Posts Tagged ‘Twitter’

A Tribute to a Friend Who Passed Away

Posted: November 30, 2025 in Living and Life, Reflections
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A yahrtzeit candle. In my faith, they’re used to memorialize those who have passed on.

I lost a friend yesterday.

I first met MG Mason, known to his friends at Matt, on Twitter. He was running something called “Horror Writers Chat” there. On Wednesdays, horror authors would meet up on Matt’s account. Matt would then ask us a series of four or five questions over the course of an hour. These questions would be about horror, writing, our current WIPs, our favorite books or movies, and our thoughts on the craft. And at the end of it, we could post about our current publications and upcoming releases.

Obviously, it was a lot of fun, and I got quite into it. I even hosted it once. And when Twitter became a hellscape of toxic masculinity and far-right ideology, I moved over to BlueSky with Matt to continue with Horror Writers Chat. I wanted to continue enjoying Horror Writers Chat.

But more than that, I wanted to continue being part of this community. Through Horror Writers Chat, I was making so many new acquaintances and colleagues. So many new friends to talk about horror and writing with! Most of all, I was becoming friends with Matt, who I found a sort of mentor-like figure. Well, how could I not? He had basically created this community, and we were all thankful for it.

But he was more than just the Moses of our little community. He was demisexual and demiromantic, and openly talked about his struggles as someone who only feels attraction to people when he gets close to them. He also talked about his struggles with life and mental health, and about his home and living in England. As someone who is aromantic and also struggles with life and mental health on occasion, I could relate. And I enjoyed hearing about his life in England.

And of course, Matt was a horror writer. He found enjoyment and comfort in scary tales, as well as in writing them. So, obviously, we bonded over that.

The posts that let us know Matt had passed on.

Truly, Matt was a good man. He was friendly, easy to talk to, and willing to listen when you had a disagreement or misunderstanding with him. And as I said, he struggled with things, as do we all. But he had such a big heart.

He also read many of our books, including one or two of mine. When he listened to the audio book of The Pure World Comes, he honestly thought the narrator was Jenna Coleman, AKA Clara Oswald from Doctor Who! When I told Nikki Delgado, the actual narrator, that, she was flattered. And I was glad that he really enjoyed the book.

And, of course, I read his work. In fact, last month, I read his book Residents of the James Hotel, and I just bought one of his other works, The Small Bronze Carriage on the Mantelpiece, today. The former was really good, and I’m looking forward to reading the latter.

I’m talking about Matt today because he passed away this past week. A few months he revealed that he was battling cancer and that it looked to be terminal. We were all devastated to hear that, and we sent him our well-wishes, hoping he could get better. And while he didn’t respond to all of our messages, he did continue to interact online with us when he could. But yesterday, he passed away.

Honestly, I’m devastated. Matt became such a big part of many lives, and his creations, especially Horror Writers Chat, have had such an effect on people. In the past twenty-four hours, I’ve read so many posts from so many people who are mourning Matt. I’ve posted online too, but it doesn’t feel like enough. For the effect Matt has had on so many people, I feel so many more people should know his books and his story.

So, I’m writing this post. I wanted to let more people know about Matt, about his works and his effect on people. I’m hoping people will want to learn about him and his stories after reading it.

And so, if you’re looking to check out a great author, check out MG Mason’s work. I really enjoyed Residents of the James Hotel, and I’m sure to enjoy The Bronze Carriage on the Mantelpiece, but he has ten other stories available besides those. Plenty to choose from, if you ask me. I’ll include a link to Matt’s Amazon page below for those who are interested.

Thank you for reading this post. Losing author friends is never easy, but losing Matt hit me very hard, and I wanted to do something to memorialize him. And Matt, I hope wherever you are, you’re at peace. We’ll be keeping your memory alive through Horror Writers Chat and through reading your works. Thank you for everything you did for the horror writing community.

Matt’s Amazon Page

The Communities That Keep Me Going

Posted: March 30, 2025 in Living and Life, Reflections, Uncategorized
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Photo by Leah Newhouse on Pexels.com

You may have heard of BlueSky as an alternative to Twitter. What you may have not heard is that  there’s a weekly event on BlueSky for horror writers called “Horror Writers Chat.” It started on Twitter and then moved to BlueSky after Twitter became a hellscape. Every week, authors gather to discuss horror, writing and their work posed by Matt Mason and Eryn McConnell. We answer questions, and even get to share links to our works.

I’ve been doing it for quite some time, and it’s become one of the highlights of my week. In fact, some weeks, I really need it.

During the past couple of months, life has been extremely rough. Yeah, there have been reasons to smile, but there’s also been a ton of stuff that just wears down my soul. Work, for one thing, has been absolutely insane since January, to the point where I come home a lot of days very exhausted. And with all the time I need after work to get ready for the next day, as well as get some sleep, my writing time has been cut down drastically.

