Posts Tagged ‘reflections’

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I think this interview has been a long time in the making, and I’m glad it’s finally happened.

Today’s author is a woman who you might have seen commenting a lot on this blog. She’s an author of several vampire novels, as well as a contributor to Self-Published Authors Helping Other Authors, and a contributor/editor/compiler/whatever to the Ink Slingers’ anthologies, including Strange Portals and the recently published When the Lights Go Out. It’s Joleene Naylor, and I’m looking forward to hearing what she has to say!

Welcome to the blog, Joleene. So tell us, what are your short stories about and what inspired them?

Unforgotten is about a pair of old school chums in the UK who go on an annual trip every year on the same date. This years’ trip is complicated by Gordon’s missing wife and the ghost of a little girl who wants to be found. It’s actually based on a dream I had. It started out the same: in a car discussing having been interrogated by the police. Only there was no ghost girl.

In Beldren, a group of former indentured servants decide to take what they feel they are owed from an easy mark; a household of women. Their plan is perfect except for one thing: the women are vampires.  This one was inspired one night when a pickup kept going around and around past our house and my brother got nervous they were “up to something” and I thought, “I wonder what would happen if robbers broke in and found out the people of the house were serial killers? Or vampires? Hmmmm… That could be an interesting story…” Hopefully it is.

I read the first one and liked it, so I have high hopes for the second one. Now what else have you written?

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The Amaranthine vampire series. Shades of Gray is the first, and the newest is book seven, Clash of Legends. I’ve tried to make the story creepy and disturbing, and at times bloody and horrific, instead of just the usual romantic sop that a certain YA book has turned the vampire genre into. There’s no sparkling and no high school, just blood, fighting, and vampires who feed on humans and burn in the sun.

Are you a traditionally or self-published writer?

Self published because I want to own the rights to my own work.

What got you into writing in the first place?

My mother was a writer and poet, so it never occurred to me not to “make up stories”. My brother and I used to make (and illustrate) books for fun when we were children. (I also used to draw book covers and catalogs, complete with product descriptions – I was strange.)

What is it about scary stories that you think draw people in?

People enjoy being scared – safely. We like that little “Oh!”, the tiny burst of adrenaline and that aftermath giggle, but we like when we know we’re not *really* in danger, and a scary story can give us that.

Are you working on anything these days?

I’ve reworked Patrick: A Prequel, but I need to edit it. I am also working on Masque of the Vampire, the eighth book in the series, and the Tales of the Executioners short story collection. There are four of those, three are available for free through most retailors (except Amazon) and the fourth, Beldren, is included in the When the Lights Go Out anthology.

What is some advice you would give to other writers, regardless of their level of experience or background?

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Write what you want to read because if you want to read it, then edit the heck out of it. Change words, shorten scenes, add scenes, delete scenes. The original version may seem like a masterpiece to you, but it isn’t – it’s a rough stone that needs cut down and polished in order to shine.  That may be hard to admit sometimes, or to acknowledge, but it’s the truth for everyone.

If you were stuck on a desert island and could only take three books with you, what would you take?

I think short story collections give you more bang for your buck when it comes to being stranded for a long time, so: The Complete Tales of Edgar Allan Poe, The Faun and the Woodcutter’s Daughter by B. L. Picard, and right now I really, really, really want to read A Candle in Her Room by Ruth M Arthur, only I can’t find a copy priced at anything I can afford, so in fantasy land I would have it. Alternately, if it has to be a book I owned, I’d swap it out for My Sweet Audrina by VC Andrews.

Well, thank you Joleene for joining us today. Really enjoyed picking your brain. And readers, if you want to check out more of Joleene, you can find her on her website, her blog, her Facebook page, on Twitter, and on Goodreads.

Also check out the Interviews page for my talks with other authors and even some characters.

And make sure to check out When the Lights Go Out, available from Amazon, Smashwords, Barnes & Noble, Kobo, and iTunes. It’s the perfect way to start the Halloween season.

I just recently finished the second draft of “Gynoid”, a sci-fi love story novelette. During that time, I thought a lot about romance in fiction. Have you noticed that it’s everywhere? In fiction, you find a lot of time devoted to find your one true love, and in real life, you find people not just actively looking for their one true love(s), but even measuring themselves by fictional couples! Our music is rife with love songs or how love is betrayed (the so-called “Song of Songs” in the Bible is one huge erotic love song), and if you go back in time, some of our oldest stories involve love and lovers.

Heck, it’s in a lot of my fiction too! And I write fiction where “love” is more likely intense adrenaline and a shared peril being mistaken for attraction. Snake has a love story that’s central to its plot, Reborn City has a bit of romance in it here and there, and..well, you saw the description for “Gynoid” above.

But rather than speculate on why romance and finding it is such a big thing (I think we can all guess at the answer, right?), I think I’m going to share some of the trade secrets I’ve gleaned over the years from other writers and from my own romantic experience, both writing it and from experiencing it (do not ask me which I have more of. I wouldn’t want to upset anyone) on writing romance in your stories. Why? No particular reason, it’s just on my mind and in my stories so much I feel like talking about it. And I know I might not be the most qualified person to talk about the subject–I know I’m not a romance writer–but I know a bit, and since when has not being an expert ever stopped anyone from talking about anything? (*cough* climate change deniers in Congress *cough*)

So let’s begin on my tips for including romance in your stories:

  1. Give the characters personalities, make them fully-rounded and three-dimensional. I feel like often times some of our most celebrated romances involve people who are just good-looking nice folk and not much else. Romeo and Juliet were a sad emo guy with a thing for teenagers and Juliet was a teenager, Cosette and whatever her guy’s name was were good-looking and nice but they weren’t much else, and Katniss Everdeen…okay, Katniss was at least well-rounded. You knew who she was, what her problems were, what she stood for, and what she was willing to do to overcome those problems. Her love interests, on the other hand, just seemed there so as to add something to the story that the story might have done fine without. I mean, Gale is just handsome and angry with the Capitol, and I can’t tell what Peeta is besides sweet. One minute he’s skillful enough to manipulate the hearts of the whole Capitol, the next he’s too naive to tell that Katniss is using him for survival. Make him one or the other! Seriously, if you’re going to bother putting love interests in the story, I’m going to need a reason to ship either of them besides their attractiveness and professions of love.
    And that brings me to my next point:

    It took a long time, but these two became a wonder couple.

