Posts Tagged ‘Horror Writers Association’

StokerCon 2025: The Leveling Up

Posted: June 20, 2025 in Living and Life, Progress Report, Reflections, Scary Stuff, Writing
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The folks of StokerCon waiting for the Final Frame competition to start.

Here’s a riddle for you: what took place in Connecticut last week, had nearly 800 people in attendance, and I was among the attendees? StokerCon! Yes, last week, horror writers from around the world descended upon Stamford, Connecticut. There, we had panels, a short film competition, and our annual awards show, the Bram Stoker Awards, noting superior achievement in horror from the previous calendar year.

(There was also apparently dripping goo and weird liminal spaces out of the Backrooms in the hotel, and somehow, I missed both! I’m annoyed about that, especially the weird liminal space. That would make a great YouTube video!)

As I said in a previous post, my goal for this StokerCon was to level up my writing career and get that much closer to writing full time. This would be achieved by going to panels that I thought would help me reach that goal, being on my first ever panel, and, of course, pitching The Shape of Evil to agents and editors. (Plus meeting new people whom I could network with, but I try to make that more about making new friends than trying to make new business connections.) Did I accomplish my goals? Well, let’s talk about the con and we’ll see.

Hanging with Logan Johnson, one of the organizers of this year’s StokerCon, the moderator on my panel, and a new friend, at the banquet cocktail hour.

Seeing all my friends (meeting new ones). One of my favorite things to do at StokerCon is just to see all my horror-writing friends. Many of us only know each other through social media, so it’s nice to meet in person or to catch up with one another when the last time we saw each other could be a year or two ago. So, of course, I did plenty of that. The hotel had a lobby and a restaurant/bar, so outside of panels, we would gather there or on the second floor (that was where most of the con stuff happened) and just talk. We catch up, discuss our lives and our projects, and just shoot the shit. It’s lovely!

Plus, there’s always new people to meet. I actually got to know quite a few people whom I’d never met before, and it was fun to ask how they were enjoying the con and what they were working on or up to with their horror writing careers. Obviously, some were already well-known within the community, but most were just like me: working stiffs who enjoy horror and hope to make our marks in the genre. I’ve connected with a lot of these people now, and I’m hopeful we can continue to be friends and support each other as we work on our stories.

Going to panels. As I said, with a few notable exceptions, the panels I went to were ones I thought would be helpful for me as I move forward in my writing career. This included a panel on getting your stories adapted for film (it nearly happened once to me, so I thought I’d get some tips in case it happened again), and on how to get along with others as a professional. This one was particularly important to me, because being on the spectrum, I often feel like everyone but me was given a rule book on social interaction at birth and I have a lot of catching up to do. I actually brought this up during the Q&A section at the end of the panel, and what I should do in case I made a mistake. The answers I received were very reassuring. Not just to me, but, as I learned afterwards, to others in the audience who also were neurodivergent and felt the same way. I even got thanked a few times for bringing the topic up, which surprised me but also made me glad I asked.

As for the other panels I went to, one was about a Jewish writer who, while not a horror writer, had some dark themes in some of his work (I’m going to have to read that at some point), and a panel on using public domain characters and stories in horror (as someone who’s seen the Winnie the Pooh and Steamboat Willie horror films, I couldn’t resist). All in all, they were very educational, and I’m glad I went to them.

The signature scavenger hunt. As you might expect, I went a little crazy in the dealer room and bought way too many books. One of the books was The Rack, edited by Tom Deady, which is pictured above. It’s an anthology of stories inspired by those vintage horror paperback covers from the 70s and 80s. I bought it directly from the editor, Tom Deady, in the dealer room, and he signed it. And then I ran into one of the writers in the anthology, Erick Nunnally, a little while after. On a spur of the moment, I asked him to sign the book where his story began, which he did. And then he suggested I get the other authors in the book who were in attendance at StokerCon to sign. Which I did.

Ultimately, I think I managed to get half the authors to sign their stories. Most of those were done during the Mass Author Signing, where you can go around a big room and get your books signed by the authors who wrote them all at once. That was fun, because I also had them sign other books they’d written I’d bought, and then got signatures from other authors whose books I had copies of. The rest were just during random meetings during the con, and they were always happy to sign.

So yeah, I spent a good portion of StokerCon on a bit of a scavenger hunt, but it was still a lot of fun, and I only missed three of the authors who were in attendance (maybe next year?). And now, I have a cool knickknack in my personal library, which I’m currently reading through and loving! So, no regrets whatsoever.

From left to right: Rob Costello, Gaby Triana, Tamika Thompson, myself, Aaron Dries, Rae Knowles, and Logan Johnson.

Being on my first live panel. I’ve done a few StokerCon panels in the past, but they were always pre-recorded on Zoom for the virtual audiences. And while that is great, I’ve always wanted to tackle being on a live one. Not only did I get to do just that last week, but it was on a topic I am passionate about: Authentic Representation in Horror, which was about including marginalized communities and voices in horror and how to do so. And wow, did a lot of people show up! By the end, nearly all the seats were taken. I guess other people wanted to talk about this as well.

To say the least, the conversations were illuminating. I even had a few moments where I was like, “I never thought of that.” Honestly, I want to give this panel its own blog post, so I’ll stop there, but I’ll say this: it was great being on a panel like that. I look forward to doing it again someday soon.

The pitches. I’m sure a few of you skipped ahead just to find out how this went. Yes, during StokerCon’s annual session dedicated to connecting authors with agents and editors, I did get to pitch The Shape of Evil. And you know what? I got results. Three agents and one editor asked me to send them part or all of The Shape of Evil, which I did on Monday after taking a little time to recover from all the travel (and that traveling is worth a blog post on its own).

