Posts Tagged ‘novel’

Well, I found my least favorite novel of 2021. Given how much hype it’s been getting since 2020, I’m disappointed.

Drawing on Japanese folklore and mythology (gee, who do I know who’s done that before?), the story follows five college grads who go to an old Japanese mansion for a wedding ceremony (sounds like my dream wedding). The mansion is supposedly haunted by a bride whose fiancé died on the way to the wedding, and then had herself buried alive underneath the house. As night falls, strange things occur in the mansion, putting everyone at risk.

I hate to be negative about a novel. I know how hard it is to get your work published. But that being said, I’m still not sure how this novel got published in the first place. There’s so much to hate!

While the location and the concept are cool and the climax did make things more interesting, the rest is a hot mess. For one thing, I barely know these characters, because very little time is spent actually developing them. I know even less about our narrator, Cat, because what we learn about her is mainly just hints. We understand that she has depression and it messed with her pretty bad, but the specifics aren’t given and it just leaves the reader so confused.

As for the other characters, there’s nothing to like about them. One’s a “perfect” billionaire who’s sorry about something he did to the narrator (what, I don’t know); another is supposed to be the narrator’s best friend, but I don’t know anything about him to really get me to like him; one is supposed to come off as funny and instead just comes off as annoying; and the ironically most developed character is the best friend’s fiancée, who just hates the narrator because she’s insecure and think the narrator wants her man. They all seem to hate each other, yet insist that they’re all friends and should get along. Why they hang out with one another, I have no idea.

At least looking up hitobashira put that one Junji Ito story into context. Didn’t make it any scarier, but it did make it easier to understand.

As for the rest of the novel, there’s a scary story hidden in there that wants to come out, but it’s buried under a lot of problems. The language is trying to be flowery, but there are words in here that I’ve never read before. In the English language, no less! It feels like the author was trying to out-Lovecraft Lovecraft with the wordplay, and succeeded in all the wrong ways! Not to mention the Japanese stuff is never explained. I had to look up most of it myself, which is not a good sign if the book doesn’t spell it out for the unfamiliar reader.*

And finally, the psychological stuff is trying and failing to be psychological. It’s just wacky. Like watching a bunch of people on drugs trying to be profound and get into your mind. And the characters are drunk, but that’s no excuse. If you’re going to go for psychological, at least make sure it’s effective!

On a scale of 1 to 5, I’m going to award Nothing But Blackened Teeth by Cassandra Khaw a 1.3. One reviewer on the book’s back cover called it “The Haunting of Hill House for this century,” and I agree, in the sense that it takes the worst parts of that book and coalesces it into another haunted house. Avoid this one, and go read something else. Trust me, your time will be much better spent on other books.

*When I was editing Rose, I made sure that the Japanese concepts of kami and oni were spelled out because I knew plenty of my readers, including my parents, wouldn’t know anything about them. The novel has gotten a couple of negative reviews, but nobody’s criticized it for not understanding the Japanese mythology/folklore/religious stuff.

I won’t say Rose is better because of that, though. I’ll leave that up to the readers to decide. I’m just explaining what I did differently.


Just a note, Followers of Fear: today marks one week till the crowdfunding campaign for That Which Cannot Be Undone goes live. If you’re not aware, some of my fellow Ohio horror writers and I came together to create a small publisher, Cracked Skull Press, with the goal of putting a spotlight on Ohio horror writers. We’re gearing up for our first anthology, That Which Cannot Be Undone, the stories of which will be set around the theme “that which cannot be undone,” set in Ohio, and written entirely by Ohio horror authors.

Of course, we’re going to need your help to make it happen. We’re doing a crowdfunding campaign on Kickstarter starting November 29th and hoping to raise ten thousand dollars for paying the authors and editor, as well as other costs. And if you support the anthology, not only will you help us shine a light on Ohio horror, but there are perks to be gained for pledging your support.

And if we don’t make our goal, you won’t be charged for it. So your pledge won’t be taken unless we make our goal. That being said, we hope and think we’ll make our goal, so we hope you’ll join us. You can check out the project and sign up for notifications using the link below.

https://www.kickstarter.com/projects/crackedskullproject1/that-which-cannot-be-undone-an-ohio-horror-anthology

That’s all for now, my Followers of Fear. I’m off to work so I can work on my stories later. Until next time, good night, pleasant nightmares, and, if I don’t check in before Thursday, Happy Thanksgiving!

When I was in New Orleans a couple weeks ago, there was this voodoo shop on Bourbon Street I visited almost every night I was there. I did buy from that shop, but I also just liked looking around. There were so many cool things there: statues and masks, clothes, books, Tarot cards, candles, voodoo dolls, incense, and so much more! I’d have taken a photo if it were allowed. And one of the nights while I was there, I got a Tarot reading from one of their resident psychics/readers.