Which sucks, because writing is one of my ways of de-stressing, as well as how I move forward this career I’m so devoted to.

In addition, recently I was in an accident. Don’t worry, I’m fine, but my car was totaled by the other driver. Thankfully, the other driver’s insurance company agreed to pay all the costs, but this whole experience has been very stressful.

In Tarot, the Ten of Wands represents being overburdened and weary. Matches me some days in so many ways.

Add in all the horrible things happening on the national and world stage (*cough* fascist wave sweeping America *cough*), and it’s enough that even with frequent therapy sessions and all the usual de-stressing methods aren’t enough!

That’s why I’m thankful for all the communities I happen to be a part of. They’re a soothing balm upon my soul.

Obviously, there’s the horror writing communities on social media, that’s been helpful. But there’s also been the horror and horror writing friends and communities I’ve formed IRL. These past few months, I’ve had a few opportunities to see and hang out with my colleagues, which is always a treat. In fact, we’re getting together near the end of April, and I’m super excited about that, as it’s going to be a big meeting and we’ll get to play board games while discussing cannibalism together.

And it’s not just the socializing, either. It’s the professional help. As many of you know, I’m hoping to pitch my novel The Shape of Evil to agents at StokerCon this summer. I was recently discussing this with another member of HWA, and he gave me some critical advice to keep in mind if I hoped to pitch and find someone willing to represent me. One of those pieces was to research each person taking pitches thoroughly to see if they were a good fit for me.

A few weeks later, when the agents and editors taking pitches were announced, I did my research, and reached out to authors who had worked with them, as my friend advised me. Some of these authors have become good friends of mine, so I was able to get some amazing feedback from them and make my choices about whom to pitch to from there.

Community saves me, in more ways than one.

And it’s not just the horror communities that have been helping me. My Jewish community, my family and friends community, and even my work community. Yeah, as tough as work has been, I’m surrounded by a team of people who know what we’re going through and are willing to help me when I ask for it. Not to mention, if we deal with a difficult customer (that happens, sadly), my leadership don’t mind going to bat for us. And when my car got hit, my workmates were among the most concerned about me.

So, despite all the hardships, I’m really happy to have all these people around me in the same situation. We’ve already gotten together once for some much-needed R&R, and have plans for the near future as well.

And guess what? The Followers of Fear community is a wonderful community, too. While engagement and growth changes over time, many of you still take the time to read every post, and provide helpful comments as well. Some of you even read my books and provide reviews, and one or two even created fan art of my work, which was a big honor! In addition, many of you have become dear friends of mine.

All that keeps me going, and holds the doubts that threaten my writing career at bay like no wall can.

So yeah, life’s been hard lately, and therapy and anime and writing can only do so much. But then, there are the people around me who give me encouragement and listen when I vent, or who go to see shows and movies or to grab dinner and drinks with me, or the ones without whom I would not be where I am today. They give me a much needed boost when I need it.

With that in mind, thank you, Followers of Fear. As I said, life’s been a chaotic rollercoaster lately, but you being there makes it somewhat more manageable. So, never forget: I am endlessly grateful for you.

Also, if you would like to take part in “Horror Writers Chat” on BlueSky, make an account and follow Matt Mason (username @chaoticauthor.online) and Eryn McConnell (@erynmcconnell.bsky.social). They switch off hosting every other week, so following both is a good idea. The actual event happens every Wednesday at 2 PM EST, with four questions posted every twenty minutes or so. You quote-post your answers from the post with the original question, and like and repost the ones you like from other participants. And don’t forget to use the hashtag #HorrorWritersChat.

(You can also find BlueSky my account here.)

That’s all for now, my Followers of Fear. Hope to see some of you on BlueSky. Until next time, good night and pleasant nightmares.

My Writing Goals for 2024

Posted: January 1, 2024 in Reflections, Writing
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Happy New Year, my Followers of Fear. I wasn’t going to do this sort of post, let alone on New Year’s Day. After all, I went over a lot of this stuff in my “Looking Back at 2023, Looking Forward to 2024” post. But plenty of my writer friends were posting their 2023 accomplishments and their 2024 goals on social media, so I thought, “Why shouldn’t I? And why should I limit myself to however many characters?”

Thus, I’m writing a full blog post.

So, with all that said, let’s get into my writing goals and how I plan to keep busy on the writing front.

FINISH THE SHORT WORKS I STARTED

After the Great Editing ended last year, I went through my list of ideas and chose seven story ideas I thought would be fun to work on (and hopefully had a chance of getting published). I’ve already finished two stories: a surprisingly short weird horror story called “White Leaves,” and a Jewish exorcism story called “The House on Lafayette Square.” And at the moment, I’m working on a story about owls under the temporary title “Strigiformes.”

With this particular goal, I aim to finish “Strigiformes” by Martin Luther King Day, and then get the other four stories done by around May. Don’t know if I will, but God knows I’m going to try. I’m already at the halfway point of “Strigiformes,” so assuming nothing messes with my life between now and the 15th, I should be off to a good start.