To say the least, I am beyond happy about this result. It went way better than I thought it would go, even with practicing pitches beforehand (always recommended), and I am hopeful that at least one of them will want to help me get The Shape of Evil published. I’ll likely know something by the end of the summer. And, of course, if it all goes well, I’ll be sure to let you know.

***

Ultimately, StokerCon was an amazing time for me. Sure, this year’s hotel was weird, but I had fun with friends, accomplished my goals, and made sure to celebrate everyone else’s accomplishments with them. And next year, we’re doing it again: at the end of the awards banquet, it was announced that, to control costs and to ensure StokerCon continues to go in a direction that’s as good as possible for as many people as possible, it’ll be in Pittsburgh for the next two years.

Obviously, I’m stoked, since that means I can drive there. In fact, I’ve already bought my ticket! And next year will be the 10th annual StokerCon, so it should be extra special. (Yeah, I thought it’d been around for longer, too. Color us both surprised.)

Members of HWA Ohio at StokerCon. I have a feeling next year, we’re going to have a much bigger showing.

I wonder what will happen. Will I sit on another panel or two? Do a reading? Somehow get on the ballot and get to be a nominee? I guess we’ll see. In the meantime, I’ll work on getting my stories out there and meeting new readers and having plenty to talk about when I drive to Pittsburgh next year.

In the meantime, I’ll have a new blog post out Monday, so keep an eye out for that. And until then, my Followers of Fear, good night, pleasant nightmares, and have a wonderful start to your summer. I know I am.

“Symphony for Walpurgis:” One Month Since Release!!!

Posted: June 1, 2025 in Novelette, Scary Stuff, Writing
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I can’t tell if last month went by super fast or very long, but passed by, May has. And with it, that means we have reached the one-month anniversary of the release of Symphony of Walpurgis!

Now, if you’re unaware, Symphony for Walpurgis is my latest book, a collection of nine novelettes. It was released on May 1st, which happens to be Walpurgis Night, the night when witches are believed to come together for parties and are supposed to be most powerful (see my explanation of that night here). I put this collection together because most of my shorter works tend to be novelette length (around 7,500-17,500 words), but it’s hard to find homes for stories of that length, so I thought I might as well publish a book full of them.

Here’s the back cover blurb:

What’s the difference between humans and monsters? Is there a fine line, or is it more gray and blurred? Rami Ungar, author of Rose and Hannah and Other Stories, explores this question in his latest collection, Symphony for Walpurgis. From legendary cryptids to malevolent spirits and from Ohio in the 1950s to modern-day California, readers will be treated to nine terrifying stories of the weird and macabre. So settle down and be prepared. For you have bought your ticket to Symphony for Walpurgis.

As I said, I released Symphony just a month ago, and so far, it’s been doing well. Not only have people been grabbing up and reading copies, but the reviews I’ve gotten so far have all been extremely positive. Many of the reviews have gone into detail about what they thought of each story (which is why I haven’t added any of these reviews into this post), and how much they loved the book or how scary they think it is.

Which, obviously, makes me happy. I am the author, after all.

And this is just the first month! I can only imagine what might happen in the next eleven months! After all, I’m aiming to get up to five hundred copies sold in the first year, and fifty reviews on both Amazon and Goodreads. And I’m proud to say, I am making progress towards those goals.

Speaking of which, what’s next for me and for Symphony? Well, in the immediate future, there are a couple of events I’ll be attending over the next few months, including StokerCon and the Columbus Book Festival. HWA Ohio, my local chapter of the Horror Writers Association, have tables at both events, and I know at the latter, I tend to do very well, so I’m hopeful plenty of people will want to check out Symphony during both events.

And, outside of events, I’ll do my best to get more and more people interested. Social media isn’t a great place to advertise, but I’ll keep trying there, of course. And I’ll take advantage of word-of-mouth and other events where I can. And…well, I’ll just see if some things I’m trying will work out before I talk about them.

Anyway, if you’re at all interested in checking out Symphony for Walpurgis, I’ll leave links below. And if you do end up reading it, please leave a review and let me know what you think. Positive or negative, I love reader feedback, and it helps me out in the long run. Plus, readers get a better idea if they’ll like a book if you leave a review of it online, which is a nice bit of service.

That’s all for now, my Followers of Fear. I’m off to work on other projects which I hope to be able to talk about very soon. Until then, good night, happy reading, and pleasant nightmares.

Amazon
Apple Books
Barnes & Noble
Goodreads
Kobo

The Communities That Keep Me Going

Posted: March 30, 2025 in Living and Life, Reflections, Uncategorized
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Photo by Leah Newhouse on Pexels.com

You may have heard of BlueSky as an alternative to Twitter. What you may have not heard is that  there’s a weekly event on BlueSky for horror writers called “Horror Writers Chat.” It started on Twitter and then moved to BlueSky after Twitter became a hellscape. Every week, authors gather to discuss horror, writing and their work posed by Matt Mason and Eryn McConnell. We answer questions, and even get to share links to our works.

I’ve been doing it for quite some time, and it’s become one of the highlights of my week. In fact, some weeks, I really need it.

During the past couple of months, life has been extremely rough. Yeah, there have been reasons to smile, but there’s also been a ton of stuff that just wears down my soul. Work, for one thing, has been absolutely insane since January, to the point where I come home a lot of days very exhausted. And with all the time I need after work to get ready for the next day, as well as get some sleep, my writing time has been cut down drastically.

Which sucks, because writing is one of my ways of de-stressing, as well as how I move forward this career I’m so devoted to.

In addition, recently I was in an accident. Don’t worry, I’m fine, but my car was totaled by the other driver. Thankfully, the other driver’s insurance company agreed to pay all the costs, but this whole experience has been very stressful.

In Tarot, the Ten of Wands represents being overburdened and weary. Matches me some days in so many ways.

