Posts Tagged ‘review’

I’ve mentioned time and time again how I want to visit haunted locations. In the past, I managed to visit the Paris catacombs, where I saw plenty of skulls but no paranormal phenomena, and last year I visited The Lizzie Borden Bed & Breakfast, where I caught my first paranormal evidence on video. And over this weekend, I had the opportunity to visit another one, one that’s in my home state of Ohio that I’ve been wanting to visit for a long time: The Ohio State Reformatory in Mansfield, Ohio. And wouldn’t you know it? I saw plenty of stuff that can be considered out of the ordinary (besides me, I mean).

Some context first: for a while now, my dad’s side of the family have been planning an “Ungarfest,” where the whole family gets together and hangs out. It’s a chance for all three of the families–my dad and his family, his brother and his family, and his sister and her family–to see each other now that most of the next generation are grown and there’s a chance our lives will take us all over the place. Currently all three families still live in Ohio and Michigan, so the majority of us were able to come together and see each other. And guess where the family ended up spending the afternoon after spending the morning at a nature garden in the morning? You guessed it, the Ohio State Reformatory.

Now some of you may know the reformatory, or OSR for short, as the place where The Shawshank Redemption, among other famous films and a few TV shows, were filmed. However, the OSR is also famous for being something of a paranormal hotspot. Plenty of deaths have occurred there over the years, and of course stories of hauntings have popped up over the years. With that in mind, I bought my own pair of dowsing rods so I could speak to the spirits there (the ones at the Lizzie Borden Bed & Breakfast worked so well for me).

Me protesting my guilt with a cell-door on the lawn.

Me pretending to shank my stepsister for some reason.

So once we got there, we went in (two of my sisters decided not to go in because they found the whole thing too freaky), and met JD, our tour guide, who was honestly just the best tour guide we could ask for have (I’ll get into why in a bit, but for now, just know that if you get to come here for a tour, you can’t go wrong by asking for JD). He took us around for the first half of the tour, talking to us about the history of the prison and what it was like for a prisoner during the prison’s heyday.

How can one describe the prison accurately? Well, it’s big, I can say that. Metal and drywall and brick and stone are everywhere. The paint on the walls and every other surface is peeling all over the place, and you can smell the building’s age and paint everywhere. In various rooms, you’ll see original artifacts from when it was an active prison, such as the original electric chair that was used there, products made in the shops the prison ran, and much, much more.

You also got to see a lot of the locations where The Shawshank Redemption and other films used as sets. Warden Norton’s office is perfectly preserved for the most part, as well as the door that the guard broke the window in that one scene of the movie. And apparently Brooks and Red’s apartment was filmed in the prison too. It was cool to see that piece of film history on display there.

JD (left) and his fellow tour guide Michael (right) talking to us in the room where a scene from Air Force One was filmed.

Me at the foot of the stairs where Andy Dufresne and Warden Norton talked about budget issues in getting a library.

I’m at Warden Norton’s desk. There’s a bit of “blood” still on the window.

Me doing my imitation of that guard from the movie. Also, this is my new author pic.

And so was Rami

But definitely one of the best parts of the tour was JD. He was friendly, funny, and a really cool dude with a voice that reminded me of musicians I’ve seen in movies and TV (and that description is how you know I’ve been writing for a long while). I wouldn’t be surprised if it turned out he was a musician, he seems like the kind of guy who would enjoy playing some guitar on the weekends. But he was also very inspiring. You see, JD was an inmate for a short time at OSR back in the 1980s. During the tour, he took us by the cell in the west block where he stayed while there, and how his experience at OSR helped him turn his life around. It was really inspiring to hear. A lot of people think of people who have gone to jail, and it isn’t usually a positive image. But JD was able to give us this personal story of how his stay affected him. Combined with his friendly and very humble personality, it really made his story all the more powerful. You couldn’t help but like him, not just as a tour guide but as a person. And on top of his personal knowledge of what it was like to be a prisoner at the Ohio State Reformatory, it just made for an excellent tour.

JD in front of his old cell, telling us how being at OSR changed his life.

If it’s not obvious, I highly recommend JD as a tour guide. On a scale of 1 to 5, a definite 5. If you get him as your tour guide, you won’t regret it.

Of course, you’re curious about the paranormal stuff I witnessed. First off, the dowsing rods had an excellent first time out. I got a lot of communication from spirits, some of which made it onto video and then onto YouTube. One of the first places we visited was solitary confinement, where the spirit of Frank Hanger, a security guard who was murdered by three inmates in that area, is said to hang out. Here’s the video of that particular encounter.

Something you should know: that question Jay threw out about the electric chair was a trick question to make sure we were actually talking to a spirit and it wasn’t random movements on the part of the rods. Turns out it wasn’t random movements: those three convicts committed suicide, so Officer Hanger’s “no” was a point for the I-was-communicating-with-spirits side.

The other major spirit I spoke to was that of James Lockhart, an inmate who killed himself by immolation. His cell is notoriously haunted. I got to speak with him as well, and learned some interesting things.

Sorry about the vertical filming. You can only do so much with your cell phone.