The reader, Eshu, had me follow him into the back room and pick out thirteen Tarot cards from a Thoth Tarot deck while I closed my eyes. I did so, picking out cards by trying to feel a tingling or heat or magnetic pull in my fingertips. And after I picked out my thirteen, he started reading what the cards had to say.

I can’t remember all that he said, because sadly the human memory doesn’t work like a video camera (what I wouldn’t do for it to do so when I want to), but I remember some specifics. For one thing, he said that I had a power within me, that he sensed that from when I stepped into the room, and that it was manifesting out in the real world. He also noted that this power came from darkness within, but it wasn’t evil or bad, and that it was leading to big things for me. Prominent cards, if I remember right, were the Fool and the Magician.

Could Hannah and Other Stories be evidence of something manifesting?

To me, in the moment, this made sense, and it still does. My writing career is going extremely well these days, and writing is a form of magic or power, as the Magician evidences. And if it’s not manifesting right now, with the many stories I’ve released this past year and the acceptance of Hannah and Other Stories for publication, I don’t know what is! That also plays into the Fool card, which represents a great opportunity or chance.

And what is horror writing if not taking a darkness that isn’t necessarily evil and manifesting it in the real world?

Don’t answer that, it was rhetorical.

In the two weeks or so since I got back from the Big Easy, a lot’s been going on. I’ve been editing a story for one anthology, the crowdfunding campaign for That Which Cannot Be Undone is about to launch and people are really showing interest (click here to learn more about that), I’ll likely be meeting with an editor soon from BSC Publishing Group to discuss Hannah, I’m on track to put out a paperback, ebook, and maybe even an audio book of The Pure World Comes, I was interviewed by the Columbus Jewish News (click here to read that article), and I may have had an idea for something I can release in the first half of 2022.

That last one came to me yesterday when I realized a short story I finished earlier this week had some similarities to another story I wrote this year. And I thought, Wouldn’t it be interesting if they were released together? I thought of a third story that might go well with them. and now this idea for a mini-collection of novelettes has sprung up. So who knows? Depending on a couple of things, I might be putting out three novelettes together.

So maybe I’m manifesting that power born of darkness within me, and maybe it’ll lead me to new heights in my writing career. Which, for a guy who tells people he’s an eldritch entity from another dimension, that’s something I’m happy with. Or the exact opposite could happen. I don’t know. I love using the cards, but I still have to remind myself they might just be fairy tales and hokum.

Still, with things going the way they are, with Hannah and That Which Cannot Be Undone and maybe even this novelette collection, I want to believe that Eshu’s cards were onto something. And that the Nine of Swords I’ve pulled from my readings these past two days, which represents anxiety, despair, and a sense of oppression, symbolizes what I’m putting into my readers rather than something I’m going to feel in the near future. We’ll see what happens.

Get these and other books this holiday season. And make sure to let the authors know what you think.

And while we wait to see what happens, you looking for something to read or for your horror-loving cousin? Then I have the books for you! Yes, I’m advertising my books. But you gotta do what you gotta do. Anyway, I’ve got a ton of stories available right now in paperback, ebook and even audio book, as well as stories in some great anthologies. You can check out the fantasy-horror novel Rose; the serial killer thriller Snake; my first collection, The Quiet Game; or the anthologies Into the Deep, The Nightmare Collective Part II, Dark Nature and The Jewish Book of Horror. I’ll leave links below.

And if you like what you read, leave a review online somewhere. That way I’ll know what you think and so will other readers.

That’s all for now, my Followers of Fear. I’m off to conjure new nightmares so I can keep manifesting that power from within. Until next time, pleasant nightmares!

The Quiet Game: Amazon, Barnes & Noble, iBooksSmashwords, and Kobo.

Snake: Amazon US, Amazon UK, Amazon Canada, Barnes & Noble, iBooksSmashwords, and Kobo

Rose: Amazon US, Amazon UK, Amazon Canada, Audible, B&N

The Jewish Book of Horror: Amazon, B&N

Dark Nature: Amazon

Nightmare Collective Part 2: Amazon

Into the Deep: Amazon

Well, I’m back from my vacation. I enjoyed making memories in St. Louis, the city I was born in but did not remember; I learned I am not a Las Vegas person, but that the Mob Museum is really cool, as is Zak Bagans’s Haunted Museum (more on that later); and I absolutely fell in love with New Orleans, especially the French Quarter.

Now that I’m back, though, I’ve got work to do. And I don’t just mean my day job (though that will be taking up a good chunk of my time). I’m ready to get back to writing and finding homes for my stories. Here’s what’s on the docket:

The Pure World Comes and Hannah

I’m hard at work on getting a paperback, ebook and even an audio book of The Pure World Comes out next year. The goal date is the first Tuesday of September, September 6. Why that date? It’ll be a little over a year since The Pure World Comes was released on the Readict app, and right as the Halloween season gets into full swing. And a lot of books, including successful ones, release on Tuesdays, so might as well.