Add in all the horrible things happening on the national and world stage (*cough* fascist wave sweeping America *cough*), and it’s enough that even with frequent therapy sessions and all the usual de-stressing methods aren’t enough!

That’s why I’m thankful for all the communities I happen to be a part of. They’re a soothing balm upon my soul.

Obviously, there’s the horror writing communities on social media, that’s been helpful. But there’s also been the horror and horror writing friends and communities I’ve formed IRL. These past few months, I’ve had a few opportunities to see and hang out with my colleagues, which is always a treat. In fact, we’re getting together near the end of April, and I’m super excited about that, as it’s going to be a big meeting and we’ll get to play board games while discussing cannibalism together.

And it’s not just the socializing, either. It’s the professional help. As many of you know, I’m hoping to pitch my novel The Shape of Evil to agents at StokerCon this summer. I was recently discussing this with another member of HWA, and he gave me some critical advice to keep in mind if I hoped to pitch and find someone willing to represent me. One of those pieces was to research each person taking pitches thoroughly to see if they were a good fit for me.

A few weeks later, when the agents and editors taking pitches were announced, I did my research, and reached out to authors who had worked with them, as my friend advised me. Some of these authors have become good friends of mine, so I was able to get some amazing feedback from them and make my choices about whom to pitch to from there.

Community saves me, in more ways than one.

And it’s not just the horror communities that have been helping me. My Jewish community, my family and friends community, and even my work community. Yeah, as tough as work has been, I’m surrounded by a team of people who know what we’re going through and are willing to help me when I ask for it. Not to mention, if we deal with a difficult customer (that happens, sadly), my leadership don’t mind going to bat for us. And when my car got hit, my workmates were among the most concerned about me.

So, despite all the hardships, I’m really happy to have all these people around me in the same situation. We’ve already gotten together once for some much-needed R&R, and have plans for the near future as well.

And guess what? The Followers of Fear community is a wonderful community, too. While engagement and growth changes over time, many of you still take the time to read every post, and provide helpful comments as well. Some of you even read my books and provide reviews, and one or two even created fan art of my work, which was a big honor! In addition, many of you have become dear friends of mine.

All that keeps me going, and holds the doubts that threaten my writing career at bay like no wall can.

So yeah, life’s been hard lately, and therapy and anime and writing can only do so much. But then, there are the people around me who give me encouragement and listen when I vent, or who go to see shows and movies or to grab dinner and drinks with me, or the ones without whom I would not be where I am today. They give me a much needed boost when I need it.

With that in mind, thank you, Followers of Fear. As I said, life’s been a chaotic rollercoaster lately, but you being there makes it somewhat more manageable. So, never forget: I am endlessly grateful for you.

Also, if you would like to take part in “Horror Writers Chat” on BlueSky, make an account and follow Matt Mason (username @chaoticauthor.online) and Eryn McConnell (@erynmcconnell.bsky.social). They switch off hosting every other week, so following both is a good idea. The actual event happens every Wednesday at 2 PM EST, with four questions posted every twenty minutes or so. You quote-post your answers from the post with the original question, and like and repost the ones you like from other participants. And don’t forget to use the hashtag #HorrorWritersChat.

(You can also find BlueSky my account here.)

That’s all for now, my Followers of Fear. Hope to see some of you on BlueSky. Until next time, good night and pleasant nightmares.

Getting Back on Track

Posted: March 7, 2025 in Living and Life, Reflections, Writing
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Don’t tell anyone I said this, but I can be a real idiot sometimes.

So, back in December, I posted about my plans for 2025 in terms of what I want to accomplish with my writing (you can read that post here). What I didn’t mention was that I had no plans to write anything longer than a novelette. I’d edit the novellas and novels I’d already written, like The Shape of Evil and the four I hope to shop around when I’ve finished editing them. But I wouldn’t work on anything longer. Just short stories and novelettes until those stories were finished and edited and published. And only after I’d gotten back to my mummy novel, Crawler, and finished the first draft of that.

(For those of you who are unaware, the Horror Writers Association defines a short story as 1,000-7,500 words, a novelette as 7,500-17,500, a novella as 17,500-40,000, and a novel is 40,000 words and up.)

So, with my plan in place, I started on a witchy Halloween story that I thought would be maybe a long novelette at most.

And that story ended up going up to 20,000 words! And it’s not even done!

Now, by that point, I had been working on the story since before New Year’s, and I was so frustrated by how busy my life has been, so I completely forgot about my promise to myself and just forged on ahead for a while. But then I found myself just hesitating, not wanting to get further when I knew it could take me another month or two, given my current life.

That was when I remembered my promise to myself. And I slapped myself in the head for not keeping it!

So, the witchy Halloween story is now on hold until I’ve finished Crawler. In the meantime, I’m going to work on something I know will be shorter.* After that, the sensitivity readers should both be done with The Shape of Evil (one’s already sent me their notes), so I’ll probably give that one more round of edits.

After that? Probably another guaranteed short story. We’ll see.

But for now, I should head to bed. I’ve got the Akron Book Fest tomorrow, and I’ll need all the energy I can get.

After I get back home, however, I’ve got a great scary story idea to look forward to writing. And did I mention the story was inspired by Hamilton?

Anyway, that’s all for now, my Followers of Fear. Until next time, good night and pleasant nightmares!

*Then again, I thought the witchy Halloween story would be short. So who knows?!

13 Things to Know About Me

Posted: November 10, 2024 in Living and Life, Reflections, Writing
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In recent days and across my social media, as well as on my blog, the number of people following me has grown by leaps and bounds. Why is that? I have my theories, but this post isn’t about theories. Instead, it’s to better introduce myself to my new Followers of Fear, as I like to call the people following me and supporting my writing career.

And since I’m a horror writer, obviously I’m doing thirteen items to get to know me better.