I also had a lot more communications, some of which I got on video. But these are the best quality, so I wanted to make sure people got to see them. You can draw your own conclusions on what happened while at OSR that day (just don’t leave vitriol-filled comments for me to read), but I like to think that I got some communication from the other side that day. And a lot of people who witnessed me using the rods, including this one family I kept seeing around the east cell block (they’re the ones asking me to ask Lockhart if he burned himself), probably believe me now (I think they took video footage of some of my communications. There may be footage of that floating around the Internet somewhere).

Oh, one more thing I want to mention. This isn’t so much explicitly paranormal as it is weird, but it’s worth a mention. You remember that photo of me at Warden Norton’s desk? Well, this may have just been an issue in the transition from my camera to Instagram, but it’s still weird and kind of freaky.

I have no idea what happened here. The photo of me at the foot of those stairs seems to have been overlaid with me at Warden Norton’s desk. Not sure how that happened, but it is pretty cool. Even if it isn’t exactly supernatural.

All in all, the Ohio State Reformatory was an amazing experience. It is a beautiful building, filled to the brim with history, pieces of culture, and a few spirits. I’m so glad I got to go, as well as to test out my dowsing rods in such a great venue. And now that I have my driver’s license, I may be able to go up again someday very soon and perhaps get some more proof of the paranormal. In fact, you should bet on that happening (Zak Bagans, call me). Until then, definitely consider making a trip to the Reformatory and seeing the history and hauntings yourself. Guaranteed you won’t regret it.

And thanks to JD and the folks at OSR for hosting my family this weekend. We enjoyed ourselves immensely while there. I hope you’ll see us (or maybe just me) again soon.

The Ungar clan, AKA 40% of the reason I’m as messed up as I am.

That’s all for now, my Followers of Fear. I hope you enjoyed my little travelogue. I’ll be seeing you all again very soon. Until then, pleasant nightmares!

Happy birthday to the blog,
Happy birthday to the blog.
Happy birthday to Rami Ungar the Writer,
Happy birthday to the blog.

An entire year has gone by for this blog. And it feels like so much longer for some reason. Has that ever happened to any of you? And now this blog is seven years old. It’s hard to believe that I’ve been blogging for about seven years now. This blog, along with the people I get to interact with on it, has become so apart of my life, I can’t remember what life was like before I had it and all of you. This blog is a way to share my thoughts and feel like some people are cheering me on as I work on my career.

And this past year was especially awesome, writing and blogging-wise. I not only finished a third draft of Rose, but a fourth and a fifth, the last one changing a lot of elements in the story (for the better, I like to think). Plus I somehow managed to find a publisher for Rose, which means it’ll hopefully be published before it starts to get cold again (no promises, though). I managed to write and edit some more stories, and I even got Car Chasers accepted for publication (and I may have news on another short story very soon, fingers crossed). And I was able to gain, keep, and surpass a thousand followers on this blog. These are all things I hoped would happen in my anniversary post last year, and they all happened.

Not to mention the things that happened in my personal life, which I don’t talk about that much on this blog anymore but are still worth mentioning at any rate. Work has been busy, but I’ve accomplished a lot that’s been set before me, including traveling and attending important trainings for work, and even coordinating programs that are meant to improve my organization; I saw three ballets live and one on video, leading to the discovery of my obsession with the art form (I also saw a couple of Broadway plays, and that was pretty cool); I joined the Horror Writers Association, and have been reaping the benefits since; I finally got my driver’s license, after nearly ten years of on-and-off driving practice; and so much more. It’s incredible how much I’ve been able to accomplish in such a short amount of time.

Oh, that’s why this year felt longer. I’ve been doing so much, it felt like it went on longer than it was.

But anyway, a huge reason why I’ve been able to do so much is because of you, my Followers of Fear. You’re always there, rooting for and supporting me. I’m honestly amazed sometimes at how much this blog has grown, and the friendships I’ve been able to strike up through the interactions here. I say this a lot during these posts, but there was a time when I only got a few views every couple of days, and hardly any interaction from readers. It really means a lot to me that you’re all here, reading what I have to say and responding to it. You are all so totally amazing and I can’t thank you enough for that.

So what’s going to happen in the next year? Well, I hope to keep putting out quality material on this blog. I want to get Rose out on the market so you all can read it (and maybe give me reviews for feedback?). I want to get a car, now that I finally have a license. I plan to get more stories written, edited and maybe even published. Perhaps I’ll even start a new novel. And so much more. We’ll have to check back and see what I managed to do a year from now.

In the meantime, I’ve got a lot of fun stuff coming up, including a trip to the Ohio State Reformatory for a spooky haunted tour (that’s Sunday! Here’s hoping I get some paranormal evidence on video again). I’ll make sure to update you all on that as soon as I can. So until next time, my Followers of Fear, pleasant nightmares. Lots and lots of pleasant nightmares.

Well, here we are. The latest Five Nights at Freddy’s novel, The Fourth Closet, was released late last month. I’ve spent the past week reading it, wondering if this is the last novel, if this book contains answers to the events of the previous books and the franchise’s lore as a whole, and wondering just how this volume compares to the previous two books. Since I finished it yesterday, I’ve been dying to share my thoughts on it (and all without being shoved into an animatronic suit, I might add). So now that we’re here, let’s dive into what is likely the last FNAF novel (thought considering this novel was co-written by franchise creator Scott Cawthon, who knows if it’s truly the last?).