Anyway, I’ve gone through the manuscript for TPWC again and cleaned up some of the errors I missed for the Readict version (don’t tell VitaleTek). I’ve looked into some platforms that will get a paperback and ebook onto sites like Amazon and Barnes & Noble, and one that does audio books as well. And I’m talking with some audio book narrators. With any luck, I’ll definitely have the paperback and ebook out on September 6 and the audio book out not too long after, if not on the day of.

As for Hannah, the new collection of short stories that was accepted for publication while I was traveling, I cannot wait to send copies to people I know named Hannah and make them think the titular story is based on them (believe me, it’s not). Also, I was just emailing with the publisher, BSC Publishing Group, today. We’ll soon be starting work on the stories, just as soon as an editor is settled on. Once that’s done, I imagine we’ll go through each story, editing until it’s as close to perfect as possible. Then we’ll discuss a final order for the collection, and then let it out into the world.

Anyway, I’ll keep you posted on this. The hope is to get Hannah out at some point in 2022, so I imagine things will be hectic moving forward. Still, if people enjoy the book when it comes out, than it’ll be worth it.

And that brings me to my next point…

Crawler

I know I was going to start work on this novel right after I got back from my vacation. And you know, I still want to. However, Hannah is going to take up A LOT of time. In fact, it might take up as much time as a novel might. With all that in mind, it would be a bad idea to work on a new book while editing another. I would keep bouncing back between one and the other, and I would get super-annoyed by how little progress I’m making on Crawler because I have to keep putting it down and work on Hannah.

So, for now, Crawler will have to wait.

Yeah, I know. I was excited for it as well. I even made some edits to the outline the other day and thought it would be a kick to work on. But that’s too much of a balancing act when I’m still working a day job.

Still, I want to work on new stories. I don’t want to just be editing, especially in-between the stories that need working on. Luckily, I have a million ideas for short stories, including about ten that I came up with during my vacation. Not only that, but I’ve had some success lately writing and finding homes for shorter works, and they’re easier to put down if something comes up.

So, when not working on stories in Hannah, I’ll be working on new short stories and novelettes, and hopefully finding homes for them after they’re edited. Not sure which one I’ll work on first, but I’m currently leaning towards one that incorporates elements of Masque of the Red Death by Edgar Allan Poe (and no, it’s not a pandemic story. I did that already this year). It should be fun to work on.

And eventually, I will get to writing Crawler. It’s just a matter of the right time.

Other Projects

Of course, I also have stories to edit for other publications. “The Hanukkah Massacre,” co-written by Richard Gerlach, will be published in Dead of Winter early next year, and we’ll have to edits for that. Not only that, but I have another project I’ve been working on that I may actually be able to talk about very soon.

So yeah, as it turns out, I’m going to keep being busy this year. Probably into the beginning of next year. Still, it’s better than not having anything to work on. And hopefully all this leads to more people reading my work and letting their friends know to read my work.

One last thing before I sign off, though:

Zak Bagans’s Haunted Museum

If you didn’t already know, Zak Bagans from the TV show Ghost Adventures has a museum in Vegas filled to the brim with haunted artifacts he’s collected over the years from ghost hunting, as well as items donated to the museum. This includes haunted dolls, actual skulls and skeletons, shrunken heads, serial killer murderabilia, and more stuff than I can name! I was there on October 30th, Devil’s Night, for a tour, and then a few hours later I went back for some late-night ghost hunting, what they call a flashlight tour.

And I experienced stuff on both tours.

Highlights include:

  • In the room with Ed Gein’s cauldron and shovel (inspiration for Norman Bates and Psycho, if you don’t know. Look him up), I smelled the smell of cooking meat. Apparently I’m not the only one who smells that in that room, either. Considering he made clothes out of body parts, God only knows what he did with that cauldron!
  • There’s a room with a guitar that might be possessed. It was found on the body of a teenager who died while playing the guitar. I felt so uncomfortable in that room. Nothing really happened in there, and it didn’t have mood music like the basement did (Satanic rituals supposedly took place down there), but it freaked me out anyway. I did not like that room.
  • The Dybbuk Box (inspiration for my story “Samson Weiss’s Curse” and the movie The Possession) had a few things happen. Using a device called a spirit box (it scans through radio frequencies quickly and any voices that come through over multiple sweeps might be a ghost or other spirit), I heard a voice come through saying “dybbuk” multiple times. And at one point, when I asked if anyone was in the room with me, I heard a woman’s voice whisper, “Yes.”
  • In another room containing the remains of a demonically possessed house Zak owned in Indiana before having it torn down, I got some voices through the spirit box. At one point, I asked if anyone wanted to talk to me, a voice responded immediately: “No.”
    Yeah, I thought that was cheeky, too. But that’s not all. Another device called a MEL-meter went off at one point in that room (it measures electromagnetic changes in the air around it) and later, a woman’s voice hissed through the spirit box, “Raaaah!” And I knew it was trying to say my name!
  • Finally, in one room containing a painting taken from Adolf Hitler’s vacation home, Bergdorf, I got voices coming through the spirit box. Apparently, there’s an evil energy attached to the painting and it affects anyone who touches it. I asked if anything evil was attached to it, and a voice came through saying, “Evil.” I then asked if it might be Hitler’s spirit, and I got a “Yes.”
    Not sure if that was actually Hitler’s spirit, as the painting wasn’t near Hitler when he committed suicide. It may have just been an evil energy/spirit messing with me (or nothing at all, if I’m being skeptical). But it made me smile to know that this Jew was standing in front of a painting belonging to Hitler and maybe his ghost and letting him know how bad he failed. I almost went “Neener, neener, neener” to the painting, but provoking the spirits wasn’t allowed.

