Posts Tagged ‘novel’

Lately I’ve been working on a new story that’s likely going to be a novelette or novella. It’s about ten-thousand words long at the time I’m writing this, and it’s unusual subject matter for me because it’s human-based horror.

I’ve written before on the differences between supernatural and human-based horror stories, and how authors tend to gravitate to one or the other with the stories they write. Personally, I tend to gravitate towards stories with supernatural threats in both what I read and what I write, But occasionally I do like a human-based horror story. In fact, the scariest novel I’ve ever read was human-based horror (The Girl Next Door by Jack Ketchum, and that novel still leaves me shaking!), and back in college I wrote a human-based horror/thriller novel called Snake that I had a lot of fun writing.

But this is my first time really delving into human-based horror since Snake, and I’m realizing a few things about it that separates it from supernatural horror. Specifically, the mechanics of such stories. Let me try to explain it: in my mind, supernatural horror stories work something like driving into a dark tunnel that you find out has some dangerous structural issues. Now prior to entering the tunnel, you’ve heard of structural issues, but you’ve been told to treat them like Santa Claus or the Tooth Fairy, as in they’re not real and you don’t have to worry about them. Because of that, you may only half-believe in structural issues at most. Until you start driving into the tunnel, and you come to the realization that not only do structural issues exist, but they can kill you if you’re not careful navigating them.

This is how a lot of supernatural horror stories work: people go into a situation pretty sure that nothing beyond the natural realm can hurt them, only to realize there’s a dark, second world all around them that until now they didn’t believe in, and if they’re not careful, it’s going to kill them.

Human-based horror, on the other hand, works more like a downward spiral. At the very top of the spiral, things don’t necessarily start so bad. There’s probably a hint of evil, but nothing to really alarm you yet. But as you get further down the spiral, things start to get darker. Someone starts showing violent or cruel impulses. Someone else may end up grievously injured or even dead. As time goes on, the injuries or deaths may get more gruesome, or be explored in more detail. The person or persons causing the horror may get nastier, bolder, and crueler. This will only continue to escalate as the characters (and the reader) get down the spiral, and things come to its inevitable head.

We need only look at one of the most famous volumes of human-based horror, Misery by Stephen King, to see this in action. At the beginning, Annie Wilkes is only hinted at being the monster she is. But as time goes on, she starts torturing Paul Sheldon to do as she wants. First it’s small stuff: making him drink soapy water or withholding food and medication. But then Annie gets worse, hitting his legs when he complains about the typewriter, cutting off his foot when he leaves the room, and then cutting off a thumb when he complains about the typewriter breaking down. All leading to that fateful night, after Annie kills a State Trooper, where she and Paul have the battle of (and over) their lives.

I’ll let you know how the story goes as I continue writing it, shall I?

This is the mechanic that I’m keeping in mind as I write this new story. And so far, I’m finding it works. This is quickly becoming one of the most disturbing stories I’ve ever tried writing. Hell, I felt a little uncomfortable while writing one particular scene, so I can only imagine what it’ll do to my readers if I get the story published. And I’m learning quite a bit from writing it too. I’m looking forward to how this story develops as I continue writing it.

I’ll let you guys know how it turns out when it’s finished, shall I?

What tips or insights do you have for writing human-based horror?

 

There’s a certain era of British history that writers write about maybe more than the medieval era. This era witnessed unprecedented growth and change for the British empire, as well as many of the greatest contributions to literature in the past three hundred years. Not to mention a whole lot of material for bodice rippers and horror stories.

I’m talking about the Victorian era. Named, rather obviously, after Queen Victoria, who sat on the British throne from June 1837 until January 1901. This has long been an era of interest to authors of a number of different genres, as well as among the general populace. Every year, hundreds of works of fiction come out set in that era: novels and short stories, movies, TV shows, comic books. We also have at least a couple of new books on any given topic of the era, and there are Victorian enthusiasts all over the world who research that age like crazy and even like to dress up as Victorians.

But what is it about the Victorian era that entrances people? Why do so many authors visit this age to write?* Well, I have a few guesses as to why that is:

  • The romance and glitz of the era. I think this is our first association with the Victorian age. I don’t know where or when this association popped up, but it’s the main reason. More than any other reason, there’s a romanticism to that age. Perhaps it might have something to do with the number of famous novels that came out during that era. A number of them have romance as an important plot or subplot. And as many of these books have endured the test of time, they’ve colored our associations of that age.
    Which brings me to the next point:

  • The literature. While I’m not the biggest fan of the Victorians’ writing style (racism aside, if he weren’t a halfway decent writer, I’d give up on Lovecraft for taking too much after them), it’s undeniable that many of the authors from that age left quite a mark on our modern literature. We still read Charles Dickens in classrooms across the world, and there are countless adaptations of A Christmas Carol out there. The Bronte sisters have all created works that have been held up as timeless romances for generations of readers. And as my good friend Angela Misri will tell you, no character has become more synonymous with the word “detective” than Sherlock Holmes. Truly the literature of the age has had an effect on our view of it.
  • An era of widespread change. Victorian Britain went through an amazing number of changes during Victoria’s reign. The most obvious, of course, was this was the age of the Industrial Revolution. Factories and manufacturing became the hub of the economy, and millions moved to the cities to find work. This change also contributed to a number of new work practices, as well as contributing to the overcrowding of cities and the widening gap between the rich and the poor that we still see today. This was also when Britain spread its empire across the world and into new territories, including parts of Africa and the Indian subcontinent.
    But there were other changes. For example, who was allowed to vote was widened, women gained many more rights, and education became available to the lower classes. And that’s just scratching the surface of the number of changes that occurred while Victoria was on the throne.

And of course, Jack the Ripper’s the perfect embodiment of the age’s dark side.

  • Victorian Britain had a dark and dirty underbelly. While most of us associate the era with glitz and romance, there’s a darker side to Queen Victoria’s age. Poverty was widespread, and many people struggled to make ends meet. Women often had to turn to prostitution just to get a bite to eat or a place to sleep for the night. Many turned to alcohol or opium to numb their troubles. This was the background that allowed Jack the Ripper to hunt down those prostitutes.
    On top of that, medicine, cosmetics, and foods were more likely to kill out of you than help you. Opium or arsenic in your gout cure, lead in your foundation, poor refrigeration and rat droppings in your meat. Hell, your clothes could choke you to death and the dyes could stain your skin for months. People bathed only once a week, and the rest of the time they used heavy perfumes to mask the smell. And if you lived in London, you could expect mud and shit to line the roads rather than bricks!
    And God help you if you had a mental illness. Or a woman who wanted anything more than being a dutiful wife and mother. You could get locked up and have cold water dumped on your head from great heights while doctors came up with all sorts of crazy reasons for why you were mad. Common reasons include not being religious enough, having faulty menstruation, or masturbating.
    Yeah, you laugh, but imagine having to live through it. Pretty nasty, right? It was even worse if you were Irish. The Irish potato famine was going on around this time, and let me tell you, the folks in Parliament could’ve done a lot more to help out with that.
  • It lends itself to many genres. This is probably the biggest reason of all: it’s adaptable to many stories. Historical fiction, obviously, but you’ll find the Victorians appearing in many different kinds of stories. Romances are often set in that world, but also science fiction (steampunk especially), horror stories (Gothic and ghost stories especially, and some cosmic horror too), fantasies (especially ones with fairies or little girls falling down rabbit holes) and of course, mysteries and thrillers.

All these and more are why the Victorians enjoy such staying power in our media. It’s a perfect storm of factors for making a time period not only endure in literature, but give it a special cast that makes it interesting to the writer and average person alike.

I actually first fell in love with the Victorians while in college. I read a manga set in Victorian England, and while it was heavy on the romance and glitz, it got me interested. I’ve kept reading since then, and found out quite a bit more. And seeing as during my research, I’ve come up with more than a few ideas for stories, all that research will definitely come in handy.

If you would like to dive into the Victorian world and learn a bit about it, here are my recommendations:

If you want a good intro to Victorian England, this might be a good gateway drug for it.

  • Emma by Kaoru Mori. In no way related to the novel by Jane Austen, this historical romance manga was my first real introduction to the Victorian period. Beautiful art and a simple yet engaging story.
  • Victorian Britain from The Great Courses. Narrated by Professor Allitt of Emory University, this series of lectures is a great overview of the period for the average visitor.
  • The Complete Jack the Ripper by Donald Rumbelow. You want to know the most about the most notorious serial killer in history and cut through all the rumor and bullshit? This is the book for you.
  • How to Be a Victorian by Ruth Goodman. You want to know what the average life of a Victorian was like? From rich to poor, this is the book for you.
  • Victoria: A Life by A.N. Wilson. A friend from college sent this to me as a birthday present. It’s a rather eye-opening look at Queen Victoria’s life and reign.
  • Unmentionable by Therese O’Neill. Want to know all about Victorian bathroom habits, and the stuff they don’t talk about in the bodice rippers or polite society? You will laugh yourself silly with this one. Trust me, I just finished it yesterday, I would know.