So for those of you who don’t know, Five Nights at Freddy’s is a video game franchise about security guards having to deal with haunted animatronics that try to kill you during your shift at a pizza place (or in the case of the fourth game, someone’s bedroom). Yeah, I know it sounds ridiculous, but it has proven immensely successful, spawning several sequels and spin-offs, three novels, a movie in development at Blumhouse Productions (which I wish would go into production already), and thousands of fan-made tribute games. Some of the reasons for the game’s success is its simple yet intense gameplay, as well as its deep and mysterious lore (supposedly the events of the game were caused by a serial killer and the ghosts of his victims, but figuring out what exactly went down and when is a challenge).

I’ve reviewed the first two books, The Silver Eyes and The Twisted Ones, and while I wouldn’t count them among my favorite horror novels, I have found them intriguing enough and similar to slasher movies in book form. And I found Twisted Ones to have improved and fixed many of the issues of Silver Eyes, making for a better novel, so I hoped The Fourth Closet would also improve. Did it? Let’s see.

Fourth Closet takes place about six months after the events of Twisted Ones, and tells the story mainly from the POV of the other main characters, especially series’ protagonist Charlie’s love interest John. At the end of Twisted Ones, Charlie had seemingly died, but in this new volume, we see Charlie returned alive two days later. Or did she? While everyone else is convinced this Charlie is their Charlie, John isn’t so sure. And when kids start disappearing in town again, like they did during the tenure of the original Freddy Fazbear’s Pizzeria, John must gather the gang together again to investigate. But will searching for the truth lead to answers, or will it lead to horrors that the characters never anticipated?

So to start, this novel does show improvement over the previous two. The story and mystery is well-told, and the violence, which there is plenty of, is written to be easy to picture in our heads. I also found a number of surprises in the course of the story that were really surprises, rather than predictable twists, and elevated the story. And of course, we got to see a number of famous animatronics from the franchise, including a few of my favorites. I never mind seeing those guys. And finally, the story ends in a way that I can be satisfied with, especially if Cawthon is intending on writing a trilogy.

Of course, this novel does have some issues, as the others did. For one, the main cast is still flat as boards. Yeah, we get some insight into their thought processes in this book, but it doesn’t really allow us to get to know them as characters. That, and there’s a big reveal about Charlie that isn’t as well-written as it could have been. So while I kind of understand what the reveal is, I’m also a little confused and could use some more information to explain things. I know, Cawthon likes to let fans guess and spin theories with this franchise, but doing the same thing in a novel can seriously backfire on you (believe me, I learned that during one of the drafts of Rose). And trust me, it backfired here.

But on the whole this novel is a decent story, and shows its writers’ desire to learn from past mistakes in order to make sure any addition to the franchise is worth it. On the whole, I’m giving Five Nights at Freddy’s: The Fourth Closet a 3.4 on a scale of 1 to 5. If you recall, I gave the first and second books ratings of 2.6 and 3, respectively, for an average of 3 out of 5 for the trilogy. Average as a whole, but considering the source material  is a video game franchise and that the creator isn’t used to writing prose fiction, average is great. After all, under other creators, it could very well turn into the literary equivalent of the Super Mario Bros. movie. And nobody wants that!

From left to right: Sailor Mercury, Sailor Mars, Sailor Moon, Sailor Jupiter, and Sailor Venus.

I’ve been wanting to do this a long time, especially after the post about my favorite manga series did unexpectedly well. Just had to have the right timing. And as this weekend is the first of two Sailor Moon movie screenings,* I figured now would be a good time to discuss one of my favorite anime of all time, Sailor Moon. What it is, why it’s great, and what it means to me personally. There’s a chance that very few people are interested in that, but I’ve often been surprised by what gets read the most on this blog, so who knows? Perhaps you’re as interested in why a 25-year-old horror writer holds a debt to Sailor Moon as I am.

So if you’re somehow unaware of what I’m talking about, Sailor Moon is a Japanese media franchise that started off with a manga by Naoko Takeuchi and has since seen several different adaptations, the most enduring and popular of which is the anime that ran from 1992-1997. Stories vary slightly from iteration to iteration,** but the basic structure across all, especially the anime, involves a 14-year-old teenager named Usagi Tsukino who learns from a talking cat that she is a guardian with special powers bestowed upon her by the moon who must gather allies, find a mysterious princess and her magic gem, and stop dark forces from taking over the world. Thus she becomes Sailor Moon (the Sailor part referring to her superhero outfit being based on the sailor-style school uniform), a magical warrior dedicated to love and justice.

And if you’re unfamiliar with the show, just based on that description and the photo above, you might think that this is the silliest premise ever. And I’ll admit, you’re  not wrong. It is kind of a silly show at times, and not without its problems. Most episodes were formulaic monster-of-the-week stories with the characters discovering a scheme by the enemy of the season and destroying a monster. There was also a lot of reused animations, which was typical for a lot of anime from the 90’s (and today, to a degree). And let’s face it, the main character Usagi Tsukino/Sailor Moon isn’t your ordinary protagonist. She starts out as only caring about sleeping, eating, relaxing and finding a cute boyfriend. Fighting evil is the last thing she wants to do!