Oh, and guess who was there? Right before we went into the house to explore for ghosts, we watched a safety information video. Then we split up into two groups. And as my group went around the corner to the building’s back entrance, guess who passed us by and wished us luck? Zak Bagans! I turned to the girl in front of me and whispered, “That was him!” She replied, “I know!”

And yes, he’s as tall as he looks on TV. In fact, I think he’s about a head taller than me. I just find that an interesting detail.


Well, that’s all for now, my Followers of Fear. I have work in the morning, so I’m going to get to bed. I look forward to letting you know what’s going to happen next (whatever that is). Until next time, good night and pleasant nightmares!

Photo by Andrea Piacquadio on Pexels.com

Lately, I’ve been deep into two very different books of horror. The first, which I finished last night, is What One Wouldn’t Do, an anthology of horror stories around the idea of “what wouldn’t you do for…what? Power? Revenge? Love? Etc?” The other is Ghoul by Brian Keene, a coming-of-age horror novel about three boys who discover a ghoul living in the graveyard near their homes. They’re both very good, very different from one another, and both deal in emotional horror.

Emotional horror is horror that relies more on the feelings the story provokes in the reader than a supernatural/paranormal entity or a serial killer or anything like that. And yes, I’m aware that all horror tries to provoke an emotional response in readers. Namely terror and fear. But this is a much more subtle kind of horror. Emotional horror scares you with the situation the characters are in and their responses, particularly their emotional responses, to the situation.

A good example of this is the 2015 movie The Witch. You may have noticed, but the titular witch is actually pretty peripheral to the story. She doesn’t show up except to maybe push events in the story. In total, I think she’s maybe only in the film for three whole minutes, if even that. Rather, the horror of the story is how each character reacts to the witch’s interference in their lives. It starts with the baby being kidnaped, then with the older son disappearing into the woods and then coming back horrifically changed. The kid has an ecstatic vision before dying, which leads to the family to believe they’re being victimized by a witch, who could possibly be one of them. And you’re terrified not by the witch or what could be her supernatural influence on the characters. You’re scared by their paranoia, their heartbreak and distrust, and how quickly things devolve from here, leading to an awful, irreversible decision on the part of the protagonist.

The true horror of this story may not be from the titular monster

This is the kind of horror both What One Wouldn’t Do and Ghoul deal in. Many of the stories in the former deal with supernatural elements, but the horror itself is what drives the characters to commit heinous acts or to make deals with the devil or go through insane challenges, and then seeing the fallout from those decisions. And for the latter, while the titular monster is scary in its way, it’s no Pennywise. Rather, a lot of the horror we experience is through the main characters, twelve-year-old boys who are becoming disillusioned by the world around them through the adults in their lives. It’s honestly heartbreaking to see the adults around them fail them so spectacularly, and one scene in particular was so upsetting, I had to post about it on Facebook and Twitter just to get my emotions out.

So, how do you write these scenes? Honestly, it’s not easy. I’m not sure you can set out to write a story that deliberately tugs at your heartstrings and fills you with the emotions the characters are feeling. It’s kind of like how you can’t write a story around a theme. Instead, you take a story and the theme evolves naturally from your working on it. Only when that theme has revealed itself can you play with it and the story together to bring out the best in both.

That was certainly the case with Cressida, the story I wrote that was published in Into the Deep (click here to check it out if you haven’t yet). While it’s a horror story and a mermaid story, it’s not a horror story about mermaids, though they aren’t the pretty fishtailed supermodels Disney animated, either. Rather, the mermaid is in herself a catalyst for the true horror, which is what the characters do upon encountering a mermaid who shares an uncanny resemblance to a deceased family member of theirs.

But when I set out to write that story, I never intended that the horror would come from the characters’ emotional and psychological reactions. I wrote the story because it sounded like a lot of fun to work on and I made changes to the storyline along the way to better bring out the horror I was discovering. The result is Cressida, which I feel is some of the best work I’ve written yet.

You know, that makes me realize something: in emotional horror, whatever is happening in the plot, be it mermaids, ghouls, necromancy, witches, etc., is often not the main focus of the story (even if it’s in the story’s title). Rather, they’re plot devices, tools to draw out the horror hidden within the characters’ emotional responses.