Well, I’ve about talked your ear off on this age. But can you see why? It’s a fascinating era, and it’s one that’s going to continue to show up in fiction for years to come (especially if I can write a good story or two in it). And it’s amazing how just one woman’s reign, the first in centuries in her country that nearly never happened (seriously, read how she became heir to the throne. It’s insane!), has endured as much as it had. Whether romantic and shiny or dark and seedy, there’s a story in this era just for you.

Do you enjoy or write about Victorian England? Why? Why do you think it’s so popular?

What media do you recommend for anyone wanting to learn about the era?

*I’m not suggesting, by the by, that this age is visited more than any other. One needs only look at the breadth of literature to see that storytellers are drawing from all of known history and even from dark prehistory to tell stories. I just chose Victoria’s reign because that one has special importance to me, as you can tell.

You know, sometimes you come across movies in the weirdest ways. Sometimes they’re just on while flipping channels, or someone makes a reference to it and you want to know the interest. I heard about Down a Dark Hall because I heard AnnaSophia Robb (aka the kid from Because of Winn-Dixie) was in it. I remember she used to slay in anything I saw her in (especially The Reaping, another horror film she was in), and the fact that this was a horror film got me interested. I asked my local library to order it, they said yes, and I picked it up this weekend, not sure what I was going to get but looking forward to finding out.

This turned out to be a decent example of modern Gothic horror.

Based on the Gothic YA novel by Lois Duncan, Down a Dark Hall follows Kit, a troubled teenager whose mother sends her to an elite academy with the hopes of straightening her out. There with only four other similarly-troubled girls, Kit finds that the school’s very unique and focused program starts to have results. Weird results. Results that devolve into obsession, addiction, neurosis and trauma. On top of that, Kit has been seeing things in the hallways and in the dark. Faces, people, movement. All this collides to lead Kit to a terrifying realization about the school, and what its staff is doing to the students.

For starters, the actors in this film all do a very good job in their roles. AnnaSophia Robb as Kit slays again, inhabiting this very angry girl who slowly finds herself actually liking the school and then distrusting it as things get weird like a second skin or as if she’s done this a hundred times before. The same goes for Victoria Moroles as Veronica, who hides her own tragedies in a badass attitude. And Uma Thurman does a great job as the aristocratic and charismatic Madame Duret.

The film’s story is also very compelling. It checks all four of the boxes I mention in my article on Gothic fiction, all in a very pretty set, and you definitely find yourself caught up in the mystery of the story. Some of the most disturbing moments of the film are when you see these girls falling under the spell of the school, becoming obsessed with math or music or painting or whatever and how badly it affects them. And the special effects aren’t half bad either, more subtle than garish or distracting.

However, the film isn’t without its issues. I never felt very scared, and there wasn’t much of an atmosphere or sense of threat. Outside of the moments of obsession, that is. In addition, a few things in the film felt a little extraneous. There was a certain bald-headed and scarred ghost that really didn’t serve any purpose beyond a few extra scares, and the romantic tension between Kit and her music teacher was inserted, but nothing was really done with it. Seriously, the question of how to portray those relationships in fiction aside, either use it or cut it out and just show them as close student and teacher!

Finally, I also thought that the ending was wrapped up in too sweet a bow and maybe a few minutes too long. In some ways, it felt a little too hopeful compared to the rest of the film, which jars the viewer and takes away from the experience.

Still, Down a Dark Hall was a good Gothic horror film. On a scale of 1 to 5, I’m giving it a 3.8. It’s no Kill Creek (which I highly recommend by the way, check out my review as to why), but if you turn off the lights in your living room and put this on the Blu-Ray player, you probably won’t regret it. Check it out and see for yourself.

I was nominated by my friend and fellow writer Kat Impossible from the blog Life and Other Disasters. She rarely nominates me directly for these things because she knows I don’t always have the time for them and because they don’t always apply to me, so when she can nominate me for one, I do try to do it. And the Rising Author Tag, to boot! It means so much that she thinks so highly of me, especially since she’s not a fan of horror and that’s mainly what I write. Danke, Kat! I really appreciate it.

Okay, on to the tag rules:

  • Thank the person who tagged you.
  • Answer the questions they came up with.
  • Nominate four people to do the tag (no tagging the person who tagged you originally).
  • Come up with 10 new questions for the people you nominated.

I’ve already thanked Kat for this, so I’m good on that front. Here are the questions she has charged me with answering.

What is your current WIP about and what is its status (plotting, writing, editing, etc.)?

Well, I’ve got a few stories that are in various stages of writing and editing. However, I think I’ll talk about Rose, as it’s probably the one I need to talk about the most! So if you haven’t heard, Rose is a novel I originally wrote in my senior year of college as my thesis. Last year I began the long process of editing and shopping it around, and Castrum Press, based in Belfast, North Ireland, accepted it for publication earlier this year. At this time, they’re looking it over to see how much more work needs to be done before we can talk publication dates.