Oh, and this show was also being made simultaneously the manga. So while the former took cues from the latter, it often had to make drastic changes and that occasionally led to glaring storytelling issues. (*cough* rainbow crystals? *cough*)

Usagi Tsukino, aka Sailor Moon. Goofy as heck, but a heart and the capacity to grow braver with every episode.

But despite all that, there’s quite a number of things that this anime has going for that. For one thing, the characters: in the 1980s, female characters were in animated shows were either just “the girl” (ex. Smurfette or Arcee) or they all existed to sell toys and didn’t have very distinct personalities from one another (ex. the original My Little Pony). But Sailor Moon was special as each of its female leads had very distinct personalities: Usagi/Sailor Moon is goofy but kindhearted; Ami/Sailor Mercury is smart and bookish; Rei/Sailor Mars is a hotheaded but empathetic psychic; Makoto/Sailor Jupiter is a strong-willed fighter with a passion for baking and gardening; and Minako/Sailor Venus is a fun-loving but ambitious girl and a skilled warrior. Not only that, but throughout the series, the characters would have individual episodes devoted to their growth where they worked on overcoming their flaws and issues. Even Sailor Moon, who always retained her goofiness throughout the series, became a strong leader and fighter who wouldn’t hesitate to fight to protect the world she loves. This ended up creating a mix of role models that people like me growing up could look up to and identify with on a number of levels.

There’s also the fact that this show was hugely empowering for a number of kids back in the day. On the one level, it is highly feminist in its portrayal of its female leads. They are able to fight off their enemies while still retaining their personalities and femininity, and the show doesn’t make a huge deal out of it (like they would if characters regularly shouted “Girl Power!” or something). Even if the male lead of the show often helped out and stepped in during a pinch, it was still the ladies doing the main fighting. That’s really amazing. And on another level, you have regular teenagers saving the world from forces that are cosmic in their power. When you consider the other big superhero shows at the time were shows like Batman or Superman, that’s big. I mean, one’s a billionaire and the other’s an alien. How many kids growing up with those shows were either of those? And then you had Sailor Moon, with ordinary teens, teens we already looked up to, being chosen to be superheros. Do you know how inspirational that could be to kids back then?

And those are just a couple of reasons this show has been so enduring and beloved. It’s also been noted for being very LGBT-progressive at a time when that wasn’t usual; for pumping new life into the magical girl genre of anime that’s still flowing today; for influencing a number of shows, including the American hits Steven Universe and Star vs the Forces of Evil; and so much more. It’s no wonder that the show has endured and continues to find new fans.***

Sailor Moon and Luna Funko Pop dolls. There are good reasons why I bought them, and why I hope to buy more someday.

And as I said, I owe this series a huge debt. Sailor Moon is still one of my favorite anime ever. I identified with many of the characters, and Sailor Moon herself made a big impact on me. She wasn’t hero material at all when she started out, but over the course of the series she truly became a hero. That’s a character arc I still include in my own stories (Zahara Bakur from Reborn City, anyone?). Not to mention this show helped plant the seeds of feminism in my young mind.

And you know what else? I still find reasons to love this show to this day. Just a couple of months ago, this show gave me a pep talk when I was feeling a little disenchanted with writing. It was quite powerful, and it reignited my love for storytelling again. If a show that’s older than me can do that, then I’m glad I still watch it all these years.

To sum up this monster of a blog post, Sailor Moon is just an awesome show, and it isn’t hard to see why it endures to this day. And if you’re at all interested, I highly recommend checking the anime out, or any of the other incarnations out there.  You never know. You may get out of it something special like I did all those years ago.

Are you or have you been a fan of Sailor Moon? What did/do you like about it?

That’s all for now, my Followers of Fear. Thanks for reading this long post of mine. I hope you liked it. Maybe someday I’ll write more posts about anime I love. Would you like that? If so, let me know. And until next time, pleasant nightmares.

*The first two films get screened in theaters this Saturday, and a special and the third movie is next Saturday. Probably won’t surprise you that I have tickets for both.

**And I’m sorry I won’t discuss those here. Perhaps I’ll discuss some of the other adaptations another day.

***Especially with more faithful translations. Back in the 90’s when I found the show, it was heavily edited to make it more geared towards American kids, because that’s what you did with anime in the 90’s. While I still have fond memories of that edited version, I’m glad that nowadays you can get the anime without all those silly edits or American character names. It feels more pure that way, and endears it more to new fans.

I bet you’re getting tired of my posts these past few days. I promise, this is (likely) the last one for a few days. And this one is to talk about my first published book, The Quiet Game: Five Tales to Chill Your Bones. And holy crap, it’s the five-year anniversary of its publication. Well, technically that was Tuesday, but as we all know, I’ve had a busy week.

So if you weren’t around back on this blog in 2013, I was still very new to self-publishing and was eager to dip my toes in. One short story I self-published had had decent results, but I was really interested to try something a bit longer. And as at that time Reborn City was still being edited, I decided to try a collection of short story. Thus we got The Quiet Game, five short stories I wrote over the course of a couple of weeks, had friends look at for feedback, and then published on July 17th, 2013. To this day, it’s one of my most widely-read publications, and the one that has the most reviews on Amazon, with a rating of 4.1 out of 5 based on 15 reviews.