So, without further ado, here’s what will hopefully be a fun introduction to yours truly. And who knows? Perhaps some of my long-time Followers of Fear might learn something that’ll surprise them. It’s happened before!

I’m a writer of horror and dark fantasy with five books under my belt. I’ve been writing since I was a kid, and in college, I started self-publishing books. My first book was a collection called The Quiet Game: Five Tales to Chill Your Bones, which came out in 2013. The next year, I published a slasher novel called Snake about a serial killer hunting mobsters in New York City (think John Wick, Taken and Friday the 13th got smashed into a novel). Both did okay, and continue to get readers today.

Five years later, I published my first novel with a publisher. Rose was released by Castrum Press in summer 2019, and followed a young woman turned into a plant/human hybrid (and that’s just the start of her problems). I followed Rose in 2021 with The Pure World Comes, a Victorian Gothic horror novel about a maid who goes to work for a mad scientist. And last year, in 2023, I published my second collection, Hannah and Other Stories, which was released by BSC Publishing Group.

That’s all five of my books out now. I’m proud of all of them and all I’ve managed to do with them over the years. And I plan to put out more in the years to come.

All five of my currently available books. I love them and am so proud of them (and their awesome covers).

I’m Jewish, queer, and have disabilities. Growing up, my life has been an interesting ride, to say the least. Not only did I grow up in a fairly religious Jewish household, but both my father and mother are rabbis. I went to a Jewish day school for most of my youth, learning Hebrew and Judaic subjects for half the day and then learning normal stuff the rest of the day. I also went to synagogue nearly every week, and attended Jewish teen and college groups until I graduated.

To this day, I still practice a lot of the religious practices I grew up with and feel a strong connection with my faith and heritage.

I’m also bisexual. I figured that out in college, and came out about half a year after I came to that realization. Probably took me that long to get comfortable with it because, even surrounded by accepting people and LGBT family members, I still worried about being persecuted. However, I did come out and it was all good, which was reassuring. And then some years later, I realized I was also aromantic (if you’re unfamiliar, it means I can’t feel romantic desire or attraction). Which, looking back, felt pretty obvious, considering I didn’t care about having a relationship all my life. But when I realized it, it was still a bit of a revelation.

And finally, I’m on the spectrum. Have been my whole life. I also have ADHD, a form of albinism, an anxiety disorder, and most recently, diabetes. Yeah, that last one was only diagnosed a couple of months ago, and it sucks! To say the least, it was a shock for me and I miss not being able to eat sweets or have a drink as much as I used to. But, on the bright side, I’ve improved my health by leaps and bounds since finding out, and I plan to keep it that way. Too much to do in my life, after all.

And as I’ve gotten older, I’ve made it a goal to increase representation of these three groups, as well as their intersections, in my fiction. So far, I’m meeting that goal, and hope to release some of those stories soon.

My writing influences. My major influence is, without a doubt, Stephen King. I read IT as a preteen and it was a formative moment in my life! That whole summer, I was transported to Derry, Maine and, when I finished that book at summer camp, I knew what kind of books I would write for the rest of my life.

I’m also majorly influenced by the ideas of HP Lovecraft and the subgenre of cosmic horror, as well as Anne Rice and a ton of anime and manga. All those creators and stories have led me to writing some really insane stories, such as Rose, which I mentioned above, or “Fuseli’s Horses,” one of the stories in Hannah, which is about carnivorous horses.

But I’m not complaining. People seem to like my work, after all.

I love going to the movies and to the theater. It’s rare that a month goes by without me going to see a movie. Usually it’s a horror film or a new superhero film, but I sometimes go see comedies, fantasy and sci-fi films, and anime films getting theatrical releases. I just love going to the movies! I didn’t get to go as much as I wanted when I was growing up, so starting in college, I went as often as possible. And I still do.

Most people are surprised to learn I like ballet. Then they see how much it appears in my stories.

And now that I have a decent day job, I also go to the ballet and to touring Broadway shows. My interest in ballet started probably in college, and as a working adult, I got really into it. It’s gotten to the point where I’m kind of obsessed and look for ways to insert ballet and dancers into the stories I write! And as for Broadway shows, I think Disney movies as a kid primed me to be a fan of those, though the breadth and depth of musicals out there is far wider than Disney can think up, as it turns out.

Now, I have subscriptions to both the local ballet company and to touring Broadway shows that stop in Columbus. And I have to say, I think I would be just as psyched for one of my stories to be adapted into a ballet or Broadway show as I would be for a movie. Maybe even more.

I have several tattoos. To be precise, I have a chest tattoo of a tiger with a blue Star of David, a full back tattoo of one of my favorite ideas from the horror genre, a wrist tattoo referencing some of my favorite anime, and a Tarot card on my right leg that’s about halfway done. However, while I have my tattoos, I don’t normally share photos of them. That’s partially because I just don’t feel the need to. My tattoos are for me to express myself and to have my body reflect who I am. So, their existence on my body is enough for me.

Still, they’re awesome. And I plan to get more as time and money allows.

My most popular work is Rose. I’ve been publishing for over a decade now, but none of my work has done as well critically or commercially as Rose. And I think I know why: it’s the unusual story of a woman turned into a plant/human hybrid. Very weird, very Kafkaesque, and very fantasy horror. Add in that it’s a short but twisty read with Japanese folklore and mythology mixed in, and it’s not surprising that that book does so well.

Plus, you gotta love that cover.

Anyway, if you would like to check out Rose, you can check out its page HERE. I hope you like it if you read it.

I go ghost hunting at least once a year. I’ve been lucky to go to several different locations to ghost hunt. From famous places like the Ohio State Reformatory in Mansfield, OH and the Lizzie Borden Bed & Breakfast in Fall River, MA, to lesser known locations such as the Anchorage Mansion in Marietta, OH and the Bellaire House in Bellaire, OH, with the hope to visit and revisit many, many more.