  2. What’s the reason they fall for each other? Please don’t say, “Oh, they’re good-looking”, it’s got to be more than that…or heroin-flavored blood. Take one of my favorite anime of all time, Sailor Moon (yeah, I’m a huge fan of that even so many years on. Moonies forever!): all of the main characters are good-looking. So why does Sailor Moon end up with the male lead, especially when in every adaptation of the story they start out fighting and disliking each other and in some he’s already seeing someone else? Leaving aside backstory exposition, I think they just grow comfortable with each other over time. They realize they can be honest with each other and that their faults are just part of who they are. Cute parts too. And it helps when they find out each other’s secret identities, which shows how courageous and reliable they are to one another, to the point they make a pretty good partnership, in love and in combat.
    Another example I’d like to use is Captain America and Peggy Carver in the Marvel Cinematic Universe (which is my only reference point, I was never much of an American comic books reader for some reason). Heck, at the beginning of their relationship, Cap’s a scrawny guy who doesn’t seem like much of a hero, while Agent Carter is…well, Agent Carter. What forms the basis of their relationship is that Carter likes that Cap wants to help out despite all the barriers facing him, and his sweet and loyal personality, while Cap likes that she’s a unique and confident woman who doesn’t need a man and who also doesn’t look down on him for not being tall and buff. Over time and numerous battles, their relationship grows closer and they fall in love, which ultimately doesn’t end well but I’m sure that if things had gone differently, it would have been a different story.
    Speaking of which, here’s point 2a. Shared experiences, especially combat experiences, can bring a relationship closer. Unless of course you and your supposed lover work really horribly together, in which case fighting will just highlight it and you’ll fall apart at the seams.
  3. There is no point where the relationship becomes perfect. Work is involved. If there’s one thing I’ve learned about relationships in the real world, they’re always a work in progress. Why? Because we’re all works in progress, so our relationships are too. There’s going to be rough times, where the characters struggle or worry that something or someone will come along and the good thing they have going will be ruined. Back to Sailor Moon for a second. Fans agree that the heroine and her man are a strong and stable couple (though whether or not it’s a good coupling, I find people disagree on the subject more than you’d think), but they do have to work at it. Besides enemies that threaten to pull them apart for whatever reason, they have the normal couple troubles: people who seem like better matches coming along, occasional misunderstandings, an unexpected child. Heck, they even broke up for a time during the anime’s second season. Just goes to show that even great couples have ups and downs.
    And the best part is, you can extend these meetings, character explorations, falling-in-love scenes, and ups and downs over several books. In fact, half of the fun of the TV show Scandal is watching the heroine Olivia have an on-again, off-again relationship with the (married) President of the United States. You never know how that one is going to work out. And as long as you can keep it going, the more you get to explore these characters and their relationships (provided fans don’t start to get bored, of course).
    And now that we’ve discussed what makes for a relationship, let’s discuss some content.
  4. Sex is not always necessary. Yeah, I know we live in a hyper-sexualized society where everything has a sexy component to it, and I know I included a steamy sex scene in Snake, but seriously, sex isn’t always necessary. In fact, some people prefer romance stories without anything racier than a kiss or two. There’s actually an entire sub-genre of romance like that, it’s called sweet romance, where the characters don’t have sexual relations before marriage (or commitment too, maybe) and it has a big and loyal following. Besides, some authors aren’t comfortable with sex scenes. I know I wasn’t at first, though I later got more comfortable with them. So if you don’t want to do one, there’s no law saying you have to.

    Love the relationship dynamics of this show!

  5. Also, you don’t have to just have one person love only one other. I know there are a couple of Buffy fans reading this blog. One of the best parts of that show is the characters had many different relationships over the 7 seasons. Buffy herself had three major relationships over the course of the series.  The writers could’ve had her with Angel, her first love, through the whole series, but they allowed her, Angel, and many others to explore other relationships and really mature through that. Same with Teen Wolf, which had two main characters being “meant to be forever and ever”, but gradually changed things up over time. So if you want to, you can have characters wait a long time and go through several relationships before finding the right person.
    Especially with love triangles. I hear there are quite a few series out there where a good dose of fun is trying to find out who the main character will end up with in the end, especially when there’s two really great, fleshed-out characters to choose from (though usually from what I hear it’s whoever the protagonist meets first).
    And this brings me to my final point.
  6. Don’t do it because everyone else is. And no, that’s not a drug PSA (though you shouldn’t do those either. Not even weed, that stuff will mess with your system). Yeah, you see people putting all these different things in their stories–love quadrangles, the other man or woman, unexpected pregnancies, even some sexual exploration. Only put those in your story if you feel they’re what the story needs, not what others say you should put in or what others are putting into their stories. Believe me, that’s how I avoided something really unnecessary romance-related stuff in Reborn City, and that worked out great for me.

I’m going to end it right here, but I have to say, there’s a lot more that I could include in this post. Suffice to say, there are a lot of intricacies to writing romance and love stories (point number 7, a romance has a happy ending, a love story doesn’t have to. Learned that a romance writer friend of mine), and you learn these things over time. But hey, in the end they can lead to some really great stories, and maybe melt a heart or two while you’re at it.

What romance writing tips do you have? Do you feel romance is important to your stories or not so much?

It’s time for another author interview! This one is with a Facebook friend whom I’ve known for a couple of years now. And while what we write and how we write are very different, I’m glad to know her and I think she’s just terrific. She’s got a new book out and she’s got more on the way, apparently. I think we could all learn a thing or two from her.

Oh, and you’ve seen her name on the blog before. Remember that radio show I was on not too long ago? She’s the host. Ladies and gentleman, Dellani Oakes (hey, that rhymed!).

Welcome to my blog, Dellani. Tell us a little about yourself and what you write.