FINISH CRAWLER

My big project for 2024, assuming nothing else pops up, is to finally return to my mummy novel Crawler and finish it. Hopefully after I finish these last four and a half short works, and around May-ish. I want to go over what’s already been written, then get around to finishing the first draft.

Don’t know if it’ll get published at some point, but I definitely want it to be at least finished. I hate the feeling of it being left undone when I feel it has great potential.

GROW MY AUDIENCE

This one should be pretty self-explanatory. I love my Followers of Fear and how ardent you all can be, but I am a writer. We love having people enjoying our work. So, I’m trying to build my audience and the number of people who I can claim to be Followers of Fear.

Part of this will be done by selling books at events, which are great places to meet new readers, and another part will be some slight changes to how I do things on social media.* With a bit of luck, the right interactions, and sympathetic algorithms, maybe more people will come to love and look forward to my stories when they release.

*BTW, I’ve left Twitter due to Elon Musk going full anti-Semite and have moved to Threads and BlueSky. So, if you want to follow me there, click on the links.

GET SOME ACCEPTANCES

Again, this is also self-explanatory. While I do self-publish some of my work, I still like to get publishers to release some of my stories. There are benefits to going indie and going through a publisher. And all that being said, I hope to have some presses accept my stories and help me polish them up to their most beautiful before letting them out into the world.

And I may self-publish some stuff, as well. If the circumstances are right.

HAVE A GOOD 2024 FISCALLY

Writing is a passion and a calling, but it is also a job and a business. That’s especially true during tax time. And while this past year, I had the most income from writing ever, I also had a lot of expenses. Not enough to overtake my income, but still, a lot. For 2024, I hope to have fewer expenses. Or that my income far outpaces my expenses. It’s something I’ll be working on throughout the year, so hopefully it goes well.

MAYBE ANOTHER COLLECTION?

Yeah, putting together and editing Hannah was difficult at times, but it was gratifying, too. And I’m thinking of maybe putting together another collection. If I do, what stories will be in it, what it’ll be called, if there will be a theme, and if I self-publish it or not, we’ll see. This part of the future, at least, is still up in the air.

MAYBE AN ADAPTATION?

I know, I know. Getting any of my stories adapted into any medium is a long shot. Still, some things happened in 2023 that give me hope that it could happen. (And if you’re lucky, you’ll hear about what later this year.) So, I’m putting it on this list as a goal.

GET THAT MUCH CLOSER TO WRITING FULL-TIME

This is my overall goal for 2024. Granted, this is my overall goal every year. But I feel like I made significant progress this year towards this goal in 2023, and I feel like 2024 will take me even further. I want to get to the point where I can actually see a path to eventually being able to write full-time. Where it stops being just a dream and starts to morph into a reality.

If the majority of these go these goals go well, then maybe, just maybe, I’ll end 2024 with goals towards making dreams reality in 2025. And wouldn’t that be glorious?

That’s all for now, my Followers of Fear. I hope 2024 treats us all very well (though honestly, I feel like roaring at the year to intimidate it instead of hoping it’s nice to us is a better move). Thank you for all the support you guys showed me in 2023. I hope you continue to do so in 2024. And one way to do that is to read my books and leave reviews, and/or follow my social media. I’ll leave buttons that’ll take you to where you can find both.

Book Links and Excerpts
About Me

Until next time, my Followers of Fear, good night, pleasant nightmares, and HAPPY NEW YEAR! RAWR!!!

Marketing is No Walk in the Park

Posted: July 6, 2023 in Reflections, Writing
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A little dramatic, but it sums up the feelings of many writers towards marketing very well.

Writers–especially those aiming to make writing their full-time job someday–have it rough. Not only do we have to figure out how to write stories, how to edit them, and how to get them published, but we have to figure out the marketing angle so people actually read our work once we publish it. And that part can be trickier than even putting two sentences together.

I might have mentioned, but in the wake of Hannah coming out in less than three months, and on the advice of my publishing company, I’ve changed my marketing strategy for new books coming out. Prior, it was something along the lines of “get the mentions out there, but don’t inundate. You don’t want to annoy people.” Now, it’s closer to “Inundate! Inundate! Inundate!”

Well, maybe that’s an exaggeration. I’m definitely increasing the number of ads and mentions I put out on my social media. I’m also doing a giveaway (more on that below), telling as many people in person I can, putting out more Hannah-themed YouTube videos (BTW, check out my channel), and reaching out to as many BookTube channels and podcasts as possible.

I’m also trying, per my publisher’s advice, to show how excited and enthusiastic I am for this book and for people to read it. You know, as opposed to sounding like, “Buy! Buy! Buy!”