Also, I try my best to get my investigations on YouTube and upload them to YouTube. So, if you would like to check out my ghost hunting videos, you can check out my channel HERE. They’re spooky good!

I make my own wine. Most people don’t realize that you can brew your own alcohol at home, but it is, and there are plenty of people of doing it, including me. I’ve made a batch of plum wine, and I just finished and bottled a batch of pumpkin wine (yes, pumpkin wine). And I’ve been making my wines based on colors of the rainbow: plum wine is red, and pumpkin is obviously orange. Yellow will be dandelion wine, green will be mint, blue will obviously blueberries, and indigo/violet will be elderberries. And I can’t wait to try them all!

The pumpkin wine I made, all bottled up. Looks good, doesn’t it?

I bought my first home two years ago. For millennials like me, it’s hard to find an affordable home, let alone a non-fixer upper that you don’t have to share with a bunch of other millennials. However, I was lucky enough to find and buy a small condo for myself two years ago, and I’ve been living in the Haunted Condo, as I call it, ever since.

Sadly, it’s not very haunted by anything except me. I don’t know why, I’ve done voodoo rituals and everything else to make the place haunted, but so far, no otherworldly dice. At least I can make one hell of a Halloween display every October and decorate the inside as I like!

My yard is the spookiest in the neighborhood every October.

I’m the chapter coordinator for HWA Ohio. The Horror Writers Association is an international organization that supports horror writers and helps them network and grow. Ohio’s chapter is about six or seven years old, and I’m the guy who runs it! Which was never my intention: some other members organized the chapter, and I volunteered to find a venue. Somehow, I kept arranging locations for us to meet, and that morphed into becoming the chapter coordinator. And after the parent organization set a formal election process for chapter coordinators for all chapters…well, I ran without competition. I guess people think I’m doing a good job or something?

Anyway, HWA Ohio has its own website, which lists our members and puts out news about us. If you would like to check the website out and support us, click HERE.

So proud to have a story from this collection adapted into a radio play.

I recently had my very first story adaptation. Remember my collection Hannah and Other Stories, which I mentioned above? Earlier this year, I became acquainted with a producer for WCBE 90.5, a local NPR station who interviews local creative types. He also runs a yearly Halloween show, where a short story is adapted into a radio play, with the roles played by local high schoolers.

“Hannah,” the lead story in Hannah and Other Stories, was this year’s story. It was my first time having a story adapted, and it was so, so good! The kids did really well in their roles, and it was amazing hearing my story brought to life on the radio.

And if you would like to listen to it, you can! It’s available to stream online, and you can listen to it in full HERE. Let me know what you think if you listen to it. The more people who listen, the better for future shows and future students. Plus, who knows? Maybe another one of my stories will get adapted. It happened once, didn’t it?

I tend to break out in song at any provocation. I kid you not, this is something I did daily in high school, and which I do quite frequently these days. In fact, I’m part of a critique group with some of my fellow Ohio horror writers, and they say it’s not a meeting if I don’t burst out in song at least once!

Too bad I sing badly, but hey, why should I let that stop me?

What I’m working on now. I’m juggling a few projects at the moment. For one, I’m putting together another collection of short stories, and I hope to have more on that in the coming days and weeks. I also recently finished a new novel, The Shape of Evil, which is about a 3D printer from Hell, and I hope to have that ready for pitching to agents and publishers by June next year. Finally, I also have a collection of novellas I plan to work on at some point, and I have a mummy novel I started but put aside for other projects that I plan to get back to.

Plus some short stories to send out to magazines and anthologies here and there. Yeah, I’m a busy guy, aren’t I? But that’s kind of the way I like it.

Anyway, that’s thirteen things you need to know about me. I hope you enjoyed learning about me, because I enjoyed writing it. And if you did, be sure to follow this blog and my other social media to keep up with what I’m doing and when I have new work coming out.

And if you would like to check out any of my other work, I’ll leave a link to my book page down below. You’ll find all my published works and then some there, including free stories. And if you like what you read, I hope you’ll leave a review online so I, as well as other readers, know what you think.

Until next time, my Followers of Fear, good night and pleasant nightmares.

Book Links and Excerpts

Novelettes and Novellas Deserve More Love

Posted: February 10, 2024 in Novelette, Novella, Reflections, Writing
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I try to write short stories, but they rarely end up that short. They end up being novelettes and novellas.

Now, I know a lot of you are writers and are familiar with the terms. But for those of you who are not, novelettes and novellas are stories that are longer than short stories but shorter than novels. Depending on who you ask, the length can vary, but the HWA defines novelettes as 7,500 words to 17,499 words and novellas to 17,500 words to 40,000 words. Obviously, shorter than 7,500 is a short story and over 40,000 is a novel.

And like I say, I try to write short stories. I do. Most publishing magazines and anthologies prefer short stories, and many like them under five-thousand words. Can’t really blame them. Not only do short stories that short have a special punch, but it’s just more cost effective. If you’re paying by the word, then the cost per story goes up with the word count. And if you’re paying a flat rate per story, then the higher the word count, the more the author might expect to be paid. Hence why they tend to publish short stories.

However, I have trouble keeping my word count under seven-thousand. I’m an expansive writer, as one of my college writing professors once told me. Hell, even most of the stories in Hannah and Other Stories is more novelette-length than short story, and that’s marketed as a short story collection. I just like having those longer stories that still have that punch of a short story but don’t require the same commitment as a novel does.

And I wish there were more publishers that were willing to pay for novelettes and novellas. Especially novelettes, because a lot of the presses and magazines and anthologies that accept those don’t tend to go above ten thousand words.