I’m an author of mostly romantic fiction. I have one historical romance, one retro-romance, three futuristic romances and three romantic suspense already published. My latest book, One Night in Daytona Beach, is an erotic romance, due out October 28th.

Many of my books are set here on the east coast of Florida, as I have lived here since 1989 and consider it to be my hometown. I may not be a Florida native by birth, but I am at heart. I think it’s impossible to live anywhere and not have it become a part of you.

What are some books you’ve written that you’d recommend?

Would I be awful if I recommended them all? It depends upon what you like:

Historical Romance set in Florida in 1739. Full of spies and intrigue – Indian Summer

Retro Romance set in Nebraska in 1976. Action packed thrill ride. – Under the Western Sky

Futuristic Romance/ Sci-Fi set in space in 3032, some hot romance, intrigue, action…. – The Lone Wolf Series – Lone Wolf, Shakazhan and The Maker

Romantic Suspense, all set in Florida in the present. Ice meltingly hot, each also features a fast paced suspense – Undiscovered, The Ninja Tattoo and Conduct Unbecoming

Erotic Romance. The genre and title say it all. Ultra hot, this is also a romantic suspense, which takes place in 24 hours – One Night in Daytona Beach

Each book has something different to recommend it. If you want exciting stories that make you laugh, cry and fall in love, then any one of them would be a good fit.

Good thing there’s quite a selection, then. What are you working on now?

I tend to hop around a lot when I write. From time to time, I am inspired and the story flows quickly, finishing as fast as I can type. Other stories come more slowly. I just finished a romantic suspense a few days ago, that I wrote in four days. I am currently working on book 3 in a YA series I started 3 years ago (not yet published).

What made you become a writer?

I never wanted to be anything else. Necessity sent me in different directions, but I always was compelled to write. I have told stories and written poems, songs, short stories and plays for as long as I can remember. I started writing my first novel in 1988, but it’s still unfinished. My first complete novel is my historical romance, Indian Summer.

You also run some online radio programs, including one I was on. Tell us about those.

It all started with April Robins. She came up with the idea of Red River Writers in 2007, a page on Facebook. I happened to join. Shortly after, author JD Holiday suggested that we begin shows on Blog Talk Radio interviewing one another and other authors. I hopped in as an assistant and was terrible at it. A couple other hosts left and April asked me to take over their show slots. Thus, Dellani’s Tea Time and What’s Write for Me were born.

Dellani’s Tea Time, 4:00 PM EST every second Monday of the month, was my first show. I wasn’t quite as bad at that as I was at assisting, and found I quite liked it. Things ran more smoothly once I brought on author Christina Giguere (Rachel Rueben) as my co-host. She keeps things running smoothly for me and is an absolute treasure.

What’s Write for Me was kind of an afterthought. We decided to add more shows to the schedule and we were asked to pick a day. I asked for the fourth Wednesday of the month (also at 4:00 PM EST) because I didn’t want shows back to back. (Though some months they are)

The shows are available, for free, to any author – or soon to be author. Best way to reach me is through Facebook. I also interview authors on my blogs.

What do you do when you’re not writing?

If I’m not writing, I’m reading. (I also admit to a terrible Netflix addiction) I enjoy re-reading books I love, as well as finding new ones to treasure. I also read and edit my own work. Once a week, I volunteer at the local Council on Aging where I facilitate a small writing group. It’s called Fun in Writing and we have a wonderful time. It’s a great way for older people to socialize and keep their minds sharp. I joke that most of my best friends are old enough to be my mother, but it’s true.

What is some advice you would give to other writers, regardless of experience or background?

Write the way that feels right. So many “how to” books will tell you that you must outline, plan carefully and draw up character sketches before you put pen to paper (or fingers to keys). I’m here to tell you that you don’t have to do that. There is no shame in just sitting down to write, often called pantsing (writing by the seat of your pants) by those who are supposedly in the know. (We panters call them plotters). I’ve been told that my way of approaching a story is inefficient, that I can’t possibly accomplish my goals as a writer if I don’t know where my story is going. According to the naysayers, I’m supposed to put all my creative energy into an outline. I beg to differ.

I have written books in as little as four days. I’m not talking about some 20,000 word novella (though I’ve done those as well), I mean a 54,087 word novel. That’s after I completed another novel for NaNoWriMo (National Novel Writer’s Month) the day before, which was just over 50,000. (The Ninja Tattoo, available from Tirgearr Publishing). Tell me my way is inefficient, please!

Just to bring my point home, I’ve spoken to dozens of authors over the last few years and the majority of them write the way I do, rarely planning anything. There is absolutely nothing wrong with plotting and planning, but there’s nothing wrong with my way, either.

And finally, if you were stuck on a desert island and you could only bring three books with you, which three would you choose?

Oh, I hate this question, because I can’t think of only three books I’d want to have. Honestly, give me notebooks and pens so I can write my own. I will keep myself wonderfully entertained.

I’m seeing that response quite a lot these days. Well, thank you Dellani for joining us. Good luck with everything you do in the future.

If you would like to check out more about Dellani and her work, you can check out her blog, as well as Facebook and Amazon.

All for now. I’m going to try and get a few more interviews out, among other things, so look out for those. Until next time, my Followers of Fear!

As you are probably already aware, I’ve been spending the past three months here in Wiesbaden, Germany, working as an intern at the US Army base here in the Army Civilian Corps, specifically in the Equal Employment Opportunity office (we handle stuff like equal rights for everyone and discrimination complaints and that sort of thing). It’s been a crazy, fun, exhausting, edifying adventure. I’ve been able to live in a really amazing European country–one taking proactive measures to help refugees in the current crisis, by the way (take that, Hungary! Nobody likes you right now!)–get some very valuable job experience, see some things I’ve only read about (SS castle of mysticism and the birthplace of Nazism, anyone?), and even learn a few words of a foreign language.

Plus seventy-something ideas for stories and articles and everything else creative too, by the way. That is something I’m very happy about!