As for what it’s about, Rose follows a young woman who turns into a plant creature (yeah, you read that right). She beomes that way when a young man claiming to be her boyfriend performs magic to save her life after she suffers a terrible accident. However, she starts to suspect that not all is as it seems, and as she looks deeper into her savior, she finds things out that will put them both on an unavoidable path of destruction.

Do you plot things out and/or outline, or do you just figure it out as you write?

With very few exceptions, I plot and outline my stories out before writing them. I find that trying to write by the seat of my pants leads to long pauses where I try to figure out what happens next and come up with nothing. When I plot/outline, I have an idea of where I’m going, which allows me to imagine out the story before I sit down to write it.

There are a few stories where I don’t need to outline, but the plot’s usually fully-formed in my head with those stories, so I don’t think it really counts.

What are some book ideas you want to write in the future?

I keep a list of story ideas I’d like to write in the future, so I don’t forget any good ones. I doubt I’ll get to write them all given how many there are (not to mention short story ideas), but I’d like to write stuff that people will remember for years to come. In the meantime, I’ve had some thoughts about what I’ll write after Rose and River of Wrath (the other novel I wrote) are out/in the process of being published. There’s one about a school haunting that appeals, as well as one partially inspired by the Salem Witch Trials, and a few more.

We’ll just have to see what feels right when the time comes, shall we?

Out of the characters you’ve written so far, which one’s your favorite?

I’m not sure I have a favorite. After all, these characters are like my own children. I can’t pick a favorite among my kids! Even if some of them are dangerous killers or demons or whatnot.

What’s your writing routine, if any? (location, time of day, snacks, music, etc.)

I usually write on my couch or at my desk with some sort of music playing in my earbuds. What sort of music changes pretty frequently. These days, it’s mostly the albums from various musicals. Not sure why, they just appeal right now. I also mainly write in the evenings, just because that’s when it’s easiest for me to write: no work, no dinner to prepare, no emails to answer. Obviously, if I’m able to write full-time one day, that’ll change, but at the moment it works for me.

Oh, one more thing: I always make a goal to write at least a thousand words when I sit down to work on a story, up from two hundred and fifty earlier this year. After that, it’s pretty easy to keep going, but it can be a challenge to get to a thousand some days. Still, I manage to do it, and it helps my output in the long run. Maybe someday I’ll be able to make a minimum of twenty-five hundred words a day (Stephen King’s minimum threshold, or so I hear). Fingers crossed that someday I can make all that and more happen.

Show your WIP’s aesthetic in images and/or words.

Kat did one with images that’s supposed to get to the basics of what she’s written, so I tried to do something similar. Once the book’s out, most of these images will make a lot more sense.

Who or what motivates you to write?

I think I would write even if it weren’t for anyone other than myself. I have so many stories floating in my head that I need to exorcise them through writing so they can get out of there. But at the same time, I write because so many people want to read my stories and I want them to read them, so I keep trying to get those stories out there and build my audience. With any luck, I’ll be able to get a lot of people interested in my stories and they’ll come back to them time and time again.

What do you find the easiest and hardest parts of writing?

The easiest is coming up with the ideas for my stories. There are so many ways to scare someone, they just pop into my head and become stories. Sometimes I have several ideas in a single day just going through my daily routine. The hardest, however, is staying on task. My ADHD sometimes makes it difficult to concentrate on getting my daily thousand-plus words out. Once I reach a thousand, that’s usually not a problem, but until I do, it can be difficult to stay focused.

Share a tiny snippet/excerpt from your WIP, if you’re comfortable.

Since Rose is still under renovations, so to speak, I’ll hold off for now. When the book’s a bit closer to publication, then I’ll give you all some excerpts.

 

And now for my questions for those I tag:

  1. Tell us about what you’re working on or recently released.
  2. Where in the process of writing are you?
  3. What is the most difficult part of writing the story at this point?
  4. What about your main character do you like the most?
  5. What is your writing process/routine, if you have one?
  6. Do you pants your way through a story, or do you plot it out?
  7. What are your characters’ musical interests?
  8. What’s next for you in terms of writing?
  9. If you could pick a narrator for your story’s audio book, who would you pick?
  10. Share an excerpt or snippet, if you’re comfortable.

And I tag my buddy Matthew Williams from Stories by Williams, Angela Misri from A Portia Adams Adventure, Ruth Ann Nordin, Joleene Naylor, and ANYONE ELSE WHO WANTS TO DO THIS TAG!

That’s all for now, I’ve got to get dinner on the table in a few minutes. Until next time, my Followers of Fear, pleasant nightmares!