And I am. Enthusiastic and excited, that is. I’m so glad that this book and these stories are coming out! I’m so looking forward to hearing what people are going to say what the ebook is out, and the possibility of a paperback and even an audio book if the ebook does well! I can’t wait to hear if the stories give people nightmares, and taking photos of people who have copies of the book (I’m hoping I can get some with their e-readers if it takes a while to get to paperback status)! And I’m looking forward to celebrating with friends and family when the book comes out.

But with posts nearly every day, especially on Facebook and Twitter, I can’t help but feel that I’m spamming the platforms. And it’s hard to tell on which platforms I’m having any sort of success. You can tell on most of them how many people see your posts, as well as how many people like, comment, and share them, but clicking on links or getting sales is almost impossible to tell.

Some days, it’s easy to feel like I’m shouting into the void of cyberspace and somehow isolating myself further, rather than bringing people closer to me. Let alone potential readers.

Still, I got to try. And while I’m trying, I’m trying to increase my enthusiasm and my love for these stories to the people seeing my posts. With any luck, something will pan out and more people will want to read the book. And that would make me happiest of all.

That being said, if anyone has any advice to help me get this book to readers, I’m all ears. Every little bit helps. Thanks in advance!

Speaking of Hannah, there’s still some time between now and the 14th. If you would like to win a signed copy of my first collection, The Quiet Game: Five Tales to Chill Your Bones, all you need to do is preorder a copy of Hannah and Other Stories. And if you then send me proof of your preorder at ramiungar@ramiungarthewriter.com, you’ll be entered to win said copy. The winner will be announced on the 17th.

That’s all for now, my Followers of Fear. Until next time, good night and pleasant nightmares!

Hannah and Other Stories Preorder Link

Hannah and Other Stories: Excerpts with Graphics!

Posted: June 13, 2023 in Progress Report, Scary Stuff, short story, Writing
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So, some of you may have seen on my Facebook, Twitter and Instagram that BSC Publishing Group and I have been releasing excerpts with cool images or backgrounds as part of our marketing campaign for Hannah. And because not everyone here is on my other social media, I thought I would post those images here as well.

So, without further ado, here are the excerpts of Hannah and Other Stories.

These first two are from BSC Publishing Group. My editor Peyton created them. Aren’t they awesome?

Of course, I got in the fun, too. Here’s an excerpt from Queen Alice that I released yesterday.

Not bad, right? It gives readers a good idea of what to expect with this story. And I think it would make a good movie, too. If it is made into a movie, I hope John Noble plays the protagonist Blumfield.

Anyway, those are the ones that have been released already. More are coming from BSC and from myself in the near future. I’ll post more here as they release, but if you’d like to see them first, you can follow my Facebook, Twitter and Instagram accounts, which are listed on the side of this blog if you’re on your computer and below the comments if you’re on your phone or tablet.

Also, if you haven’t yet, you can preorder Hannah and Other Stories by clicking on the link here. Or you can read a longer excerpt here.

That’s all for now, my Followers of Fear. This will likely be my last post before Stokercon,* but I’ll hopefully have more to post afterwards. I want to talk about the new marketing strategy I’m using, as well as the upcoming first anniversary of moving into my condo.

Until next time, good night and pleasant nightmares.

*Speaking of which, if you’re going to Stokercon, be sure to stop by the Brighton I Room at the hotel on Friday at 11:00 AM to hear me, Barbara Cottrell, Jeremiah Cook, and Gabino Iglesias read from our upcoming works, followed by a mass author signing at 5:00 PM. Definitely not to be missed.

Conversations with Chelsea Banning

Posted: December 18, 2022 in Author Interciew, Novel, Writing
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On today’s interview, I have a very special guest with an amazing story. Some of you are probably already familiar with her story: earlier this month, fellow Ohio author Chelsea Banning took to Twitter to vent her feelings. She’d been at a book signing for her debut fantasy novel, Of Crowns and Legends, where forty people RSVP’ed that they would attend, but only two arrived. The response from the Writing Community was unexpected and massive, with many authors, including Stephen King, Neil Gaiman, and Joyce Carol Oates offering their own stories of poorly-attended events and offering their own help for Ms. Banning’s career. Stephen King even went out of his way to let his entire Twitter following know about her next event the moment she tweeted about it!

Since then, word about Of Crown and Legends has also spread and has become an Amazon bestseller with plenty of positive reviews (seventy-five at the time of posting). This is hopefully the beginning of a prosperous career, so I thought I’d pick the author’s brains sooner rather than later. So, please welcome Chelsea Banning, author of Of Crowns and Legends, to my blog.

Rami Ungar: Welcome to my blog, Chelsea. Tell us about yourself and your book, Of Crowns and Legends.

CB: My name is Chelsea and I am a Young Adult/Teen Librarian by day and author by night. I am also a self proclaimed geek. I love Marvel, Lord of the Rings, Star Wars, cosplay, and Renaissance Faires. My book Of Crowns and Legends follows the twin children King Arthur was never supposed to have 20 years after his death. It is about their struggles to live in his shadow while also dealing with an upcoming war.