Unfortunately, all good things come to an end, as they must. And today was my last day working as an intern. Yep, today was the last day. Sad but true. Did some work in the morning, went with the folks from my office to a beergarten for a goodbye lunch to commemorate all the hard work I’d done, did some more work when we got back, met with a few people to discuss this and that, and then headed home. All told, it felt pretty quiet. I almost expected a somber air or something, just a heaviness in the atmosphere to signal that today was my final day working in that office. No, just a normal day, minus the fact that I’m not getting ready for bed at this point because I have an early morning tomorrow (yeah, I’m sleeping in!).

I’d like to thank everyone who helped make this possible. The folks from my office, for guiding me every step of the way, working so well with my quirky nature, and giving me lessons I’ll carry with me for years to come. My family and friends, for supporting me and being just a Skype call away when I needed them. The many people who helped me get into this internship in the first place, including Ohio State’s Office of Disability Services and the Workforce Recruitment Program, and especially the US Army for willingly taking in a budding horror novelist who proved with his mother that he has demonic abilities. And of course, I have to thank you, my Followers of Fear. No matter what mood I was in, you were there to support me and share in my triumphs and my failures.I can’t thank you enough for that.

Now, this is the part where I tell you my plans. Unfortunately, I can’t. You see, some opportunities have arisen for me here in Germany. I can’t say what they are at this point, though I can assure you that I’m not on tour with Taylor Swift as her live-in boy-toy or breaking into a haunted pizzeria with killer animatronics (if you got that reference, then you’re hip. If you didn’t, click here and get hip). What I can tell you is that these opportunities mean I have to stay in Germany a bit longer. So yeah, I won’t be flying back home at the end of the week. As things progress and we see what happens, I’ll let you know what’s going to happen.

For now though, know that I have some time to myself to clean the apartment, write and edit, and catch up on TV in between working on making the most of these opportunities.

That’s all at the moment. I’ve got stuff to do, so I’m going to do it. You have a good night, my Followers of Fear, and thanks again for giving me so much support and love. I couldn’t ask for a cooler audience.

BarbChicon2012

It’s been quite a while since I’ve done an author interview, but hey, I’m glad when I have the chance to do one. Today’s interview is with someone else who’s work is being featured in When The Lights Go Out, which if you haven’t checked out I highly recommend you do.

Barbara G. Tarn prefers the term “world-creator”, which I can understand, seeing as she not only writes but does graphic novels and a few other things too. She’s lives in Italy, which I think is pretty cool, and she’s constantly working on something (boy, does that sound familiar). And apparently I know her husband, as do many other writers. Lots of interesting connections here. Her story in WTLGO is related to her upcoming novel, which sounds very interesting if you read the summary. And speaking from personal experience, her short story is pretty awesome as well.

So without further ado, let’s get into it!

Welcome to the show, Barb. What is your short story about and what inspired it?

The Return of the Crusader is historical fantasy. It’s Halloween – when it was still called All Saints Eve – in 1150 AD Lincolnshire and the lady of the manor is hoping her husband will come back from the crusade… which he does, but as a vampire.

This story was inspired by the fact that Miss Naylor [Joleene Naylor, who helped put together WTLGO] wanted a Halloween story and I thought it was a perfect day for someone to be turned into a vampire! So I wrote this “origin” story for Kaylyn, who is Rajveer’s sister-in-darkness, and next year I will write her full story. For now you can see her in Rajveer the Vampire, out Nov.1st.

I’m a middle ages lovers and my historical novel  The Fern and The Cross is still in the drawer since I’m not happy with it. But all the research I’ve done for it will be useful to tell Kaylyn’s story, from 1150 AD to the new millennium – out Nov.1st, 2016.

Tell us what else have you written?

Star Minds is a science fantasy series. Then there’s Silvery Earth, adult unconventional fantasy. All books are actually standalone in both series, but if you follow the chronological order, you might see a pattern. Both series have lots of LGBT characters. Urban fantasy – Samantha’s body switches – and other contemporary titles are also out now. You can find everything at the Unicorn Productions website (that’s a logo I’ve had since the 1990s, when I did photocopied b&w fanzines to sell at the Italian comicons)

Are you a traditionally or self-published writer?

Indie because I’m scared of the draconian traditional contracts. But I’m submitting short stories to traditional markets – and rejections are piling up. Although I did get a Honorable Mention at Writers of the Future (and then indie-published that novella).

Nice! What got you into writing in the first place?

I’m writaholic. I’m married to Mr Writing. I’m an introvert and hate spoken words. I’d rather be writing than hang out. Should I say more? Okay, I was uprooted at 13, so that kinda shut me off from the real world… That’s when I started writing stories!

What is it about scary stories that you think draw people in?

I don’t read (or write) many scary stories, so I have no idea…

That’s a shame. Now, are you working on anything these days?

Redrafting Daya (another vampire that appears in Rajveer’s novel – probably a novella that might come out maybe at the end of this year or the beginning of 2016)) and Beautiful (a “retelling” of Sleeping Beauty with m/m protagonists).

What is some advice you would give to other writers, regardless of their level of experience or background?

Heinlein’s business rules: 1) you must write 2) you must finish what you write 3) you must not rewrite unless by editorial demand (and I mean editor in New York if you have a traditional contract, not a hired freelance) 4) you must put it on the market 5) you must leave it on the market until sold (either trad or indie). Don’t look for perfection or you’ll be stuck in rewriting hell forever. If you must take a course, go to professional writers such as Kevin J. Anderson, David Farland or Dean Wesley Smith. I’ve taken online and offline classes at WMG Publishing – and I started writing back in 1978. Thing is… you never stop learning.

Finally, if you were stuck on a desert island and could only take three books with you, what would you take?

Aren’t we past this with e-readers? 😉 Without wi-fi the battery would last long enough to read more than three books! I don’t know, I don’t have favorite books at this time… I’d probably spend the time telling stories to myself that I might eventually write…

Thanks for joining us, Barb. If you would like to check out more of her work, head to her blog, Facebook, Goodreads, or Amazon page for more. And make sure to check out When The Lights Go Out or Rajveer the Vampire, out November 1st.

All for now. I’ve got a few more interviews coming up, so keep an eye out for those. You have a great day, my Followers of Fear!