It’s Thanksgiving Day here in the States, a day to be thankful for what we’re given (as well as gloss over some of the darker aspects of our nation’s early history). And as cliche and cringe-inducing as it is, I thought I’d take a moment to post about what I’m thankful for this year. Why? Eh, it just felt like something I ought to write about.

And with that established, what do I have to be thankful for? Well, plenty. 2018 has been a fucking good year for me. Yes, you read that right. 2018 has been a fucking good year for me. On a number of levels and in several areas of my life, it’s been good for me:

Writing. Obviously, things have been great on the writing front. Back in March, my novel Rose was accepted by Castrum Press for publication, which is a pretty big deal. Not only that, they pointed out the issues with the novel that gave me insight in how to fix it in rewrites. Right now Castrum’s probably looking over the manuscript, figuring out what else needs to be improved before we publish the book.

Not only that, but my short story “Car Chasers” was accepted for publication in the anthology The Binge-Watching Cure II from Claren Books, which will likely be out sometime in early 2019; I ended up writing another novel, River of Wrath, and I still get a kick out of all the craziness that came with writing it;* I’ve managed to increase the input so that I get a minimum of thousand words out rather than just a minimum two hundred and fifty; and I passed a thousand followers on my blog.

This is going very well for me lately.

Plus I’ve written a whole bunch of new stories and edited a few more over the course of the year. Hopefully some of them will get published someday. I’m really proud of them, an I would love for you to read some of them.

Work. My day job can be pretty demanding and stressful, but it’s very rewarding. In case you weren’t aware, I work for a supply organization in a sort-of HR position that involves helping employees with disabilities get accommodations so they can continue working, as well as helping to run programs that emphasize the different ethnic/specialty groups in the organization. A lot of people my age have trouble finding jobs, so I’m incredibly thankful that my work helps so many people and that I’m paid enough so I can keep afloat and put something away in savings. Hell, I got a really nice raise earlier this year, which has been really helpful for reasons I’ll get into.

And while I’m working there, I think I’ll continue to soar in the position. Last month, I led the effort to put on a program for National Disability Employment Awareness Month that was very well-received, and I’m being trained on a whole bunch of new tasks. Who knows? Perhaps I’ll soon earn the privilege to work from home once a week by this time next year, among other things.

Life. Ooh boy, life’s been good lately. My back issues have improved immensely this year, to the point that I don’t feel pain every day any more, and when I do it’s usually a dull ache. And of course, you may have heard that I recently got my driver’s license and my own car, which has been a Godsend in my life. Yeah, it’s another bill or two, but thankfully I can afford it. That, and a whole bunch of other things that I won’t get into (they’re a little too personal) have made my life frankly wonderful.

My car, the Unholy Roller. So glad to have a set of wheels of my own.

The people in my life. Including you. While I like living on my own and having my own space, I’m lucky to have a good group of people in my life. Friends to hang out with, family I can go to for advice and hugs, coworkers who help me out when I have a question and even make sure I get home okay when I get sick at work (that happened just the other day). And I’m thankful for all the people who follow me and my work and even read my stories when they’re published. Having so many people encouraging me every day and showing an interest in what I write is a big deal for me. So thank you, Followers of Fear. I’m thankful for you being part of my journey through life.

 

That’s all for now, My Followers of Fear. I’m sure I’ll have another post out before too long, but for now I’ve got to go get some cooking done for tonight. Whether or not you’re celebrating, Happy Thanksgiving my Followers of Fear, and pleasant nightmares.

*Not kidding, I never thought it’d be longer than twenty or thirty thousand words, but it ended up being sixty thousand! But the real crazy part is that I started that novel on October 29th, 2017 and finished it a year and a day later on October 30th, 2018. The novel takes place on October 30th and 31st, 1961. And I finished it at 3 AM, the Devil’s Hour, which is fitting as it’s a novel partially inspired by Dante’s Inferno. You can’t make this shit up!

Your protagonist is faced with a terrible choice. Whatever choice they make, they’ll be gaining one great thing but losing something else that’s equally important to them. Which one do they choose? Why can’t they have both? And is that even a possibility?

Sound familiar? This is actually a pretty common trope in a lot of fiction, the “Two Big Life Choices” trope. And I’ll admit, I’m not the biggest fan of it, at least in theory. I see its use, but as the title of this post indicates, the trope has its limits.

Let’s quickly go over it with a hypothetical example, shall we? You’ve got a character, a protagonist who has a big life choice set ahead of them and they have to make a choice soon. Let’s say it’s a young man who is given the chance to be the leader of a powerful mafia clan. His parents, friends and the clan itself want him to take over the clan, and saying no could lead to consequences for him, his parents, the clan and many innocents. On the other hand, he has a girlfriend and child that the former doesn’t know about just because of all that drama, and he wants to stay with them. Problem is, if he accepts the leadership position, he’ll have to leave his family forever to keep them safe. Which will he choose?