Thankfully, my wish appears to be coming true. Perhaps in part due to popular collections of novellas by popular authors like Stephen King and Josh Malerman, and perhaps in part due to readers hungry for them, more publishers are buying and releasing novellas, both as standalone releases and as collections. And it’s a slow trickle, but we’re seeing a rise in publications accepting novelettes, including ones above ten-thousand.

Who knows? Maybe there are even publishers who would willingly put out a collection consisting entirely of novelettes. If the response to some of my social media posts are anything to go by, there’s an audience who would read that.

And I have been considering putting together a collection just like that, as well as a collection of novellas. After all, a lot of what I’m writing these days ends up either a novelette or a novella. Who knows? Maybe if I can put together enough stories of the right length and that gel together and if the stars are right…

Well, we’ll see what happens. In the meantime, if you have social media, make sure to post how you would love to see more publishers and magazines releasing novelettes and novellas. Trust me, if they see the demand, they will respond. The responses to my own social media posts have me convinced of that.

That’s all for now, my Followers of Fear. This post wasn’t the most important thing I could write about, but I wanted to write about it. Besides, who knows? I could find a few more people who wish for more venues for novelettes and novellas. We could start a trend.

Anyway, until next time, good night, pleasant nightmares, and aren’t you glad this post didn’t become a full-length novelette? Or even a novella?

Updates on What I’m Doing

Posted: May 3, 2023 in Living and Life, Progress Report
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Life is crazy, there’s a lot going on, so here’s some quick updates on what’s going on in my life and writing career.

Hannah and Other Stories

So, the next draft has already begun on Hannah. Currently, my editor is sending it to me story by story every couple of days, with “Hannah” itself arriving yesterday. (And yes, differentiating the two in email conversations with my editor was a hoot). I actually got the story done in one evening and sent it back, with the biggest change to the story just being that I changed some names of brands and public institutions. For example, YouTube became WeTube, Ohio State University became Aurelian University, and Disneyland in Anaheim because Mueller Land in San Dimas. Fun fact, took me about half an hour to rename Disneyland, but given that they’re a brand I don’t want to owe money to for using in a story, it was a half hour well spent.

I should receive the next story, “Queen Alice,” in a few days at most. When I get it, I’ll get it edited as quickly as possible and get it back to the publisher. With any luck, we’ll be done with this draft by the end of the month.

They Sleep Within the Rock and other projects

I finally got around to doing a third draft of this novella last week. With my beta reader’s help, I’ve been able to improve the story immensely, and have edited about seventy percent of the story. Unfortunately, while working on it, I realized the last thirty percent doesn’t have the oomph this story needs to be great. I mean, it’s a story about giving neo-Nazis some epic karma! You would think the story would have an ending on par with the explosiveness of Die Hard or the finale of The Little Mermaid (say what you will about that movie, but that finale is nothing to sneeze at).

So after a lot of messaging back and forth with my beta reader, I think I came up with a new ending that might be closer to my vision. I’ll be working on it in-between stories of Hannah, so it may take time, but I’ll get it done and back to the beta reader before too long.

After that, I would like to edit “The Underground Kings” and “It Changes You: A Backrooms Story,” as I’ve received some great feedback on how to improve those stories and I want to see what I can do with them. With any luck, they may even find homes!

And as for new stuff…well, I would like to get back to my mummy novel Crawler. And I do have some short stories, novelettes and novellas I might want to work on later this year. But really, nothing definite at this point. Just a ton of editing.

Horror Writers Association news

You may not be aware of this, but I’ve been the Chairperson for the Ohio chapter of the Horror Writers Association, HWA Ohio, since around its inception. I didn’t volunteer for the role or anything in the beginning, I just kept reserving meeting rooms for our meetings, and as we got more organized, I just kind of became the chair.

This year, the HWA implemented a system to elect chairs every two years organization wide. And I can officially say that I’ve been elected to serve the role two more years. I’m looking forward to serving as the Chairperson again, and to growing both the chapter and its members. If anything exciting pops up in that regard, I will let you know.

Anything else?

As you know, this Saturday I will be selling books and doing Tarot readings at the Hidden Marietta Paranormal Expo in Marietta, Ohio. It’ll be at the Washington County Fairgrounds from 10 AM – 4 PM. If you’re in the area this Saturday, please stop by, because it’s going to be a ton of fun.

I’m also going to be doing a flashlight tour and a ghost hunt at the local Anchorage Mansion this weekend with a friend, so hopefully we come across some spooky stuff. If we do, and I can, I’ll record it so you can see it!

And I finished Every Woman Knows This by Laurel Hightower, and thought it was a strong collection of scary short stories. 4 out of 5, won’t disappoint readers who give it a read.

Other than that, there’s nothing I can talk about. At least nothing that’s relevant to this blog right now or that I can talk about without getting into trouble. So, I’ll take this moment to bid you all a good night. Until next time, my Followers of Fear, pleasant nightmares!

“That Which Cannot Be Undone” is Finally Out!!!

Posted: October 4, 2022 in Progress Report, Scary Stuff, short story, Writing
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What do I even say about this? We’ve been discussing and planning this anthology since I was in a one-bedroom apartment, and then plans really got going when I was in a two-bedroom. Then there was a campaign, and things really started to happen, and then we made our funding goal, and then plans started to become concrete, and stories started to be submitted, and a cover was made, and…well, what do you say?

Well, probably not “let’s drink tonight like there’s no tomorrow!” Because there is a tomorrow, and it’s Yom Kippur, and I’m not going to drink and celebrate right before the holiest day in the Jewish calendar. Especially when I have to fast.

Maybe this weekend.