Mark and Debby Constantino. Courtesy of their website.

Recently I read something online that made me feel downright depressed and mournful. As you know, I’m a huge fan of the TV show Ghost Adventures and the people behind it. I feel they’re actually out to prove the existence of spirits and I find them inspirational for my own writing. Frequently they bring guests on the show, including other paranormal experts. Two of these experts were Mark and Debby Constantino, who specialized in electronic voice phenomena, or EVP examination.

This is where it gets sad: Earlier this week, the Constantinos died horrifically along with one other person. Apparently there had been a history of domestic violence in their marriage, including a prior kidnapping by Mr. Constantino, who had been estranged from his wife. This week, Mr. Constantino, who was out on bail, killed a man at the house his wife had been staying at, kidnapped her, and then later killed her and himself after a standoff with police. You can read the full story of this tragedy here, if you want to.

Since this has happened, I’ve seen a lot of reactions to what has happened. Obviously, there are a lot of people wishing condolences to the victims’ families and to the victims themselves, and there have been a lot of people talking about domestic violence, its devastating effects, and offering help or links for those who have been or are being abused. That’s good. We should mourn those who have been lost in situations like this while also recognizing that what has happened could’ve been prevented and working together to help make sure that incidents like this don’t become a regular occurrence.

However, some reactions I’ve seen to this actually made me feel rather worried and at time disturbed, and they are the reason I’m writing this post. One reaction that’s really upset me is that people are making jokes over the Constaninos’ deaths based on the fact that they were ghost hunters. Examples include “Now come back and show us that ghosts are real” and “They can still star on Ghost Adventures“. That’s just awful. There’s no joke you can make about a woman who was kidnapped from her home, maybe saw someone she knew die, and then was held hostage by someone she’d once loved, trusted, and had children with, only to be murdered by that person in the end. Doesn’t matter what they believed or thought, this was a tragedy, and you’re not being funny or cool by making a joke of it. Doesn’t matter that on the Internet you can be anybody you want to be either. All that’s happening is you’re cheapening someone’s early and awful death and you know it. And if you still don’t see anything wrong with that, then I’m not so sure I would like to associate with you.

Another reaction I’ve seen is that some people think this may have been a case of spirit or even demonic possession, that Mark and Debby Constantino were oppressed and ultimately influenced to die by something otherworldly. Now, I know that for those who believe (including me), a spirit can attach itself to a person or persons and make their lives miserable. However, I don’t think this is a case of demonic possession or something like that. Why? Because domestic abuse happens to uncounted numbers of people worldwide everyday, sometimes leading to the death of victims, few if any related to the supernatural. While it’s tempting to write off what happened in the Constantinos’ marriage to something extraordinary, in truth what happened is all too ordinary, even if it escalated to the point that it did.

And I know some of you will point to how the Constantinos seemed so normal on TV or at conventions. Plenty of people who are abused or abuse others are very good at presenting a happy, perfectly normal public image. It’s in the privacy of their homes that they show their true colors, because that’s the only place where they know they won’t be stared at because a loved one is hurting them. And many abusers are experienced in finding ways to carry out abuse in ways that won’t leave bruises or broken bones, which allows them to continue doing what they’re doing. Sometimes it’s not even physical, it can be completely verbal, financial or psychological. You never know who could be suffering inside.

And the only way to even make demonic influence more than just a wild guess is some sort of recorded proof from the Constantinos themselves that they were being oppressed, and I don’t think that exists. Even if it does, I doubt the family of the deceased would release that documentation. I think the family would prefer to be left alone to mourn, and not have to deal with people focusing on whatever they released, questioning its validity and the motive of those who released it.

Ultimately, the most logical, and the most difficult conclusion, is that the Constantinos had a troubled marriage, those troubles were too difficult for them to solve alone, and this was the terrible result of that. And in the wake of such a tragedy, the best thing we can do is offer help when it is asked for, and look for solutions to the worldwide epidemic of domestic violence, no matter what form it takes.

My condolences to the Constantinos and their loved ones, as well as their colleagues and many, many fans. I can only hope that we can all take positive steps in the wake of such dark events.

If you or a loved one has or is suffering domestic abuse and would like help, to know your rights, or even just to know what constitutes as abuse, you can call the Domestic Violence Hotline at 1-800-799-7233, or visit their website at www.thehotline.org for more information. Or you can talk to a trusted teacher, counselor, clergy member, or even a friend or family member. Wherever you are, there is someone who can help you.

Thank you and the best of luck to you.

For a while now I’ve been reading The Complete Collection of HP Lovecraft on my Kindle. I figured it was about time, seeing as I haven’t been very exposed to his work up until this point, and the man has been a huge influence on greats like Stephen King, Allan Moore, Guillermo del Toro, and quite a few more. And since I am always looking to learn from other authors, I figured I should spend ten dollars of Amazon gift cards and see what happens.

Well, you get what you asked for. I didn’t realize that when I bought the collection, that it was 1112 pages! The length in itself is not such a problem, I’ve read books that long before. The thing is, Lovecraft…well, he’s hard to get through sometimes, and for a number of reasons. For one thing, there’s his style, which goes a little something like this:

And as I treaded up the stairs, filled with an anguish that panged the organs within my bosom to no end, I found my wife waiting for me in her chambers, her frown prominently featured upon her face. And I knew that my life had been transferred into a situation seriously detrimental and quite hazardous to my health, for that face on my wife at this hour could only mean that she had discovered my liaisons with Ellen the hotel maid from down in the village. I had endeavored to keep our trysts unknown from all but the walls of Ellen’s room, however it seemed that I was not secretive enough, as evidenced by the porcelain my wife volleyed at my head.

Okay, that’s a bit of a parody, but you get my point. Who talks like this?

Also, some of his early fiction isn’t that good. “Memory” is just a weird little flash fiction piece about a ruined city and a conversation between two beings about the city; “The Street” is about the houses on the titular street killing Communists after the street goes from a nice neighborhood to a slum; “Polaris” and “The White Ship” are obviously both dreams taken too literally, and “The Tree” is just not scary.