RU: I’m something of a big Arthurian legend fan myself, and have even written about it as well. What is it about the mythos that draws you to it?

CB: You know, it’s hard to say. I think it’s as mysterious as who exactly King Arthur is himself. There’s just some sort of magic that draws people into this story.

RU: Please describe your research and writing process for the book.

CB: I pretty much devoured any King Arthur book, movie, and TV show I could get my hands on. As I write, I did a bit of research along the way if I had questions. It’s a high fantasy, so it’s not historically accurate at all, but I did want to incorporate as much of myth as I could from all the different stories.

RU: Can you tell us about the book signing where only two people showed up and what happened later? What was your reaction to that?

CB: Yeah, I had reached out to Pretty Good Books after I saw them have another author signing. I had heard from quite a few of my friends saying they were planning on coming out, and then when the signing happened and only 2 people came, it was a little disheartening. I was still feeling a little bummed the next morning and just wanted to kind of get the feelings off my chest so they wouldn’t keep resonating in my head.

I did not expect it to take off the way it did and when I initially saw it, I was just in pure shock.

RU: Have any of the authors who encouraged and boosted you reached out to you personally? Have any of them read the book? What were their reactions to it?

CB: Brigid Kemmerer offered to help with advice about agents, and my old writing professor, Christopher Barzak, who is an award winning author himself, has been a huge help through all of this!

Joanne Harris offered some advice as well and it’s been so heartwarming. I love the writing community.

RU: So do I. Now, Of Crowns and Legends is currently an Amazon bestseller and averaging a 4.2 out of 5 there at the time of writing this. How does it feel to have found so many readers and getting so much positive feedback?

CB: It feels amazing. That’s every authors’ ultimate dream, isn’t it?

RU: Yes, it is. So, what’s next for you, both in terms of your writing and your career? Also, is there an audio version of your novel in the works? Asking for a friend who is actually me.

CB: I am currently working on book 2, as Of Crowns and Legends will be a trilogy. After completing this, I definitely plan to write more books. And I am working on an audio!

A very fantasy-esque photo of Of Crowns and Legends.

RU: Good to hear. Now, what are some books you’ve read recently and that you would recommend to other readers?

CB: Legendborn and Bloodmarked by Tracy Deonn, Queen and Conqueror by Isabelle Olmo, The Black Witch Chronicles by Laurie Forest, Among the Hunted by Caytlyn Brooke and Akithar’s Greatest Trick by Jason Dorough.

RU: What is some advice you would give to other writers, regardless of background or experience?

CB: Keep writing and don’t give up. Do some research on the writing process and pick out what works for you. Not every writer will be the same, and once you found your rhythm, writing will start to come easier.

RU: Final question. If you were stuck on a desert island for a little while and could only take three books with you for the duration of your stay, what books would you pick?

CB: A Court of Mist and Fury by Sarah J. Maas, Lord of the Rings, and The Other Merlin by Robyn Schneider.

RU: Well thank you for joining me here, Chelsea. I look forward to getting my hands on a copy of Of Crowns and Legends.

If you would like to check out Of Crowns and Legends, you can find it at most retailers where great books are sold. And if you would like to connect with Chelsea Banning, you can find her on her website and on Twitter.

That’s all for now, my Followers of Fear. I hope this piqued your interest in the novel (my interest certainly was). Until next time, good night and pleasant nightmares to all!

So I’m on Hive Social Now

Posted: November 23, 2022 in Living and Life
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If you’ve been paying attention to the news lately, you may be aware that billionaire Elon Musk bought Twitter and has been turning it from a somewhat tolerable landscape to a freaking hellhole. I’m not going to go into details, because you can read all that elsewhere, but suffice to say, a lot of people have been wondering if now is a good time to get off Twitter and find a new platform to interact with that does the same thing as Twitter. For us writers, we’ve been looking for a new platform where we can talk about writing and maybe avoid the vitriol that seems to have been given free reign on Twitter these days.

One of those platforms is called Hive Social, which I’ve seen a lot of posts about on both Twitter and Facebook this past week. It seemed like a good platform, a lot of writers and horror types I’m connected with were trying it out, and I’m usually slow on new social media trends and wanted to not be the last again, so I decided to give it a try yesterday. Besides, the platform’s website says it doesn’t tolerate hate speech or any other sort of awful behavior, which honestly appeals to me in the wake of certain decisions by Twitter’s new leader.

So, now I have an account on Hive. I’ve gotten about forty-something followers, posted a couple of times, and have liked other people’s posts as well. How does it compare to Twitter?

Well, it does have some room to improve. The app is slow to load or register likes at times, and the search engine feature doesn’t always bring you to the person you’re looking for, even when you type their full name in. You can’t access the app from the laptop just yet, only your mobile devices, and occasionally the app just shuts itself off mid-use. And you can’t leave a link so people can directly go to your page on the platform.