Here’s what some readers have been saying about The Quiet Game:

A collection of five varied stories that get stronger as the collection builds, with the final being my favorite. Though I fancy myself able to “solve” the stories before the reveals, there were several surprises here, especially the reveal in the Quiet Game and I’m Going to be the Next James Bond. I also liked that Rami pulled no punches with his characters. In one instance, an anti-semite for instances uses words that would be hard for any author to write -though are necessary to his character. There are other examples sprinkled throughout the stories that show Rami’s commitment to telling the story in the way it needs to be told. A good collection for a stormy night!

–Joleene Naylor, author of Brothers of Darkness

This is a serviceable set of stories. The best one is not the titular title story. I only really have two issues with the collection. One of them is the notes after the story. I never really liked the self-indulgence of the writer explaining afterwards. To be fair, that could be just me.

The best story in my opinion is the Lady Orgres Den. That one had great tension.

–SavoirNoir

5 wonderfully crafted tales! I purchased this as an eBook originally and put off reading it for quite a while, I really wish I hadn’t waited. Sometimes when one purchases a collection of short stories you expect some of them to be less entertaining or of lower quality than the others, but none of these disappoint. Well worth the money, especially considering after you read each story the author gives you creative insight into what inspired him to write each tale, which is really wonderful.

–Jeff D.

I’m actually in a little bit of shock that it’s been five years since I published that story. So much has happened in those five years, and it doesn’t feel like five years have gone by either. But pass they have, and I’m glad to hear that these stories are still well-liked.

If this somehow interested you in reading The Quiet Game: Five Tales to Chill Your Bones, I’ll include the links below. And if you do end up reading the book, please let me know what you think. Positive or negative, I love feedback from my readers, and getting reviews helps me in the long run.

That’s all for now, my Followers of Fear. Until next time, pleasant nightmares!

Available on Amazon, Createspace, Barnes & Noble, iBooksSmashwords, and Kobo.

I’ve heard everyone from Stephen King to members of Facebook groups I belong to raving about this book. Heck, some of the latter were raving about it months before the book came out (how they were able to do that well before the book came out, I have no idea). I remember listening to the audio book of Tremblay’s previous book A Head Full of Ghosts a few years ago and liking it, though I didn’t find it scary (see my review for my full thoughts), so I thought this was worth a try. And I’ll agree with His Royal Scariness, this is definitely Tremblay at his best.

The Cabin at the End of the World centers on Wen, a young girl and her two dads, Andrew and Eric, who are taking a vacation off the grid in the deepest parts of New Hampshire. At the start of the novel, a man named Leonard appears before Wen and attempts to befriend her. He is soon followed by three others who claim that Wen and her family are the key to saving the world. But to do it, a price must be paid. Thus begins a tense story of belief, insanity, and violence as Wen and her dads are held captive in their own cabin and given an impossible choice.

Like I said, this is a tense book, and an intense one to boot. Like A Head Full of Ghosts, Tremblay focuses mainly on the psychological state of the characters rather than outright answering whether what we’re reading about is actually supernatural or the delusions of troubled individuals (and like the former novel, there’s an argument to be made for either one). The result is that you’re kept guessing as to which it is while getting a very personal look into these characters as they deal with the stress of the situation. It’s powerful, and makes you really connect to the characters and want to keep reading to find out how the story ends for them.

I also liked how unpredictable Cabin was. There were a couple of instances in the story that really threw me for a loop. Heck, following one of them, I kept reading for several pages sure I’d misunderstood what I’d read or that Tremblay was pulling my leg, heightening the emotional impact when this twist finally sunk in.

Add in that the novel was a great example of showing diversity in fiction without being patronizing or just showing diversity for diversity’s sake (Wen is from China and her dads are a gay married couple), and that an actual medical issue is portrayed with accuracy, rather than in 99% of other stories, and you’ve got yourself a decent novel.

I don’t have anything that I feel like saying detracted from the book. Maybe I wasn’t scared as others might be, but then again, I’ve built up a tolerance to being scared. I still found it extremely tense and emotionally powerful, and I enjoyed it for that. And that’s good enough for me.

On a scale of 1 to 5, I’m giving The Cabin at the End of the World a 4.5 out of 5. Gripping with suspense and characters you truly feel for, you’ll have a very hard time putting it down while you read. Take a look and see why it’s one of the most talked about stories this summer (I’m hoping Rose will be one for this coming fall or winter). Believe me, you won’t regret it.

Hill House is a great example of Gothic fiction and a Gothic location.

You’ve probably heard someone describe a work of fiction as being “a very Gothic work,” or describing a place they visited as “having a Gothic feel” (which now that I think about it, could be said of The Lizzie Borden Bed & Breakfast). But what actually is “Gothic horror” or “Gothic fiction?” And why does it still appeal to us after more than two-hundred and fifty years?

Surprisingly, Gothic fiction has very little to do with Gothic architecture or with Goth fashion and music (for more on that relationship, check out this brief YouTube video). And while most of the genre do take place in haunted houses, not all haunted house stories are Gothic, or vice versa. As this very helpful Tor.com article points out, “Some genres build the house. Others come along and decorate it. Gothic horror is a very decorative genre.”