Also I noticed that so far, very few women appear in the stories. Several characters are mentioned as having wives, but so far the only woman who has any actual significance is the titular character of “Sweet Ermengarde”, and that’s a story parodying popular romantic melodramas of the day! But given that Lovecraft had a strained relationship with his mother, a turbulent one with his wife, and was dominated by his aunts in the later parts of his life, maybe that has something to do with it.

Lovecraft makes you wonder if maybe this guy is coming for you.

However, while I have my problems with Lovecraft’s early work, I have to admit that some of his stories do hit the mark, and even are a little scary. “The Tomb” is definitely somewhat chilling, as is “Dagon” and “The Picture in the House” (the former bears resemblance to Cthullu stories, while the latter has implications of murder and cannibalism). And I actually very much enjoyed “The Temple”, which was very strange and creepy.

I can’t say about the rest of his work, but for the early stuff I think what makes the successes so great is that they leave impressions on you. They make you think to yourself, “Imagine if that actually happened. That would be kind of creepy…” And then you take a look around yourself to make sure that a slippery slimy creature or some guy with wicked magic or something isn’t near you. Lovecraft is very good at leaving those sort of feelings with you. He makes you wonder, makes you think that there’s something just beyond the corners of our eyes or in the darkest parts of our world that we don’t understand, can’t understand, and that any interaction with that something or somethings would be very dangerous for us.

So there is definitely a reason why HP Lovecraft has stuck around and become well-known as a writer of weird and terrifying fiction. And as I progress from his early work to the stuff that he’s more famous for, like “Call of Cthullu” or “The Colour out of Space” or “History of the Necronomicon”, I’m sure I’ll find more reasons to like this guy (hence the reason this post is titled Part 1).

In the meantime though, I think I’ll take a break from his stuff. Like I said, he’s great when he’s good and I’m already learning a lot from him and seeing some of his influence on my work already, but he’s dense and hard to get through, and after so much of prose like my parody paragraph, I need a break if I’m going to continue someday. Besides, I finished on “The Nameless City”, which has that famous quote in it. You know the one:

That is not dead which can eternal lie,
And with strange aeons even death may die.

I can’t think of a better stopping point than on a creepy story that has that weird couplet in it. Can you?

Wewelsburg castle. Magnificent to behold.

Wewelsburg castle. Magnificent to behold.

Well, I finally did it! I got to visit the castle I’ve been dying to see since I first heard about it while researching Nazis and the occult prior to last year’s study abroad trip. And today, I spent a good part of my day uploading most of the photos I took to Instagram and Facebook. Honestly, it sucks when that ends up taking a longer time than it should, but what are you going to do?

Anyway, if you’re not familiar with Wewelsburg Castle, it’s a triangular castle in the small village of Wewelsburg, part of the town of Buren. During the Nazi era, the SS, led by Himmler, began doing renovations on the castle with the purpose of turning it into the ultimate Aryan production center, a place where the Nazis’ ideological beliefs could be made real. Some people even believe that Himmler, who was a big believer in all that Nazi mysticism stuff, conducted ceremonies in the castle, and hoped to make it into a sort of SS Hogwarts. I personally think that the SS could’ve been doing some magical rituals while they were there, and there is some evidence to suggest that’s what they were planning on doing or did there.

Of course, if you ask the museum staff about it, they will deny that anything like that occurred at the castle, but maybe they want to keep the right-wing nuts and the Satanists and pagans away (yet they still have a small display in the museum to the mystical side of the SS in the exhibit). The staff also deny any sightings of ghosts or anything else paranormal, but maybe they want to keep away ghost hunters too.

Weird occult stuff. Don't ask me what each stands for, I couldn't give you a definitive answer.

Weird occult stuff. Don’t ask me what each stands for, I couldn’t give you a definitive answer.

Anyway, the castle is divided into two permanent exhibits. One exhibit, the Ideology and Terror of the SS, is mostly housed in a separate building, with a path leading to the Crypt and the Group Leader’s Hall in the North Tower (more on that below). It’s very similar to the exhibit at the Topography of Terror Museum in Berlin, which I visited last year: lots of white columns and display cases, with photos and artifacts talking about the history and the beliefs of the SS. Some of it was in English, but most of it obviously was in German, so I didn’t spend as much time there as I might have liked.

Still, it was interesting to be there. I got to see a lot of artifacts, including a few books on mysticism and some occult memorabilia, some uniforms, and a lot of other cool stuff. And at a certain point, you could walk along a footpath to the North Tower, where two of the rooms the SS renovated are available to look at (sadly, no photos are allowed in those areas). The Crypt is a dark and eerie space, and definitely had a ritual purpose, though not necessarily a magical one. The walls are covered with paintings of stylized depictions of victims of SS tyranny, as if to say that the space is now a memorial to them than to the SS and the Aryan man. On the floor above is the Group Leader’s Hall, which was incomplete at the end of the war and was probably meant to be a meeting room of some sort (but for what purpose?). The most interesting part of that room is that in the center of the room is a Black Sun symbol, which has both esoteric connotations and–because the SS used it as a symbol of power–neo-Nazi connotations. I stood on top of it as if to say, “Yeah, I’m Jewish and you’re worth shit.”

Entrance into the castle proper.

Entrance into the castle proper.

The other exhibit discussed the castle’s history, when it was the second home of the Prince-Bishops of Paderborn. You basically go throughout the whole castle–down hallways and up and down staircases–seeing its history from prehistory to the early 1900’s. That was interesting too. Part of the exhibit displayed what creatures lived in the area in the Ice Age or earlier, and another area talked about how important agriculture was to the area. In one room they had the actual road traders used displayed where it had been uncovered during renovations, and in another section there was a small tribute to the Jewish community that lived in the area. And in one part of the East Tower is a basement room where witches were kept and tortured during the one recorded set of witch trials in the area. Believe me, I’m definitely going to email those photos to my History of Witchcraft teacher in the morning.

The castle courtyard, facing the direction of the North Tower.

The castle courtyard, facing the direction of the North Tower.