This is the Two Big Life Choices trope. And you’ll find it in many different places throughout fiction. Most recently, I found it in The Chilling Adventures of Sabrina on Netflix, and that inspired this post.

The Chilling Adventures of Sabrina has a great example of this trope in its first few episodes.

But as I said, this trope does have its limits. To be specific, while in able hands the trope does create for some strong tension and storytelling while the protagonist goes back and forth between their choices, it will eventually lead to a choice being made. Otherwise, the audience will lose interest with the constant hemming and hawing.

In our hypothetical example, the protagonist could choose to join the mafia clan, destroying his relationship with his girlfriend and child, as well as hardening/numbing all of them to everything that happens from here on out, but allowing one of the most powerful mafia clans in the story’s world to survive under a strong leader. On the other hand, he could give up the mafia clan and run away with his family, leading to his happiness but the dissolution of the clan or it being passed to a leader who will hunt him down for leaving the clan in the lurch, which means they’ll be on the run for the rest of their lives.

You can see where my problem with this trope comes from.

Sometimes though–not every time, but sometimes–there’s a third path to take. This is when the protagonist actually decides to defy convention and take both options or neither one, forging an entirely new road. In the case of our hypothetical story, the protagonist could demand that since all the other options for clan leadership suck, he’ll take the job but only if he’s allowed to marry his girlfriend and raise his child with her under the clan’s protection. This could lead to all sorts of interesting conflicts as the protagonist deals with the strains of trying to be a husband and a father while at the same time dealing with the demands and politics of leading a powerful mafia clan. And for many audience members, this could be the most wished-for option, even when it doesn’t seem all that likely.

Conversely, the protagonist could decide “screw it” on both options and just run in the exact opposite direction, but I’ve never seen that option employed and I have doubts about the quality of the story if it is used. Or the quality of the character.

The managa Nisekoi uses this trope very well, especially in the final arc.

Now, despite its limitations and while I’m not exactly a big fan of this trope in theory (which might limit how much I use it in my own fiction), I do admit that when done right in practice, it is amazing. One story that uses this trope extremely well is the manga Nisekoi, where the “Big Life Choice” is the protagonist trying to decide between two girls he has feelings for in the final chapters of the story. I freaking loved that manga, and looked forward to every single one of its twenty-five volumes. Another great example is the above-mentioned The Chilling Adventures of Sabrina, where this trope is a driving force through the first couple of episodes of the first season. And as we can see from the show’s critical reception, people (and this half-human demon lord) love the show and can’t wait for Season 2.

So yes, while this trope does have some limits, it can make for some fun storytelling. The thing to keep in mind while using it is, beyond an interesting set of choices for both character and audiences, keeping the drama and tension high while at the same time keeping it from being melodramatic, as well as figuring out how best to handle the drama that ensues once the choice has been made.

If you can do that, you might just have the makings of a very engaging story. One that can last quite a long time, and will have fans for years afterwards.

What are some good examples of the Two Big Life Choices trope?

Do you use the trope in your own work? What tips do you have for using it?

Reborn City, Book 1 of the Reborn City series.

I didn’t realize until the work day was almost over that it’s been exactly five years since Reborn City was published. And wow, does it feel like five years. So much time has passed in that time, and I’ve learned so much. Much of what I’ve learned has been thanks to writing and publishing RC, as well as its sequel Video Rage. I’m glad I remembered that today was that important day.

So in case you weren’t aware, Reborn City is a sci-fi novel I wrote in high school and which I published midway through college. It was my first self-published novel and my first published novel overall. It’s sequel, Video Rage, was released in 2016. Here’s what the series is about:

Zahara Bakur is a Muslim teenager recently moved into the gambling town of Reborn City. After her parents are killed by gang violence, Zahara is forced to join the Hydras, an interracial gang whose leaders have supernatural abilities. As the violence in Reborn City escalates and Zahara becomes closer to the Hydras, including the quiet but stern Rip, she finds herself drawn into a dark conspiracy involving the origins of the leaders and the shadowy corporation that rules over Reborn City.

When I wrote the first book, I wanted to write an action-filled series that explored both the idiocy of prejudice and the power of overcoming the negative thoughts people have of you and you have of yourself. And while it is told with the (arguably naive) viewpoint of an idealistic high schooler, I think I accomplished just that. People have told me they enjoy the story and couldn’t put the story down. Some even found it heartwarming.* To this day, it may be my most popular work (though I hope Rose might change that when it’s published).