However, this may be because of its sudden popularity. I doubt anyone running the app could have foreseen so many people migrating over to Hive as Twitter continues to implode, so they’re probably scrambling to make sure the app is at least somewhat able to handle all these people. In fact, I did see a post from the app’s company asking people to be patient as they try and deal with the new influx of users.

So, there is a chance this app could improve as time goes on. Of course, there’s also a chance that it won’t replace Twitter and that we’ll stay on there. Or maybe we’ll go off both apps and find something else. It’s hard to tell the future. All we know is that Twitter might not be a good place to stay for the foreseeable future and that we may not be able to stay on there for much longer.

In the meantime, I’ll keep trying both apps for a while before I make any final decisions, one way or another. And while I can’t leave a link to my page on Hive, I can leave links to my other social media (though you can also look to the left and see them listed there). If you want to check me out on any of these platforms, please do. And if you end up subscribing, I hope you and I will have plenty of wonderful interactions on these other apps.

Facebook

Twitter

Instagram

YouTube

One more thing before I sign off tonight, my Followers of Fear: I found out today that my short story “The Dedication of the High Priestess,” which combines ballet with the figure of the King in Yellow, will be read aloud on the Tales to Terrify podcast this Friday. I’m so excited for you all to experience this story! I’m quite proud of it and I really hope you enjoy it. I’ll be sure to post a link as soon as it’s out.

Is “Elevated Horror” Really a Thing?

Posted: April 18, 2022 in Reflections, Scary Stuff, Writing
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Photo by Pedro Figueras on Pexels.com

I’ve heard this term thrown about a few times since January, first in the new Scream movie and most recently in an analysis of a horror film on YouTube. “Elevated horror.” And the speakers, whether in in the Scream movie or in the YouTube video, made it sound like it’s a recognized subgenre of horror with its own staple of tropes and trappings. Like slasher and its killers and gore, or Gothic with its ancient, diseased settings and corrupting influence.

The thing is, it isn’t. Elevated horror isn’t an actual subgenre of horror. I’ve consulted with dozens of writers on this (thank you, Twitter and the Horror Writers Association Facebook group) and it’s not a subgenre. It seems like a subgenre of horror at first glance when you look at works referred to elevated horror. In movies, films referred to as elevated horror include The Witch, Babadook, It Follows and Get Out, among others: they’re horror stories that focus more on probing psychological drama, characters and metaphor than blood and gore or supernatural horrors. Often, there’s a powerful social commentary being presented through the narrative, such as Get Out‘s commentary on race.

In terms of literature, “elevated horror” might have all of these as well as flowery language. It might be almost called “literary horror,” because there’s an emphasis on wording the story nicely and making it just too dark to be called “literary fiction.” Examples include The King in Yellow by Robert Chambers, Interview with the Vampire by Anne Rice, The Deep by Alma Katsu, and A Cosmology of Monsters by Shaun Hamill.

And, most importantly, “elevated horror” can sometimes cross over into other genres, such as thriller, literary, or even comedy.

Can you really say The Witch and Get Out belong in the same subgenre?

Sounds like a subgenre, doesn’t it? But it’s not. The works called elevated horror are all as different from each other as roses are to tulips are to primulas. All flowers, but all different kinds of flowers. Let me explain: The King in Yellow and The Deep are cosmic horror mixed with deep psychological themes, The Witch is some cross between folk, religious and historical horror, and Get Out‘s searing satire makes it borderline horror-comedy. In fact, it was nominated at the Golden Globes under categories for comedies or musicals!

Yet all of them are given the designation of elevated horror. So, if it isn’t a subgenre, what is it?

The conclusion I’ve come to after speaking to numerous other writers is that elevated horror is actually horror films taking place in elevators.

Just kidding, that’s elevator horror, and the only example of that I can think of is 2010’s Devil.

No, “elevated horror” is a marketing term. And like all marketing terms, it’s directed towards a specific audience. Who is this target audience? It’s people who normally wouldn’t check out horror because they fear it’s low class, dangerous, or degenerate. They may want to check out horror or be curious, but the stigma still attached to the genre keeps them from doing so. Either that, or they won’t check it out unless a work is given a specific designation.

Calling something “elevated horror” is basically saying, “This isn’t like other horror stories, where half-naked teens are voyeuristically killed with tons of blood and gore, or where supernatural entities menace children in sewers. No, it has nuance and social commentary! There’s psychology and drama and fleshed out characters! You can be respectable while enjoying this!”

In other words, it’s another way of something is high-brow. “There are no explosions and superheroes here. No aliens or elves. No star-crossed lovers up against the odds. Only real people having real life situations, or real people in situations that are absurd but it’s okay, because it says something important about society.”