At the end of it all, I had a really great time and was really glad I’d gone (though before I ended the tour of the castle I had to take off my coat because I was starting to get really warm from all the physical activity). It’s definitely going to be one of the highlights of my time here in Germany, and I took a lot of photos so that I’ll remember it long after I’ve left the country. I even had an idea or two for stories while I was there, and I bought a few books in the gift shop so that I’ll have plenty to reference should I ever need to look up some info. Definitely check out the castle if you ever get the chance. It’s well worth the trip.

Of course, I doubt this’ll be the last adventure I have in Germany. While my time here is becoming limited, there’s still one place I’d like to visit, and I think I might have the opportunity this coming weekend. Oppenheim is a town not too far from me, with an underground ossuary and labyrinth, which sounds a lot like the Paris catacombs, and they have a wine museum too. With Oktoberfest starting, sounds like the kind of place I could have a bit of fun before I say goodbye to Deutschland, don’t you think?

A model of the synagogue that used to be in the village, located in the small Jewish display in the castle.

A model of the synagogue that used to be in the village, located in the small Jewish display in the castle.

Well, I wanted to write more posts today (I’ve got plenty to write about), but it’s getting late and I’ve got an early morning tomorrow. I guess I’ll just say goodnight for now and see what I can post tomorrow.

Goodnight Followers of Fear! Pleasant nightmares!

Yesterday was the second day of Rosh Hashanah, the Jewish New Year. I had the day off, but unfortunately no one could take me to the chaplain’s house that day, and while I tried to go to the nearest synagogue, I couldn’t find it even though it should’ve been in front of me (I found out later from the chaplain that you have to walk into the building where it should’ve been to find it. Otherwise it’s hidden behind businesses. Not sure why that is, but I’ll go with it). So with the day off and nowhere else to go, I decided to do what I promised to do my first week in Germany, and go explore some more of my temporary home.

If you head down to the Marktplatz on a Tuesday afternoon, certain areas will be busy while certain areas won’t be. The main plaza was pretty empty save for some pigeons, while further back you’ll find plenty of people strolling and shopping. It was into these back alleys I went, armed with a map and a general idea of where I was going. Needless to say, I got turned around more than once.

The smaller half of the Jewish Memorial in Wiesbaden.

The smaller half of the Jewish Memorial in Wiesbaden.

The first stop I went to was the Jewish Memorial in Wiesbaden, which was a pretty moving experience. The memorial stands where the old Michelsberg synagogue, which was a magnificent building with domes and spires that was destroyed during the war, used to be and is dedicated to the German Jews from Wiesbaden who died during the Nazi era. Today a road bisects the former grounds, so the memorial is split in half as well. The smaller part is an L-shaped, two story structure made from black stone, with a white display detailing in German and in English the purpose of the memorial. A small touch screen contains more information on the Jewish community of Wiesbaden (all in German unfortunately).

The second half, on the other side of the street, is much bigger. It’s in the shape of a giant rectangle with one side missing and along the walls, there’s a band where all the names of Wiesbaden’s Jews who were murdered during that period are listed. When I crossed the street, I felt the atmosphere change.

The larger, more emotional half of the Jewish memorial in Wiesbaden.

The larger, more emotional half of the Jewish memorial in Wiesbaden.

They say that certain places can hold certain emotions. I’m not sure if that’s true in this case, or if that was just my own associations affecting me, but the moment I got to the other side of the street, I suddenly felt very melancholy and started walking around the memorial, my hand running over the many names listed there. I found myself talking to the Jews listed there—I knew they probably couldn’t hear me, even if their souls were hanging around that space—but in that moment I talked, and I felt really sad because these people had lived and then had their lives violently and tragically ended, and their stories would never be known because the Nazis had done all they could to erase them. I cried a little while I was there, and I felt like something was with me in that memorial (though not necessarily the spirits of the dead Jews…maybe the spirit of the synagogue itself, if that makes sense), and it was very pleased I’d taken the time to talk to it.

The Roman Wall, with some additions from the Germans.

The Roman Wall, with some additions from the Germans.

After that I left (and felt much better once I was outside the memorial space). I then headed to something I’d wanted to see but had totally forgotten about looking for that first week in Wiesbaden: the Roman wall, known as “die Romantor” in Deutschland. Right down the road from the Jewish memorial, the wall has been reinforced and repaired and even built upon by the Germans (hence why there’s a wooden bridge connecting two parts of the wall). Nearby there are statues and reliefs that are either relics of the Roman age or they were created to resemble Roman works of art, and behind one apartment’s driveway there is a small alcove that might’ve been a storage area. These are all that remains of what might’ve been a Roman fortress against barbarian hordes. It was actually pretty cool, and I couldn’t help but think of a friend of mine from my study abroad trip who would’ve loved to see the wall.

Possibly a storage space for weapons and supplies?

Possibly a storage space for weapons and supplies?

You know thinking about it, I should write a story or two involving the ancient Greeks or Romans. There are already plenty of horror stories involving their mythologies, but involving them? I don’t know of many, though a few Anne Rice books do take place in ancient Rome or thereabouts.

Anyway, after that I headed back to the Marktplatz, where I discovered a costume shop with all these different masks and costumes and accessories available. Apparently Oktoberfest here in Germany involves costumes like Halloween does in the States (fun fact: only a fifth of Germans practice Halloween, as the holiday was mostly discouraed up until the 1990s by the Lutheran church. It’s becoming a growing trend, but still pretty small here except among Americans). I tried on a few masks and took some photos in a full-length mirror in the shop for kicks, then left while thinking about maybe getting a mask of some sort later on.

Mother always said I was a werewolf. I guess we now have proof. Awooo!

Mother always said I was a werewolf. I guess we now have proof. Awooo!

All in all, it was a pretty interesting and fun afternoon. I got to connect with my heritage in a very personal way, as well as immerse myself pretty deep in German history and culture. And I got to see some more of the city I’ve been living in for the past three months, and which I’m going to be sad to leave. Guess that means I’ll have to come back someday, right?