But don’t take my word for it. Here’s what some of the people on Amazon have said:

It’s a neat exercise in trying to see through the eyes of someone different from oneself. It incorporated a lot of fly comic-book-esque tropes. A good beginning effort of an up an coming new author who has some cool ideas to explore.

–Amazon Customer

This is an extremely commendable effort by a new young writer, whom I believe we will see much more of in the years ahead. Rami Ungar’s vision of a frightening dystopian future is peppered with those elements that make us all human. There are quite a few surprises in the book, and I am anxious for the next volume in the series to be released.

–Marc M. Neiwirth

This is not a genre I typically delve into, but I took this book on vacation and couldn’t put it down. The plot had me turning pages at quite the clip. The characters were unique and interesting and the imagery had me creating my own visual of what Rami’s interpretation of the future looked like. For first time novelist, Rami Ungar, this was an outstanding showing of talent and commitment to his passion of writing. Looking forward to seeing what he comes up with next!

–Michele U

Video Rage, Book 2 of the Reborn City series.

While I do love tooting my own horn, I’ll stop here. If you would like to check out Reborn City and its sequel Video Rage, I’ll leave the links below for you. And if you do end up picking up either book and reading it, please leave me a review to let me know what you thought. Positive or negative, I love a review, and they help me out in the long run.

Oh, and as for Full Circle, the final book in the series, I do plan to get back to work on it at some point. However, I need to make sure the story is worthy of an ending chapter to the trilogy. The current version I was creating didn’t feel worthy after RC and VR of ending the story of Zahara and the Hydras. So until I can come up with a better story to finish the trilogy, I’ll be working on other stuff (they say distraction is one of the best cures to tackling a difficult problem).

Sorry if that upsets you. But hey, would you rather me bust something out and be terrible, or wait as long as a George RR Martin fan and get something worthy of your time? I know what I would answer.

Well, that’s all till this weekend, my Followers of Fear. Until next time, pleasant nightmares!

Reborn City: Available on Amazon, Createspace, Barnes & NobleiBooksSmashwords, and Kobo

Video Rage: Available from Amazon, Kindle, CreatespaceBarnes & Noble, iBooks, Smashwords, and Kobo

*I know, right? Something I wrote described as heartwarming. Who’d have thunk?

It’s a little after three in the morning (the Devil’s Hour, how fitting) and I just finished a writing marathon. I told myself I wouldn’t go to bed until this story was done. And lo and behold, I finished it. Thank God I don’t have work in the morning, or I’d be a zombie in the morning. What a way to finish off an already action-packed day (got my first car as well today. How exciting is that?).

So if you weren’t aware, for the past couple of months I’ve been working on a story, which I decided to call River of Wrath, I started some time ago while in-between drafts of Rose. The story is inspired by both Dante’s Inferno and by events of the American civil rights movement, and both influences are very easily seen. I had to stop when it came time to edit Rose again, but after the most recent draft of that I got back to work on River. And boy, did the story start coming along! Once I figured out where I was going with it, I sometimes got as much as three thousand or more words out a night. All leading up to tonight, where I put in the last three or four thousand words and called the story finished.

The crazy thing is, I never expected River to get beyond twenty thousand words. I totally expected it to be a novelette. And if it did somehow get beyond twenty-thousand words, I figured it’d maybe get as long as thirty thousand. Thirty-five thousand if things got really crazy. Imagine how surprised I was when it passed thirty-five thousand. And then forty thousand words. Around forty-six or forty-seven thousand, I realized that this was becoming something more. River was becoming a novel.

And now that it’s finished, guess how long the first draft is? In terms of pages (8.5″ x 11″, 12-point Times New Roman font, double-spaced), it’s a total of 192 pages. And in terms of word count, that’s also a whopper: 60,059 words. That’s about seventeen thousand words shorter than the first Harry Potter book, but still long. And definitely a novel by some publishers’ standards, and by mine. And a hell of a lot longer than I thought it was going to be.

And if that’s not crazy enough, get this: I started this story on October 29th, 2017. And I finished it in the early morning of October 30th, 2018. And the events of the story take place on October 30th and October 31st, Devil’s Night and Halloween. Now that is a crazy, unplanned coincidence. Totally did not intend for that to happen. It’s cool, as if it’s a kind of sign or something, but still, totally unplanned and weird.

So what’s next? Well, I’m going to crash into my bed and not wake up for a very long while. After that, I’ll have some beta readers look at the story and give me some feedback. And after that, depending on my schedule, I’ll give it a good edit. And after that…well, hopefully Castrum will take a look at it and maybe want to publish it. Fingers crossed, right?