My story in this anthology didn’t start out as an emotionally-driven horror story. It just ended up that way.

I guess that makes emotional horror a kind of psychological horror.

Anyway, that’s what’s going through my mind at this time. The fact that I was getting into all these stories with similar kinds of horror at the same time got my brain working, so I decided to write it out. I’d love to hear what your thoughts on this subject are. Let’s talk in the comments below.

That’s all for now, my Followers of Fear. I leave for my trip tomorrow, so I likely won’t be around as much as I would otherwise be. However, I’ll be around on Facebook, Twitter and Instagram, so check there for updates if you start to miss me.

Until next time, my Followers of Fear, good night, pleasant nightmares, and there’s only a week till Halloween. Prepare to give yourselves to the dance of terror and to raise the old gods so we can all enjoy their infernal gifts. If you do not, I suggest you run.

Bye!

Hey all. This is kind of last-minute, but I am attending a couple of events in the central Ohio area and I wanted to make sure you all knew about it. Especially since one of them, people outside of the Columbus area will actually be able to attend this one.

A Night of Horror with the Ohio Horror Writers Association

Some of you may remember that two years ago, before the pandemic, me and my fellow members in the Ohio chapter of the Horror Writers Association had an event at the Bexley Public Library. We couldn’t do anything with them last year, but this year is entirely different. And this Wednesday, October 13th, 2021, we will be having another event with them from 7-8 PM. We’ll do some reading, answer some questions, maybe sell some books while we’re at it.

And guess what? You can now attend it remotely through Zoom. You’ll need to register and sign up to attend, whether you’re in person or not, but that means anyone who wants to can attend. I hope a few of you reading this will show.

In order to sign up for the event, you can register on the Bexley Library website here.

Licking County Local Author Festival

On October 16th, I’ll be attending a local author festival at the Licking County Library at their downtown Newark location. From what I hear, they’re going to be having a ton of authors of all stripes and stories across two floors. And I also hear that the horror authors may be getting their own area. I’m going to have to wear a great costume. And I don’t mean my human form.

Anyway, hope you can stop by. It’s at 101 W. Main Street in Newark, Ohio and the festival is from 10:30 AM – 2 PM. Please stop by and support your local authors!


That’s all for now, my Followers of Fear. Lots of exciting stuff on the horizon, so I’ll keep you updated. Even when I’m on vacation and can’t blog as freely. Until next time, good night and pleasant nightmares!

Read the book by Max Booth III last month. Finally got to see the movie, the screenplay of which was penned by Booth as well and which was directed by Sean King O’Grady, this evening. Let’s get reviewing.

As I said, We Need to Do Something is based on the novel by Max Booth III and follows Melissa and her family as they pile into the master bathroom during a violent storm (no basement). However, they soon find themselves trapped in that bathroom with no way to get out, and it’s unlikely anyone’s coming for them. Hunger, fear and their own dysfunction soon lead to tension, terror and their own personal ride to Hell.

Okay, first off, the bathroom in the movie is both bigger and tackier than the one I had in my head. Seriously, there’s plenty of space, but has that bathroom not been remodeled since the 1970s?

Enough silliness. Onto the actual review.

The film was made during the height of the pandemic and O’Grady said that the movie and current events sort of mirrored and mimicked each other. And you can see it in the film: all four of the main cast are trapped inside a small space due to events in the outside world and can’t leave. They grate on each other rather quickly and events make things worse and worse. Add in some crazy, ambiguous happenings to heighten the atmosphere and the situation further deteriorating, and it makes for a great analogue to the pandemic.

Not only that, but the ambiguity in the novel is translated very well into the film. It’s more heavily implied that what’s happening outside the bathroom (which we never see) might actually be real rather than a side effect of cabin fever or anything. But it’s still quite mysterious and leaves you with just as many questions as the novel did.

Finally, the cast does a great job as their characters. As Melissa, Sierra McCormick is brimming with hurt and pathos, while Vinessa Shaw (Allison in Hocus Pocus, if you can believe it) does a great job as the mother tired of living a friction-filled marriage. And while Pat Healy’s take on dad Robert is written the tiniest bit more sympathetic than in the book, he still comes across as a mega asshole you love to hate.

Oh, and guess what? Ozzy Osbourne is apparently in the film. I’ll let you guess which character he is.

On the downside, the flashbacks with Melissa and her girlfriend Amy do feel kind of lacking without a lot of the context the novel gave them. While the score reminds me of the best of Colin Stetson’s work, it does have a few moments where it doesn’t work too well with what’s occurring in the movie. And in certain moments, the snake does look laughably fake.

But all in all, this is a great translation of the novel to the screen. On a scale of 1 to 5, I give We Need to Do Something a 4.5 out of 5. If you can’t make it to a theater playing it, you can find it on YouTube, Apple TV and Amazon, among other sites, so go give it a watch. You’ll be reminded that, as bad as your pandemic experience with your family has been these 19 months, at least you weren’t trapped like these guys!