Of course, my adventures in Germany are far from over. I’m trying to arrange to go to this castle with a very interesting history called Wewelsburg over the weekend, and I would like to go to Oppenheim, which is not too far away from where I live, because they have underground labyrinths you can explore (sounds a bit like the Paris catacombs). Hopefully I’ll be able to do both and have fun at Oktoberfest too while I’m at it.

Until next time, my Followers of Fear!

Hollywood is stuck in this phase where the studios are obsessed with sequels and prequels and spin-offs and franchises and remakes and reboots and re imaginings and a million other things. I have mixed feelings on this culture. On the one hand, I love the Marvel movies and a clever re imagining of a classic story or stories (like what Once Upon a Time has done with some of my favorite fairy tales when I was young) is a great thing. Plus who doesn’t love a good adaptation of a beloved novel or comic book or even video game into a movie or TV series?

On the other hand, seeing all these stories continued or retold constantly encourages filmmakers ane viewers to seek out familiar stories that are sure bets to be successful rather than new material that they don’t know will work out for them, when there is new material. And plenty of these sequels/prequels/reboots/whatever, when they come out, they are just awful and you wonder how the filmmakers could do this to beloved properties (see my review of the Poltergeist remake or watch these two dudes review the Smurfs movie if you need further proof).

The horror genre has been a big part in this, for better or for worse. Since the success of 2003’s Texas Chainsaw Massacre remake (as opposed to 2013’s remake of the film), there have been a slew of horror remakes, mainly slashers but quite a few others, and they have been showing up with increasing frequency). I’m focusing on the slashers though, because of the horror remakes the slashers are often the ones I see the most advertising for (an exception being Poltergeist, but we know how that turned out), they have some of the most iconic characters in the horror genre (Freddy, Jason, Leatherface, etc.), they’re notorious for putting out too many sequels of varying quality, even for horror, and they’re difficult to get right, because they rely on blood, guts, and gore to scare people rather than suspense and atmosphere.

And for God’s sake, there’s just been so many of them:

  • Texas Chainsaw Massacre and its prequel (the former was good, the latter awful)
  • Halloween and Halloween II (same deal as TCM in terms of quality)
  • My Bloody Valentine (lacks all that made the original so awesome)
  • Black Christmas (awful murder-porn)
  • Prom Night (awful and nonsensical)
  • Friday the 13th (of all the Michael Bay shit movies, this one is the shittiest)
  • Nightmare on Elm Street (I liked it, but others disagree with me)
  • Leprechaun (more of a re-imagining of average quality)
  • Texas Chainsaw 3D (I liked this too, but not everybody else did)
  • Evil Dead (fun and extremely bloody)
  • Scream (got rebooted as a TV series. Only saw one episode before leaving for Germany, but wasn’t impressed by what I saw)

On TV and in the movies at the same time. Like Kevin Bacon or Viola Davis.

And that’s just the ones that I know of that are out. And believe it or not, there are more on the way: Friday the 13th is getting a new movie as well as being re-imagined as a TV series for CW (haven’t heard anything on the movie, but what I’ve heard on the TV series sounds promising), Halloween is getting a new movie (also looks promising), Evil Dead is getting a TV series set years after the original films (excuse me while I skip it, because I’m not much of a fan of the franchise), and Texas Chainsaw Massacre is getting a prequel exploring Leatherface’s origins (I’m skeptical). There was also talk of a Hellraiser reboot, but there’s been no word in two years on that, so I’m going to say it’s been shelved.

So why are slashers being remade by the dozen? Like I said, they’re difficult to pull off, and they’re formulaic. Plus blood and gore is how they primarily scare you, and a lot of horror fans, including myself, find that distasteful. What makes them so appealing?

I think a lot of it has to do with the characters. Slashers have produced some of the most iconic characters in horror and in cinema: Norman Bates, Jason Voorhees, Michael Myers. Heck, Freddy Kreuger isso well-known that he’s made cameo appearances in movies parodying the 1980’s in one form or another. People love these characters as much as they’re scared of them, they love watching them in action and being terrified of them. They like to sit there and think, “What’s he going to do next? What’s he going to do next? What’s he going to do–AAAH!”

Studios are aware of that, as well as they are aware of how much people go back to see the old films (the better ones anyway) and see these beloved characters do what they do best. With huge fan followings like this, and how easy it is to make a horror movie under twenty million dollars with minimal special effects, they know people are going to come and see the films so they can see these beloved characters resurrected again and perhaps in a movie worthy of carrying the franchise’s name.

The problem with that is, these same studios may just be banking on the popularity of a franchise and its character or characters to draw in crowds. Take a look at Friday the 13th, or another horror movie that Michael Bay meddled in, Ouija (read my review here). Both of those sucked, but yet they still made money. I think the latter was because of very good marketing, but the former had the draw of the first Friday the 13th film in six years, and one not bogged down by sequels’ worth of mythologies. Problem was, they didn’t invest in a good story, like the first film did and most of the early films tried to do with varying success. Instead they gave it a passable story and then added in as much drugs, sex, nudity, swearing, and gratuitous death scenes as possible so that the audiences would stay interested.

The result was a waste of film that makes watching people defecate on public streets look more entertaining. And I’m very worried that these other films that are on the way will do the same thing. They’ll be made with just drawing in fans and their credit cards in mind and the results will be absolutely terrible. And no horror fan wants to see beloved characters treated that way.

Hoping for better films for all these guys, and more.

On the other hand, I like to imagine that some of these filmmakers are huge fans of the franchises and really are trying to give these characters the stories they should be in, stories that are worth investing seven dollars and two hours in. The Halloween movie supposedly has an interesting plot, and the one thing I’ve heard on the Friday the 13th sequel indicates it’ll take place in the 1980’s, when the series started and where most of the better films are set. Perhaps there is hope here.

Well, we’ll just have to wait and see…and pray that along with better sequels/franchises/whatever, we get some new material too (*cough* Hollywood, call me *cough*).

All for now, my Followers of Fear. I have to get ready for the High Holidays tonight, so I’ll be busy for a while, but I’ll write again when I can.

See you next year, and Shanah Tovah (that means “Have a good year” if you don’t speak Hebrew).