So what is Gothic fiction? Well, to be honest, it’s a genre that arose out of another genre that was a response to a popular movement. In the 18th century, the Enlightenment movement emphasized discarding superstition in favor of science and reason. Some artists didn’t care for this philosophy and turned to Romanticism, which emphasized emotion and the self, as well as a veneration of the past, nature, and in some cases the supernatural. Gothic arose out of Romanticism, with artists and authors combining elements of the latter with horror, death and the supernatural, starting with The Castle of Otranto in 1764 by Horace Walpole, and followed by the works of Poe, Mary Shelley, Byron, and many others.

To put it simply, Gothic fiction could be considered the love-child of 18th and 19th century Romance stories and horror stories.

But that’s how Gothic fiction came to be. How do we identify it? Well, the horror novel Kill Creek by Scott Thomas (which I highly recommend), itself a Gothic novel, gives a great run-down of some of the common elements of the genre (I hope Mr. Thomas doesn’t mind me using them):

  • Emanation from a single location. The source of the evil is often a single location, usually a house. A great example of this is The Overlook Hotel from The Shining. It is the book’s main location, and it is the source of the evil in the story.
  • A sense of forbidden history. There’s a dark history associated with the location or something related to it. Again, a great example is The Overlook, which has been the setting for murders, suicides, and all sorts of horrid deaths and events, all of which have been swept under the rug for the sake of the hotel’s reputation, and later gets drudged up by Jack (and the hotel).
  • An atmosphere of decay or ruin. Things are rotting or falling apart, or seems to be anyway. It’s in the very air, almost. And it doesn’t have to be physical; it can be mental too. Just look at Jack’s mental state as The Shining progresses, if you need an example.
  • Corruption of the innocent. This one speaks for itself. The evil wants to destroy good and innocence and replace it with evil. Dracula, a great example of Gothic fiction, has the titular character turning good and innocent people into bloodsucking vampires. This is corruption of the innocent in its best example, and why vampire fiction is often grouped with Gothic fiction (did you expect another Shining reference?).

Dracula is another great example of Gothic literature, even if it’s not confined to a single location.

But those features aren’t universal among Gothic stories. They’re common features, but not there in every one (Dracula doesn’t just kill in one single place, after all). So what else makes a Gothic story? Well, there’s something I’ve noticed about Gothic stories: along with the atmosphere of decay, there’s also a veneration towards the darkness and to beauty. Remember, Gothic fiction rose from Romanticism, which venerates nature, emotion and beauty. So while we’re feeling an atmosphere of terror, there’s also this sense that the author has a respect and love of the darker elements along with the Romantic ones.

Of course, this is just scratching the surface of what constitutes Gothic, and I could go on for days on the subject if you let me. The best summary I can do for this post is to say that Gothic fiction are horror stories with a particular group of tropes, a veneration of darkness and horror, and Romantic appreciation for aesthetic and the fantastic world. And even that feels incomplete.

So what appeals to us about Gothic fiction, and has allowed it to survive and evolve whereas other niche genres like Westerns went out of style in less than sixty years? Well, there’s no easy answer there either. The Tor article says that the rules and expectations of the genre can be learned and make it appealing to readers. I’ve heard some people say good Gothic horror has an atmosphere unlike other genres, and that keeps them coming back. My opinion is that, in addition to those theories, Gothic can evolve because its main tropes are relevant no matter what age we’re in, especially the houses. But on a deeper level than that, most Gothic literature takes the childhood idea of home, a big place we feel safe in, and turns it inside out into a giant house of fear that is still somewhat beautiful and appealing. That is a strange inversion that can be attractive to readers, and may explain why we keep writing and reading Gothic stories over two-hundred and fifty years after Walpole started the genre.

However you define Gothic fiction or whatever its appeal is, there’s no doubt that it is a popular and influential genre that we’ve all experienced at lest once in our lives and remember. And perhaps by understanding it better, we can keep Gothic horror going for many more years to come. And I certainly wouldn’t mind that.

What elements of Gothic fiction did I miss here? What about it appeals to you?

What Gothic stories would you recommend for anyone interested in the genre?

You know, I’ve never reviewed a proper Stephen King story on this blog before. I’ve reviewed plenty of adaptations of his work, but never any of his actual stories. Probably because I’ve either gotten to them too late and so much time has passed that doing a review seems silly (which is true with the vast majority of his bibliography) or I didn’t feel there was enough to talk about to actually write a decent review (such as Gwendy’s Button Box, co-written with author Richard Chizmar). So I’m glad I’m finally able to review one of his books here. And this one is something else: it’s his latest novel, The Outsider.

The Outsider follows Ralph Anderson, a detective in the small city of Flint City, Oklahoma. The novel opens with Ralph and his fellow officers arresting Terry Maitland, a local teacher and boys’ baseball coach who is beloved by Flint City, for the horrific murder of a young boy. The state’s case seems ironclad: there’s not only eyewitnesses, but a ton of physical evidence linked back to Maitland. But soon after the arrest, evidence arises to cast doubt on Maitland’s guilt, and it’s just as ironclad. The contradiction in this case leads to a domino effect as Anderson and his allies try to figure out if the beloved Coach Maitland is hiding a darker personality, or if someone else, someone darker and worse, is at large in the town.