That’s all for now, my Followers of Fear. Tomorrow I get to work on new stories, but right now, I’m going to hit the proverbial hay. Until next time, good night and pleasant nightmares!

September has gone by so fast, but I’m having a lot of trouble believing that it’s only been a month since The Pure World Comes has been released. That’s right, an entire month! And man, it’s been doing well. Not only that, but there have been other updates on my projects and upcoming publications. Let me tell you about it.

The Pure World Comes

The cover for “The Pure World Comes” on the Readict app.

So, if you’re new here, The Pure World Comes was a novel I wrote last year and which was published, as I mentioned at the beginning, exactly a month ago on the Readict literature app. The novel was a love letter to the Victorian era and to Gothic literature from that era, which I’ve been obsessed with for quite some time now. Here’s the summary:

Shirley Dobbins wants nothing more than to live a quiet life and become a head housekeeper at a prestigious house. So when she is invited to come work for the mysterious baronet Sir Joseph Hunting at his estate, she thinks it is the chance of a lifetime. However, from the moment she arrives things are not what they seem. As she becomes wrapped up in more of the baronet’s radical science, she realizes something dark and otherworldly is loose within the estate. And if left unchecked, it’ll claim the lives of all she holds dear.

The app records how many people have been reading the novel and aggregating their ratings of the chapters, as well as the novel in general. When I was writing this post, 728 were reading or have read the novel and rated it a 4.7 out of 5 stars! I don’t think any of my published works have ever scored so high before.

But the best feedback was from my sister. She actually doesn’t read much of my work, as she’s both got a busy life and is not a big fan of horror (I can’t even remember if she’s read Rose). But because it was on her phone, she was able to read it more easily than other books, and she tried to read at least a chapter every night. As of last night, she actually finished it and said she loved it. She especially loved the characters and the mystery hanging around the story.

Considering she doesn’t have much time to read, let alone read all my work, I’m happy to hear that.

And if this is how the first month is going, I can’t wait to see how the next year goes. In fact, I hope to get an ebook and paperback out some time next year. I’ll start working to that end after the new year. I look forward to hearing what people say when they can own a physical copy.

In the meantime, you can find it on the Readict app. It’s free with ads, so why not check it out before Halloween? I’d love to hear what you say.

The Jewish Book of Horror

As you may remember, I submitted a story to The Jewish Book of Horror, an anthology all about what scares my people (besides cholesterol and allergies, of course). I’m happy to say that The Jewish Book of Horror will be released this Hanukkah (so December-ish) and will feature my story, “The Divorce from God.”

And the cover is already being circulated around the internet. You can see it on the left, and isn’t it terrifying/sexy? I love it! I’m so honored to have a story in there. I can’t wait for people to read it and the other stories in the anthology and to let me know what they think.

Anyway, it’s only a couple of months till Hanukkah, so I’ll be sure to let you know when the book is available for preorder and purchase. I hope you’ll support it. As I’ve mentioned before, I think it would be cool to have more Jewish portrayals in fiction, especially from Jews. And the Denver Horror Collective, which is putting out the anthology, has hinted that if it does well, they may pursue doing a sequel anthology. I would love to see that (and maybe submit to them again).

Other Stories

I mentioned in a recent post that I had settled on a new novel to write and was working on an outline. The outline for that novel, Crawler, is finished and I should be ready to work on it after my vacation (more on that later). I’m not sure if the novel will be any good, but I think it’s going to be at least fun to write. I’ll let you know how it goes.

Also, the next part of “Blood and Paper Skin” will be published in Issue 9 of The Dark Sire, which should be out at the tail end of October. I’ll post links when they’re available.

And I’m shopping around several more stories, looking for homes for them. I’m even waiting to hear back from publishers regarding a novel and a collection of short stories. Hopefully I’ll be able to give you some great news very soon. I’m trying to get a few more stories accepted for publication before the end of the year, so I won’t let up on writing and editing and submitting.

And I have more stuff I can’t wait to tell you about. I’m just waiting for the right time to tell you.

In the meantime, I’m hoping you’ll check out some of my work that’s available, including The Pure World Comes. Except for that novel, all my stories are sold wherever great stories are sold. I look forward to hearing what you think.


That’s all for now, my Followers of Fear. I’m off to enjoy the weekend and relax after a rough week. I’ll be starting with a Phantom of the Opera movie starring Robert Englund. Yeah, that apparently exists. And it’s apparently really bad. Still, it sounds like something you gotta see to believe. I can’t wait!

Until next time, my Followers of Fear, good night and pleasant nightmares.

So, for the past several days, I’ve been working on the outline for Crawler, the mummy novel I’ll write after my upcoming vacation. And it’s coming along very well. I think I could be done with the outline by the middle of the week. That being said, more fun than writing this outline (and believe me, it is fun), is the characters themselves.

