this film was made.
  • Also, while not the scariest thing ever, it is pretty damn creepy and has some truly great moments of horror.

So, there you go. These are my favorite horror films right now. And I struggle to find a unifying theme about why I elevate them above all others. Half of them are from the last decade, two from the 1980s, and one from the 1990s. They all place a lot of emphasis on psychological horror, but how and how much varies from film to film. Only two of them are adaptations of anything. No similar genres, directors or writers, different themes are explored in each one, and I own copies of all of them on DVD or Blu-Ray.

Maybe it’s just that they stick in my head more than others, or that they impressed me in some way that other horror films haven’t. Perhaps they’re the kind of stories I wish I’d wrote, or I like thinking of what I’d do with the material. Wait, no, it’s not that. I think that with every horror film.

If nothing else, I’ll be able to discuss films like Perfect Blue and Prince of Darkness with more people.

Well, maybe you’ll help me find some insight. If nothing else, there’s a chance you’ll be curious enough to see these films if you haven’t watched them before, or give them another watch if you have. You may even notice something I don’t.

You may even make some of them part of your Halloween watchlist this year (63 days till Halloween at the time of this writing). And if you do, I also recommend adding Carnival of Souls (1962), Killer Klowns from Outer Space (1988), Rosemary’s Baby (1968), As Above, So Below (2014), The Void (2017), both versions of The Fly (1958 and 1986), the 2013 remake of Carrie, It (2017), and Freaky (2020). All make great additions to your Halloween viewing lineup. Not to mention all the movies coming out starting next month. I’m getting chills just thinking about it!

Anyway, this has been a long post and it’s getting late. I’m going to end it here and call it a night. Until next time, my Followers of Fear, good night and pleasant nightmares!

What are your thoughts on these films? Did you notice anything I didn’t? What are your favorite horror films that you recommend to everyone?