Now before I go into my review, let me just say that this book shares a few characters in common with King’s Mr. Mercedes trilogy, and contains a few spoilers. So if you haven’t read those books yet and would like to be surprised, probably hold off on this book until you’ve read those.

So I have to say, I came away very satisfied with this story. I like how King starts out with this novel seeming like a regular thriller-mystery: he shows the arrest, switching between the action and then showing interviews and documents from the investigation. The Outsider continues in this vein for a little while, but then goes in a different direction that defies your expectations so far. From there it develops into a compelling and strange read with some great characters. I especially liked Holly Gibney, who comes from the Mr. Mercedes trilogy. She’s neuro-atypical, like myself, but is shown to be an integral part of the investigation and makes certain leaps that, without her, the other characters might never be able to. It’s a very real portrayal of someone with disabilities, and I related to Holly on a number of levels. I love those sorts of portrayals of neuro-diverse people in fiction, and I hope to see more in the future.

But probably the novel’s greatest strength is just how hard it is to put down. King takes mystery, the strange, great characters, and much more to make a read that’s hard to put down. Normally I’m able to restrain myself to reading during my lunch break or on weekends, but this novel was so good, I found myself reading it late into the evening at times (which helped me to get to this review today).

That being said, The Outsider does have its issues. One of the biggest ones is that we’ve seen a lot of the concepts used and explored in the book in other King novels, and frankly done better there. I won’t say what, but they’re pretty obvious, and every time they came up, I kept thinking to myself, “This feels like a lighter/duller version of insert-story-name-here.” That, and I felt that the climax could’ve been a bit more epic. It was decent, but I felt it was hampered by too much exposition on the parts of the characters and the story’s villain, who is humanized a little too much (that makes more sense if you’ve read the book). Which, unfortunately, lowers the terror factor with a creative villain that could be as scary as some of King’s other famous villains. I was disappointed about that.

Overall, The Outsider is an entrancing and powerful read, subverting your expectations and leaving you wanting more. On a scale of 1 to 5, I’m giving it a 4.6. Check it out, and get sent down a mine shaft full of the strange and the unsettling.

That’s all for now, my Followers of Fear. I’ve got my own novel to work on, so I’m going to get on that this evening. Until then, pleasant nightmares!

A good number of you probably remember that late last year, I did a series of posts where I reevaluated scary movies I’d previously seen and disliked called the Rewatch Series. The first of those movies was the psychological horror anime movie Perfect Blue, released in 1997. I found that my previous dislike for the film had been based on my not understanding it, and that with a few more years and a better understanding, I found it to be a really good movie.

I’d also known for a long time that the movie was based on a novel, but it wasn’t translated into English and therefore I had no hope of reading it. That is, until I found out a few months ago that Seven Seas Entertainment had licensed and translated the novel for the English-language market. Naturally, I got excited and tried to get my hands on it. And after about four months, I finally did get a copy and sit down to read it.

Boy, that’s different than the movie in more ways than one. But of course, this won’t be a book-vs.-movie comparison (at least not entirely). It’s a review, so let’s get to reviewing.

Perfect Blue: Complete Metamorphosis follows two very different people: Mima Kirigoe, a Japanese pop idol who is trying to leave behind her image as an “innocent” starlet and take on a more mature image; and the other is someone simply identified as “the man,” a man who is obsessed with Mima and her “innocent” image and resolves to keep her innocent by any means necessary. When their paths intersect, their lives will be changed forever.

So right away, I should point out that the movie took a lot of liberties with the original story. Whereas the movie was a deeply psychological story about a young woman struggling with her identity, how people saw her, and how she saw herself after a career change, the novel itself is a very basic stalker story, like what you might find in an episode of Criminal Minds.* The story is mainly told from the viewpoints of Mima, who in this version is okay and even yearns for the changes to her image so she can progress in her idol career, and “the man,” whose sanity erodes the further Mima seems to get away from her innocent image and whose plans get more drastic. There are times when the story is told from the POV of other characters, but they’re always related in some way to the lives of Mima and “the man.”

What I do like about the novel is that “the man,” who in the movie is called “Mr. Me-Mania,” is given more complexity and we see more things from his perspective, why Mima’s innocence is so important for him and some of his ideas about the world. Not only that, but in the movie Mr. Me-Mania is, while intimidating, mostly a passive character, not taking any sort of action beyond stalking until late in the film. But from the beginning of the novel, “the man” is completely active and menacing, committing a horrific crime within the first few pages of the novel. It’s very effective for setting our perceptions of “the man,” and sets things up for the more disturbing actions he takes later in the story.

Speaking of which, there are some really disturbing scenes in the novel, especially as you go later in, that utilize body horror. Now, normally I’m not that big a fan of body horror (I associate it too much with torture porn, which I’m not the biggest fan of), but here it’s done very well, especially when “the man” starts practicing for his plan to “save” Mima. This is followed by a very scary climax, which utilizes tension, body horror, and good old-fashioned chase to effectively keep the reader drawn in and wanting to find out what happens next.