Some of my favorite Stephen King novels are those that have, along with a kick-ass premise, a really memorable cast of characters. IT has the Losers Club, as well as bullies, a mother with Munchausen’s by proxy, a budding serial killer teen, plenty more nasty parents and a few horrible lovers, and so many more. Salem’s Lot has Ben Mears, his girlfriend Susan, the professor, the priest, the teen boy with a fondness for horror, the real estate agent, Susan’s controlling mother, Susan’s asshole ex-boyfriend that her mother loves for some reason, the teen mom who takes her rage out on her baby, her lousy husband, the woman having an affair, her husband and her lover, the hunchbacked man and so many more. Not to mention the vampire Barlow and his familiar Richard Straker.

And I could write a whole blog post about the characters of Needful Things, one of my favorite King novels ever. There’s Leland Gaunt himself, as well as Sheriff Pangborn, his girlfriend Polly Chalmers, the town drunk, the crazy first selectman, the preteen boy obsessed with baseball and his speech therapy teacher, his mom and her best friend who think they’re having affairs with Elvis, Ace Merrill, Polly’s housekeeper Nettie, local angry bitch Wilma Jerzyck (what else would you call her?), the various members of the Catholic and Baptist churches who hate each other’s guts, etc. They’re all part of the fun that make this and the previous two novels, which wouldn’t be as impactful without them.

And I’m willing to bet that for King, a lot of the fun he had writing those novels probably came from these characters. Maybe even moreso than the stories themselves, let alone the horrors within.

By the by, I’m pretty sure Salem’s Lot will be especially influential on Crawler. I’ll have to work hard not to let that influence make the novel read like a King ripoff or pastiche.

Anyway, as you can probably guess, I’m having a ball with this outline, and a lot of the fun comes from the characters. Remember my blog post about wanting to include Jewish characters? Well, I made my leads Jewish. And while I didn’t need to, it actually adds an interesting dimension to the struggle of the novel. After all, they’re facing an Egyptian-style mummy. Play the Prince of Egypt soundtrack! Plus, they each have aspects to them that people will like or identify with.

It’ll probably help that I modeled their appearances after Rei Hino/Sailor Mars from Sailor Moon and Dean Winchester from Supernatural (if there’s a movie version someday, can we get Jensen Ackles as the male lead?).

I would love to have a novel with a cast compared favorably to either of these novels.

I’ve also been able to add a bunch of characters that I think will be fun to write. For instance, there’s my antagonist, whom I think people are going to find terrifying and yet relatable. There’s also a troublesome mother who thinks she’s entitled to things when she’s not; a police dispatcher with a very big secret; a drug dealer; a preteen with a heart of gold who ends up caught up in the meshuggas around town; a true crime blogger who’s kind of awful; and more. They’re going to be great to write.

Of course, there’s a good chance I could screw it up by not writing them well enough before they reach their final fates, whatever that might be. Still, I gotta try. And I’m sure if I focus on making these characters memorable and somewhat likable while also making sure they play the parts needed for the novel…maybe the cast will turn out as well as the casts of the above novels. Or close enough to it. Balancing acts in writing like this are often a matter of practice, trial and error.

Anyway, that’s where I’m at right now. I look forward to giving you further updates on this novel and the other projects I’ll be working on in the near future. Until next time, my Followers of Fear, good night, pleasant nightmares, and it’s 42 days till Halloween. Have you decided on your costume yet? I have. It’s going to be a killer.

Okay, I’m not ready to start work on a new novel. I’m ready to start researching and outlining a novel. As well as working on some new short stories, novelettes and novellas now that I’ve finished editing a bunch of stories. But that’s not going to make a catchy title, will it?

Anyway, I’ve been itching to write another novel for a while now. But I had three novels I was either editing or trying to find a publisher for, so I held off. But The Pure World Comes is published (and hopefully will be in paperback and ebook next year), River of Wrath is being shopped around (I hope to have news on that someday soon), and Toyland will likely get another draft in the near future. So, I think I can do another novel now.

And I know what novel I’m going to work on. But first, let me tell you a short story:

Back in 2017, my sister took me to see a movie for my birthday. Which movie, you might ask? Why, it was the latest Mummy reboot! The one Universal desperately hoped would launch their own horror-themed cinematic universe after 2014’s Dracula Untold was, while a moderate success, not as big as they wanted. Ironically, The Mummy ended up being terrible and failing at the box office, killing the Dark Universe franchise before it could get off the ground.

While I appreciated my sister going to the movies with me, I couldn’t help but think of ways that the film could have been better. And eventually, all that thinking led to this idea of a story. A novel. One that I thought would be a lot of fun to write.

This is the novel I’m going to write. A mummy story I’m going to call Crawler. And that’s all I’m going to say about the story now. But let me just say, after growing and mutating in my brain for four years, it’s looking to be one hell of a scary story.