I almost wish it was a subgenre. I might have found a home for my ballerina-meets-the-King-in-Yellow story already (still working on that, give it time).

Pinhead may not be from an elevated franchise, but that doesn’t make him or Hellraiser any less awesome.

And the problem with this marketing term is it’s misleading. By calling certain movies or books “elevated horror,” it’s labeling all other horror as “trash,” or at the very least “common.” Either way, the designation puts other horror stories down. And that’s a shame, because there’s such good horror out there. Dark Harvest, Kill Creek and Salem’s Lot aren’t high brow, but they’re great stories that thrill and can leave their readers up late into the night. Same with The Thing or the Hellraiser franchise: they may never win Oscars, but goddamn are they scary, and the latter has led to one of the most memorable characters in the slasher genre.

I’m not trying to put down the term. I’m just saying we should understand what it means, both for works designated as such and those that aren’t. And if it lets you enjoy horror, great. Just make sure to check out works that aren’t “elevated” and whose creators don’t really think or care if their work is called that.

Personally, I can see some of my work being called elevated, but I’ll just say that I was trying to write a fun story and wanted others to enjoy it as well.

That’s all for now, my Followers of Fear. After getting my thoughts on this topic out, I’m off to dream of beasties and ghosts. Until next time, good night and pleasant nightmares.

Writing “Vile” Characters

Posted: December 23, 2021 in Reflections, Writing
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Occasionally in fiction writing, you create characters you find utterly repulsive. Maybe it’s their personality, maybe it’s what they do or believe in, but these characters are VILE.

And surprisingly, writing them well is kind of challenging. I should know. I’m working on a story now where I hate most of the characters. Why? I’ll get into that a little later.

(Though if you’ve been paying attention to my Facebook posts or Twitter feed, you might already know why.)

The thing is, while you may hate the character you’ve created, you can’t let that hate show too much in your writing. You have to treat them like you would any other character. Showing your contempt may be easy, but the reader may notice. And while they may agree with you, they will be turned off by the clear aversion and disdain coming off the page, especially if it’s a protagonist. “Why even bother writing this character if you’re going to make it so obvious you don’t like them?” That might be what goes through their minds. Instead, write them like you would a character you like.

A good example of this is how Vladimir Nabokov treats Humbert Humbert in the novel Lolita. In an interview, Nabokov stated he found Humbert a hateful person for obvious reasons. But he didn’t show his dislike for the character and his predilections in the story. Instead, he writes the novel normally and let’s the readers come to hate him by his actions.

That’s something to keep in mind. Instead of showing your disdain for a vile character, let their actions do the work for you. You can do a lot just by showing a cruel teacher depriving a kid of ice cream or a prison warden manipulating his prisoners to attack each other, rather than by describing them as nasty pieces of shit.

Dolores Umbridge. A great example of a vile character.

You can then supplement that by showing other characters’ reactions to the hated characters for being assholes. JK Rowling, despite her faults, did this quite well when Harry and his friends described characters like Umbridge or Pansy Parkinson and focused on their negative traits. Rowling famously hates those characters, by the way, and made sure they suffered or didn’t get happily-ever-afters in the end.

What if you have to show things through the perspective of the hated character, however? Well, that’s where it can get queasy to write them. Because, as much as you might hate them, you’ll often have to write them as any other character. For instance, l’m writing characters who are neo-Nazis.

Yeah, you read that right. The story I’m working on now is full of neo-Nazis, people who would gladly see me dead for being Jewish (among other things). And I am writing them as I would most other characters. I could write them and focus on their hatred and nasty ideology, and in another story I could get away with that. But for this story, I can’t let them just be stock characters or stereotypes, much as I want to. Instead, I’m trying to show the reader how the characters might see the world. And let’s face it, neo-Nazis are people, and they’re as complicated as any other character. So I should try to write them that way.

That being said, I am going to show just how horrible these people and their toxic ideology can be. And then I’ll take great pleasure in showing what horrors occur to them later in the story. Hey, I’m a Jewish horror author who loves visiting terrors upon his enemies. What do you expect?

So, writing characters you consider vile is more than just making them hateful or showing how much you hate them. It’s a combination of actions, character description, and even writing them in a complex manner. And, of course, making sure they get what’s coming to them if it fits the story. It may make you feel sick to write them that way, but it can also lead to a good story becoming that much better.

On an unrelated note, the anthology I’m helping to produce, That Which Cannot Be Undone, is closing in on forty percent funded on Kickstarter! Not only that, but we’ve added a whole bunch of new perks and have announced some new authors joining the project as well. Some of those authors have even volunteered to name characters after backers and kill them off in style should they back certain limited pledges. Isn’t that cool? You could be a character in another author’s story!