But seriously, this is such a huge and momentous occasion. Since we Ohio horror writers formed our own chapter of the Horror Writers Association, we’ve talked about putting out an anthology that will show just how terrible and terrifying our chapter can be. However, it only became more than talk during the pandemic. And during the pandemic, there were so many moments when it could have just dissolved and nothing would have gone forward. Somehow, we managed to overcome all that, form a publishing company, have a Kickstarter campaign, and put out this book.

And what a book it is! An anthology of Ohio horror writers writing stories set in Ohio and revolving around the theme “that which cannot be undone.” Featuring stories from Gary Braunbeck, Lucy Snyder, Gwendolyn Kriste, Megan Hart, Tim Waggoner, Kealan Patrick Burke, Tim McWhorter, Ray Pantle, David Day, Randall Drum, Matt Betts, Patricia Lillie, J. Thorn, Steven Saus, Marvin Brown, Weston Kincade, and…this one weird guy with a funny name. Rami Ungar. Anyone heard of him? He seems totally unknown to me.

Weird unknowns aside, That Which Cannot Be Undone is an amazing anthology, and there are so many people I would like to thank for helping us release us. To all the writers who submitted work to this anthology, thank you. You’re shining a spooky spotlight on our state and I can’t wait to see what people say about your stories. My fellow writers/co-founders of Cracked Skull Press, David Day, Ray Pantle and Randall Drum. You guys are great and are definitely getting cards in the mail this Halloween. Jess Landry, our tireless editor, thank you for helping us get these stories up to snuff. Greg Chapman, thank you for your awesome cover. We hope it leads to many more commissions for you. And to the many backers who funded this project, whether you be Followers of Fear or not, we can’t thank you enough. This project wouldn’t have happened without you, so thank you so much for supporting our dreams and making this anthology more than just talk and crazy ideas.

If you’re curious to read That Which Cannot Be Undone, I’ll include the link below. I can confirm that both the paperback and ebook are available now, so no problems there. And if you read TWCBU, be sure to leave a review online. Anthologies need reviews as much as they need sales to reach readers, so if you like what you’ve read, please let us know what you think and spread the word around.

Anyway, that’s all for now, my Followers of Fear. I’m looking forward to hearing what you all say about the book, as well as getting my own copy. Until next time, good night, pleasant nightmares, and only 27 days till Halloween. Please wait to start massacring your enemies until at least three days to Halloween. Otherwise, you’ll mess up the holiday mojo, and we can’t have that, can we?

That Which Cannot Be Undone — Amazon

Is “Elevated Horror” Really a Thing?

Posted: April 18, 2022 in Reflections, Scary Stuff, Writing
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Photo by Pedro Figueras on Pexels.com

I’ve heard this term thrown about a few times since January, first in the new Scream movie and most recently in an analysis of a horror film on YouTube. “Elevated horror.” And the speakers, whether in in the Scream movie or in the YouTube video, made it sound like it’s a recognized subgenre of horror with its own staple of tropes and trappings. Like slasher and its killers and gore, or Gothic with its ancient, diseased settings and corrupting influence.

The thing is, it isn’t. Elevated horror isn’t an actual subgenre of horror. I’ve consulted with dozens of writers on this (thank you, Twitter and the Horror Writers Association Facebook group) and it’s not a subgenre. It seems like a subgenre of horror at first glance when you look at works referred to elevated horror. In movies, films referred to as elevated horror include The Witch, Babadook, It Follows and Get Out, among others: they’re horror stories that focus more on probing psychological drama, characters and metaphor than blood and gore or supernatural horrors. Often, there’s a powerful social commentary being presented through the narrative, such as Get Out‘s commentary on race.

In terms of literature, “elevated horror” might have all of these as well as flowery language. It might be almost called “literary horror,” because there’s an emphasis on wording the story nicely and making it just too dark to be called “literary fiction.” Examples include The King in Yellow by Robert Chambers, Interview with the Vampire by Anne Rice, The Deep by Alma Katsu, and A Cosmology of Monsters by Shaun Hamill.

And, most importantly, “elevated horror” can sometimes cross over into other genres, such as thriller, literary, or even comedy.

Can you really say The Witch and Get Out belong in the same subgenre?

Sounds like a subgenre, doesn’t it? But it’s not. The works called elevated horror are all as different from each other as roses are to tulips are to primulas. All flowers, but all different kinds of flowers. Let me explain: The King in Yellow and The Deep are cosmic horror mixed with deep psychological themes, The Witch is some cross between folk, religious and historical horror, and Get Out‘s searing satire makes it borderline horror-comedy. In fact, it was nominated at the Golden Globes under categories for comedies or musicals!

Yet all of them are given the designation of elevated horror. So, if it isn’t a subgenre, what is it?

The conclusion I’ve come to after speaking to numerous other writers is that elevated horror is actually horror films taking place in elevators.

Just kidding, that’s elevator horror, and the only example of that I can think of is 2010’s Devil.

No, “elevated horror” is a marketing term. And like all marketing terms, it’s directed towards a specific audience. Who is this target audience? It’s people who normally wouldn’t check out horror because they fear it’s low class, dangerous, or degenerate. They may want to check out horror or be curious, but the stigma still attached to the genre keeps them from doing so. Either that, or they won’t check it out unless a work is given a specific designation.

Calling something “elevated horror” is basically saying, “This isn’t like other horror stories, where half-naked teens are voyeuristically killed with tons of blood and gore, or where supernatural entities menace children in sewers. No, it has nuance and social commentary! There’s psychology and drama and fleshed out characters! You can be respectable while enjoying this!”

In other words, it’s another way of something is high-brow. “There are no explosions and superheroes here. No aliens or elves. No star-crossed lovers up against the odds. Only real people having real life situations, or real people in situations that are absurd but it’s okay, because it says something important about society.”

I almost wish it was a subgenre. I might have found a home for my ballerina-meets-the-King-in-Yellow story already (still working on that, give it time).