I probably won’t start writing it until after my vacation (more on that in another post). However, I will be working on an outline, and I already bought the one reference book I’ll need for research (the rest I can probably get from a Google search). And prior to my vacation, I’ll be working on some shorter stuff that I’ve been dying to work on lately. Hopefully one or two of them will not only be scary, but worth reading.

Who doesn’t love a mummy story?

But yeah, this is happening. And I really hope I can eventually share it with you. I’ll let you know how it goes. And in the meantime, if you’re looking for something to read for the Halloween season, or if you’d like to support me, I’ll include links to my published works below. There’s plenty of scary stories there, so check them out. And if you read them, let me know what you think. Your reviews can help not just me, but all sorts of readers.

Now if you need me, I’m going to start work on an outline and character sheet before I go to bed. Until next time, good night and pleasant nightmares!

The Pure World Comes: Readict app (free with ads)

The Dark Sire Issue 8: Amazon

Into the Deep: Paperback, Ebook

The Quiet Game: Amazon, Barnes & Noble, iBooksSmashwords, and Kobo.

Rose: Amazon US, Amazon UK, Amazon Canada, Audible

Snake: Amazon US, Amazon UK, Amazon Canada, Barnes & Noble, iBooksSmashwords, and Kobo

Agoraphobia: Amazon US, Amazon UK, Amazon Canada

Mother of the King: Amazon US, Amazon UK, Amazon Canada

I can’t believe it’s been nearly a year since I did one of these! No kidding, the last one was December 4th, 2020. What a gap. Thanks to my friend and fellow writer Iseult Murphy for reminding me this is a thing and to do it again.

So, if you’re unfamiliar with #FirstLineFriday, this was a meme I used to do quite often as a way to get people’s opinions of opening lines for stories (opening lines can be the hardest part of writing fiction sometimes). Here are the rules I usually went with:

  1. Create a post on your blog called #FirstLineFriday, hashtag and all.
  2. Explain the rules like I’m doing now.
  3. Post the first line or two of a potential story, a story-in-progress, or a completed/published story.
  4. Ask your readers for feedback and try to get them to try #FirstLineFriday themselves on their blogs. Tagging is encouraged but not necessary.

This time, however, I’m doing it with a twist. I’ve been lucky enough to have a bunch of publications recently, including two novelettes and a novel. So, I’m going to give you the first three openings of each of these works! Triple Publication Edition! Woo-hoo!

First, we have “Cressida,” my mermaid horror story, which was released in Into the Deep, from Jazz House Publications. I’m really proud of this story and think it’s some of my best work. And my dad, who just read it recently, agrees. Enjoy:

Mark Honig drove the rental car towards his uncle’s beach home. On the driver’s side was a great cliff face dappled with green moss, while on the other side the ocean lapped against the cliff face dappled with barnacles and mollusks.

“Cressida,” Into the Deep, July 2021.

It’s a quiet opening, but at least it paints an image in your head. Enough to make you keep reading and get to the good stuff, I hope.

Our next story is “Blood and Paper Skin,” which is being serialized in Issues 8-10 of The Dark Sire. The story is about a bunch of teens that end up trapped in a jail-like room in someone’s basement for a dark purpose. I’m looking forward to how people react to the conclusion. For now, though, here’s the opening:

Grey held onto the side of Mark’s Chevy Tahoe for dear life, cursing his supposed best friend for making him endure the chilly winds whipping around the car. How the hell did I end up in this situation? he wondered for the millionth time.

“Blood and Paper Skin,” The Dark Sire Issue 8, July 31, 2021.

A guy hanging onto the side of a car. What a way to open a story. I had fun with that. And guess what? It was inspired by something I saw last year on my birthday.

And last but definitely not least, the opening of my novel The Pure World Comes. This was published on the Readict app, run by VitaleTek Inc. The novel follows a maid in Victorian England who goes to work for a mad scientist. It’s my love letter to Victorian England and to Gothic literature.

A stream of shit and piss fell from the second floor of the Avondale house to the street below, where it mixed with the piss, shit and mud that already littered the avenue. From the second-floor window of Mr. Avondale’s dressing room, Shirley Dobbins put down the chamber pot belonging to Mr. and Mrs. Avondale and picked up the one belonging to their daughter, Miss Lucinda.

The Pure World Comes Ch. 1, August 2021

How many novels start with piss and shit? I don’t know, but this one does! And it sums up Victorian living in many ways.

But what do you think of these openings? Did anything catch your eyes and make you want to read more? Let me know in the comments below. And if you want to read the rest of the stories, I’ll leave the links for them below.

And as for who should do this next, I’m going to tag Priscilla Bettis, Allen Huntsman, and Brian B Baker. You don’t have to, but it would tickle me if you did. And I hope you’ll tag back here if you do the challenge.

That’s all for now, my Followers of Fear. It’s past midnight, so I’ll see all your comments in the morning. Until next time (which should be soon, believe it or not), pleasant nightmares!

The Pure World Comes: Readict app (free with ads)

The Dark Sire Issue 8: Amazon

Into the Deep: Paperback, Ebook