If that, and helping our group produce a kickass horror anthology featuring new stories from me and my friends, you can check out the campaign by clicking the link below.

https://www.kickstarter.com/projects/crackedskullproject1/that-which-cannot-be-undone-an-ohio-horror-anthology

That’s all for now, my Followers of Fear. For those who celebrate, I want to wish you a Merry Christmas. If you need me, I’ll be joining my friend John McClane at Nakatomi Tower for Nakatomi Corp’s annual Christmas party. I hear they tend to go out with a bang every year.

Until next time, Happy Holidays and pleasant nightmares!

Emotional Horror

Posted: October 23, 2021 in Reflections, Writing
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Photo by Andrea Piacquadio on Pexels.com

Lately, I’ve been deep into two very different books of horror. The first, which I finished last night, is What One Wouldn’t Do, an anthology of horror stories around the idea of “what wouldn’t you do for…what? Power? Revenge? Love? Etc?” The other is Ghoul by Brian Keene, a coming-of-age horror novel about three boys who discover a ghoul living in the graveyard near their homes. They’re both very good, very different from one another, and both deal in emotional horror.

Emotional horror is horror that relies more on the feelings the story provokes in the reader than a supernatural/paranormal entity or a serial killer or anything like that. And yes, I’m aware that all horror tries to provoke an emotional response in readers. Namely terror and fear. But this is a much more subtle kind of horror. Emotional horror scares you with the situation the characters are in and their responses, particularly their emotional responses, to the situation.

A good example of this is the 2015 movie The Witch. You may have noticed, but the titular witch is actually pretty peripheral to the story. She doesn’t show up except to maybe push events in the story. In total, I think she’s maybe only in the film for three whole minutes, if even that. Rather, the horror of the story is how each character reacts to the witch’s interference in their lives. It starts with the baby being kidnaped, then with the older son disappearing into the woods and then coming back horrifically changed. The kid has an ecstatic vision before dying, which leads to the family to believe they’re being victimized by a witch, who could possibly be one of them. And you’re terrified not by the witch or what could be her supernatural influence on the characters. You’re scared by their paranoia, their heartbreak and distrust, and how quickly things devolve from here, leading to an awful, irreversible decision on the part of the protagonist.

The true horror of this story may not be from the titular monster

This is the kind of horror both What One Wouldn’t Do and Ghoul deal in. Many of the stories in the former deal with supernatural elements, but the horror itself is what drives the characters to commit heinous acts or to make deals with the devil or go through insane challenges, and then seeing the fallout from those decisions. And for the latter, while the titular monster is scary in its way, it’s no Pennywise. Rather, a lot of the horror we experience is through the main characters, twelve-year-old boys who are becoming disillusioned by the world around them through the adults in their lives. It’s honestly heartbreaking to see the adults around them fail them so spectacularly, and one scene in particular was so upsetting, I had to post about it on Facebook and Twitter just to get my emotions out.

So, how do you write these scenes? Honestly, it’s not easy. I’m not sure you can set out to write a story that deliberately tugs at your heartstrings and fills you with the emotions the characters are feeling. It’s kind of like how you can’t write a story around a theme. Instead, you take a story and the theme evolves naturally from your working on it. Only when that theme has revealed itself can you play with it and the story together to bring out the best in both.

That was certainly the case with Cressida, the story I wrote that was published in Into the Deep (click here to check it out if you haven’t yet). While it’s a horror story and a mermaid story, it’s not a horror story about mermaids, though they aren’t the pretty fishtailed supermodels Disney animated, either. Rather, the mermaid is in herself a catalyst for the true horror, which is what the characters do upon encountering a mermaid who shares an uncanny resemblance to a deceased family member of theirs.

But when I set out to write that story, I never intended that the horror would come from the characters’ emotional and psychological reactions. I wrote the story because it sounded like a lot of fun to work on and I made changes to the storyline along the way to better bring out the horror I was discovering. The result is Cressida, which I feel is some of the best work I’ve written yet.

You know, that makes me realize something: in emotional horror, whatever is happening in the plot, be it mermaids, ghouls, necromancy, witches, etc., is often not the main focus of the story (even if it’s in the story’s title). Rather, they’re plot devices, tools to draw out the horror hidden within the characters’ emotional responses.

My story in this anthology didn’t start out as an emotionally-driven horror story. It just ended up that way.

I guess that makes emotional horror a kind of psychological horror.

Anyway, that’s what’s going through my mind at this time. The fact that I was getting into all these stories with similar kinds of horror at the same time got my brain working, so I decided to write it out. I’d love to hear what your thoughts on this subject are. Let’s talk in the comments below.

That’s all for now, my Followers of Fear. I leave for my trip tomorrow, so I likely won’t be around as much as I would otherwise be. However, I’ll be around on Facebook, Twitter and Instagram, so check there for updates if you start to miss me.

Until next time, my Followers of Fear, good night, pleasant nightmares, and there’s only a week till Halloween. Prepare to give yourselves to the dance of terror and to raise the old gods so we can all enjoy their infernal gifts. If you do not, I suggest you run.

Bye!

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