While not the same as the film, the novel is still good on its own merits.

However, the novel isn’t perfect. As I said, the story is a very basic stalker tale. The novel doesn’t go as deeply as it could into who Mima is as a person, and I would’ve liked to go deeper into that, as well as into other aspects of the story (but then again, Takeuchi did say in an afterword that he was simply writing a story around the conflict between an idol’s desire to grow and a fan’s desire to hold onto the image he fell in love with. On that alone, he certainly succeeded). That, and I felt that the novel ended a little too abruptly, without really showing the aftermath of the story’s main events.

Still, t is a decent, if very simple, story of psychotic cat and mouse. And while I like the movie better, I have to say I’m glad I picked up the original novel. On a scale of 1 to 5, I’m giving Perfect Blue: Complete Metamorphosis a 3.8. A gripping story of obsession with plenty of tension and well-written body horror. Take a look and let the story get under your skin (whether you want it to or not).

*In case you’re curious about the author’s feelings about the changes made to the story for the movie version, there’s an afterword at the end of the book written just after the film came out where he seems not only okay with the changes, but also was enthusiastic about the movie itself. Always nice when an author is okay with the changes made from book to film.

It’s hard to believe that a number of things are happening today (believe me, I’m still pinching myself). But among those things, one of them is something I’d like to bring up here, and that’s today is the fourth anniversary of the publication of my second novel, Snake, the cover of which is over there.

Now if you’re unfamiliar with Snake, let me tell you about it. I was between books in the Reborn City series, and I wanted to write something a bit closer to my native horror instead of some more sci-fi. I’d had an idea a while back, partially inspired by the movie Taken and slasher films of the 1980’s, and spent about six months writing it in 2013. The result was Snake, which was published June 10th, 2014.

Here is the blurb on the back cover of the novel:

How far will you go for love and revenge? When a young man’s girlfriend is kidnapped by the powerful Camerlengo Family, he becomes the Snake, a serial killer who takes his methods from the worst of the Russian mafia. Tracking down members of the Camerlengo Family one by one for clues, the Snake will go to any lengths to see the love of his life again…even if it means becoming a worse monster than any of the monsters he is hunting.

I was pretty nervous about this novel when it came out. While it was one of the easiest for me to write, it was also one of the most violent stories I’d ever written, and I had no idea what people would think when they read it. Also,– I was still a college student, fresh off my first trip to Europe, and had only just become legally able to drink in the United States, so I was wondering if people would notice how inexperienced a person I was with the story.

To my delight though, people who read the book tended to enjoy it. At the moment, it has seven reviews on Amazon, with the average rating a very nice 4.4 out of 5. Here’s what some of them had to say:

I really enjoyed this book. When I selected “dark” for the mood, it was almost a toss up with suspenseful. You knew early on who the mafia killer was, but the question of how he was going to find his girlfriend and rescue her was suspenseful. I ended up choosing “dark” because of the level of violence our main character used in getting to the girlfriend. But he was a complex character. Even though he definitely had the dark side to him, there was a surprisingly good side to him, too. You don’t really see this until later on in the book. So early on, you might think this is an unredeemable character. But one of the most intriguing characters are those who aren’t what they initially seem, and for this reason, I enjoyed this character. The pacing was just right. It wasn’t rushed, and in no way did I ever feel it dragged, which is awesome for a book that was over 500 pages in paperback.

This book is violent, and it contains sexual situations. Some of it can be cringeworthy. So I wouldn’t suggest this for young readers. I’d recommend this only to adults. If it was a movie, it would be a strong R. There’s also swearing. These things don’t bother me as a reader, but I know it bothers some, which is why I mention it. But if you don’t mind these elements, I think you will enjoy this book. It’s a great thriller.

–Ruth Ann Nordin, author of Marriage by Contract

A very good read. The mixture of horror and suspense were on point. I now want to read more of Ramis great books.

–Sherri

Rami Ungar makes a promise to (the reader) in all his writings: he WILL scare you, and if he does “his job is done.” Snake will scare you. I am a huge Stephen King fan, so this should give you some idea of my tolerance level for gore, death and mayhem – I was scared. Rami takes you into places you would never have believed possible, and manages to pull his hero (and eventually his heroine) out of them against all odds. If you like to be scared. If you LOVE to be scared. You should read this book.

–Angela Misri, author of Jewel of the Thames

Being compared to Stephen King always makes me giddy.

Anyway, this novel still has a special place in my heart. It was a real form of experimentation for me in terms of writing with violence, writing thriller fiction, and writing a sex scene (that didn’t get cut out of the final draft), among other things. And I’m still open to returning to that story and writing a sequel someday. Maybe two, depending on a number of factors.

And if you’d lie to check out Snake and maybe see if it’s up your alley, I’ll include the links to check it out below. And if you do decide to get a copy and read it, please let me know what you think. Positive or negative, I love receiving feedback from readers, and if you leave a review on Amazon or another site, it helps me in the long run by letting other people know what you think and helping them decide whether or not to check out the book.

That’s all for now, my Followers of Fear. I have a big day ahead of me, so I’ll talk to you all later. Until next time, pleasant nightmares.

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