But like I said, I’m going to bed. It’s late (or early, according to some), and I’m tired. I need some sleep. So I’ll head to bed now, and when I wake up, I’LL BEGIN MAKING THIS HALLOWEEN ONE TO REMEMBER, LEAVING NONE UNAFFECTED! MWA HA HA HA HA!!!

So good night, my Followers of Fear. And until next time (hopefully very soon), pleasant nightmares and Happy Halloween!

As it gets colder and the nights grow longer, you can count on two things: my dark powers get stronger, and Anne Rice releases a new novel. This year it’s Blood Communion, the latest chapter in the new additions to her Vampire Chronicles that started with Prince Lestat in 2014. I was first at my library to get a copy, and I couldn’t wait to dive in. And despite a busy October (three words: work is insane!), I’ve been steadily making my way through the book. And this evening, I managed to finish the story. As is my self-imposed duty, I will review it. Even if it does mean staying up later than I meant to.

What can I say? I’m a bear for work. At least the kind I do for fun.

Blood Communion follows Lestat as his Court is finally beginning to look like an actual royal court. However, at times he finds his own desires and morals standing opposed to what those in his council desire or believe. As the Brat Prince tries to reconcile what he believes with what he must do as Prince of the Vampires, new threats to the Court arise. Old and new enemies resurface, threatening all he loves. And if he wants any of it to survive, Lestat will have to make some very hard decisions. What he decides to do will determine not just what will happen to the Court, but to vampires everywhere.

I feel like this novel, more than many of the others in the Chronicles, would make a great arc for a future season of the upcoming Vampire Chronicles TV series.* The story feels oddly suited to an arc for a show based off these books and characters.

But as a novel, I liked it. Written with Rice’s usual focus on beauty, sensuality, spirituality, and emotion and with that detail to language that makes her style so unique, it’s not hard to get drawn in. And as the central conflict of the story becomes apparent, you really get caught up in Lestat’s battle not only for his friends and family, but for the very soul of the vampire community. At the same time, seeing Lestat trying to figure out what is the right path for him and his new Kingdom of the Night is compelling. It’s a conflict we haven’t seen this famous vampire have to go through yet (and he’s met the Devil), and I’m glad that Rice decided to explore this new facet of Lestat and the issues that arise from what he’s trying to do.

My one criticism is that I wish that some of the new characters introduced could’ve been given bigger roles and perhaps allowed to surprise us more. I know that there was only so much room and there had to be focus on the main conflict, but I felt that these new characters could’ve been a lot more interesting if they’d maybe shown up with different purposes and goals in mind.

All in all though, this was a satisfying addition to the Vampire Chronicles and I’m sure that if the show gets far enough, it’ll make for a great season of television. On a scale of 1 to 5, I’m giving Blood Communion by Anne Rice a solid 4. Pick it up, and drink in the majesty of the beginning of a new era of the Children of the Blood. I’m looking forward to seeing the next book in the series has Lestat and the Court doing.

Though if the next book Ms. Rice produces involves werewolves, angels, or mummies, I’ll also be excited to read that. What can I say? I’m flexible.

*Yeah, in case you missed it, Hulu’s developing a TV series based off Anne Rice’s books and starting with a pilot penned by her son and fellow writer Christopher Rice. As you can imagine, I can’t wait to see it. And is it too much to hope that Tom Mison or Christopher Eccleston can get roles on the show?

I just published my latest post on Self-Published Authors Helping Other Authors. And I’m sure I’m going to be stepping on a few toes by posting this one: Writing a Sex Scene. Yeah, I went and wrote this article. I can already feel gray hairs sprouting on the heads of people I know who either still think of me as a funny, if somewhat wild child, or who just didn’t think I could find a way to give them cause to worry.

But I felt it was necessary to write this post. As much as we try to ignore or laugh (or even disparage) at any mention of sex in our media, it’s become quite common to depict sex in our work. And that includes our literature. Surprisingly though, not a lot of time is devoted to actually showing people how to write those scenes. Not as much as could be, anyway. I’ve written a couple of scenes involving sex, so I thought it would be good to write an article with some tips on how to write those scenes. And surprisingly, this article is cleaner than you would expect.

If you’re at all curious, please take a moment to check out the article. And while you’re there, check out the other articles on the site. Self-Published Authors Helping Other Authors is a great site devoted to helping authors of all genres, backgrounds and experiences to write, edit, publish and market their work effectively and without spending a fortune on it either. I’m not just a contributor, I’m also someone who has been helped immensely by the site, so definitely check it out if you have the chance.

That’s all for now, my Followers of Fear. I’ve got plenty to do today, so I’ll check in another time. Until then, pleasant nightmares!