Pinhead may not be from an elevated franchise, but that doesn’t make him or Hellraiser any less awesome.

And the problem with this marketing term is it’s misleading. By calling certain movies or books “elevated horror,” it’s labeling all other horror as “trash,” or at the very least “common.” Either way, the designation puts other horror stories down. And that’s a shame, because there’s such good horror out there. Dark Harvest, Kill Creek and Salem’s Lot aren’t high brow, but they’re great stories that thrill and can leave their readers up late into the night. Same with The Thing or the Hellraiser franchise: they may never win Oscars, but goddamn are they scary, and the latter has led to one of the most memorable characters in the slasher genre.

I’m not trying to put down the term. I’m just saying we should understand what it means, both for works designated as such and those that aren’t. And if it lets you enjoy horror, great. Just make sure to check out works that aren’t “elevated” and whose creators don’t really think or care if their work is called that.

Personally, I can see some of my work being called elevated, but I’ll just say that I was trying to write a fun story and wanted others to enjoy it as well.

That’s all for now, my Followers of Fear. After getting my thoughts on this topic out, I’m off to dream of beasties and ghosts. Until next time, good night and pleasant nightmares.

Fairy Tales are Everywhere (and That’s a Good Thing)

Posted: February 21, 2022 in Reflections, Writing
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Fairy tales have been on my mind a lot lately. Granted, that’s nothing new. When writing Toyland, I knew fairy tales and children’s stories were going to play a part in the story, since it was about a school haunted by a ghost obsessed with a children’s fairy tale. And yes, I still hope to get that book published.

But recently, I took a class offered by the Horror Writers Association on fairy tales, which got my imagination working. And then I watched a couple of TED talks on YouTube on the subject. And last week, I wrote my own twisted, dark fantasy version of Cinderella in just one sitting while everyone else was watching the Super Bowl. This was at the same time I spent two weeks coming up with an idea for a novel involving fairy tale elements, the idea finally crystallizing on Saturday before going to see Giselle. A ballet, by the way, that could be considered a fairy tale. It certainly has enough fairy tale elements to qualify as one.

All this has made me hyper-aware of just how much fairy tales have permeated our society. Not just as stories or elements of our favorite stories, but in advertising, fashion, music, art, and even our expressions (“Cinderella story,” anyone?). They are freaking everywhere, and used/enjoyed not just by children, but by teens and adults too.

“But wait,” you’re probably asking, “aren’t fairy tales just kid stuff?”

Not exactly. In fact, fairy tales were often for adults as much as children. Early written versions of Little Red Riding Hood were told as parables to warn young ladies about getting into bed with the wrong sort of man, or as metaphors about entering womanhood (especially if cannibalism is kept in the story). In fact, that is still the case in some places: in Ireland, many still believe in fairies and tell stories, or “tales,” about them and what places to avoid. And in parts of Scandinavia and Iceland, beliefs in trolls and elves are still popular. Many countries in Asia, especially in southeast Asia, still believe in many types of spirits (and according to the classical definition of fairies, just about any supernatural entity can be considered a fairy, so it counts), and use stories to warn new generations of the dangers of pissing them off.

This adaptation of “The Tale of the Bamboo Cutter” is a prime example of how fairy tales can be recontextualized for new eras.

But beyond warnings, fairy tales, like many other kind of stories, are reflections of how we look at our world. Hansel and Gretel, for example, was probably told in an age of famine, poverty and witch hunts, given its elements and the lessons imparted in it. Even better, fairy tales can be recontextualized for new ages. Cinderella tales are increasingly told to make the lead less passive and more in control of her own life, and the Studio Ghibli film The Tale of Princess Kaguya, based on the Japanese fairy tale The Story of the Bamboo Cutter, retells the story with the theme of how Kaguya wants none of the finery her foster parents gift her, only to be surrounded by people who love her. This feels relevant in an age with rising consumerism, online image-building, and social isolation.

And that’s the cool thing about fairy tales, too. You can retell them in so many different ways. Hell, you can even come up with new ones. Plenty of writers are creating their own fairy tales, such as Diana Wynne Jones did with Howl’s Moving Castle, Melissa Albert with The Hazel Wood and many more. And many stories today use elements of fairy tales. The inclusion of “The Three Billy Goats Gruff” in Stephen King’s IT isn’t just a fun choice by King, after all: King originally started plotting that story as a modern interpretation of “The Three Billy Goats Gruff.”

Makes you wonder what elements of fairy tales and legends you’re putting into your stories, doesn’t it?

And that’s the thing. Even you can make up your own original fairy tales or retellings. In fact, plenty of writers are, and will as the world changes. I wouldn’t be surprised if we get an updated version of Anansi and the introduction of stories to the world in the wake of so many states attempting to rewrite history or schools attempting to ban books. And I wouldn’t be surprised if this pandemic, or any of the major conflicts we’ve experienced in the past several years, make their way into a new or an old fairy tale. I’ve already come up with a few ideas for some, and might write one or two in the near future.

And I bet, no matter who’s telling the stories, they’ll continue to influence society for years to come. From the “Once upon a time” beginnings to the optional “they all lived happily ever after.”

That’s all for now, my Followers of Fear. I spent most of President’s Day writing, so I’ll take the rest of the night off. I’ll be back soon, as I’m expecting to share some good news very soon. Until then, my Followers of Fear, good night, pleasant nightmares, and don’t try to wake me up with a kiss. I bite.

Also, here are some of the videos I watched while researching fairy tales. Give them a watch. They’re quite edifying:

Transforming our Understanding of Fairy Tales by Anne Dugan

Why We Absolutely Need Fairy Tales by Jason Link

Myths, Folklore & Legends: We Still Need Our Fairy Tales by Heidi Shamsuddin

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